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As Bill Monroe is commonly lauded as the father of bluegrass music, his tunes are standard repertoire and should be studied and memorized by any serious student of bluegrass. This book is a collection of transcriptions in notation and tablature taken from classic instrumentals recorded over a span of 40 years, from the early 1940s to the early 1980s. It functions as a fake book for bluegrassstudents to learn the original melody or to study Monroe's playing style. The melodies were played by mandolin, fiddle, twin fiddles, or triple fiddles, and are grouped accordingly. Generally included with the fiddle melody is a transcription of the mandolin break. These transcriptions, along with the discography, will be animportant resource for any student of bluegrass music
Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe's commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe's life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a "who's who" of bluegrass, connecting Monroe to the music's larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session's place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe's contributions as a composer, interpreter, and performer.
From cradle to great, the comprehensive real story of Bill Monroe The Father of Bluegrass Music, Bill Monroe was a major star of the Grand Ole Opry for over fifty years; a member of the Country Music, Songwriters, and Rock and Roll Halls of Fame; and a legendary figure in American music. This authoritative biography sets out to examine his life in careful detail--to move beyond hearsay and sensationalism to explain how and why he accomplished so much. Former Blue Grass Boy and longtime music journalist Tom Ewing draws on hundreds of interviews, his personal relationship with Monroe, and an immense personal archive of materials to separate the truth from longstanding myth. Ewing tells the story of the Monroe family's musical household and Bill's early career in the Monroe Brothers duo. He brings to life Monroe's 1940s heyday with the Classic Bluegrass Band, the renewed fervor for his music sparked by the folk revival of the 1960s, and his declining fortunes in the years that followed. Throughout, Ewing deftly captures Monroe's relationships and the personalities of an ever-shifting roster of band members while shedding light on his business dealings and his pioneering work with Bean Blossom and other music festivals. Filled with a wealth of previously unknown details, Bill Monroe offers even the most devoted fan a deeper understanding of Monroe's towering achievements and timeless music.
Bob Black was a member of Bill Monroe's Blue Grass Boys in the 1970s. Black's memoir of his time with the man he called the Chief offers the unique vantage point of a man who traveled and performed extensively with the Father of Bluegrass at a time when the music had opened up to new audiences--and Monroe had become a living legend. Both role model and taskmaster, Monroe exerted a profound influence on Black and the musicians who have carried on the bluegrass tradition. In addition to Black's one-of-a-kind story, Come Hither to Go Yonder includes complete listing of Black's appearances with Monroe, recollections of the memorable experiences they shared while working together, descriptions of other important musicians and bands, and suggestions for further reading and listening. Offering a rare perspective on the creative forces that drove one of America's greatest composers and musical innovators, Come Hither to Go Yonder rewards fans of Bill Monroe and bluegrass while offering an insider's view of a crucial time in the music's history.
Classic Bluegrass Solos for Mandolin is a collection of 22 solo transcriptions. Included are kick-off's, turnarounds, and solos from Bill Monroe's repertoire. an excellent way to study his ideas, technique, and approach.
Learn about the creation of the unique American music called bluegrass through the story of Bill Monroe. Bill Monroe loved many things: playing music, his big family, and his home in the bluegrass state of Kentucky. Even though his eyes were crossed and didn't work right, Bill's ears worked hard, picking out all sorts of sounds around his treasured home: rushing streams, wailing winds, and sundown jamborees with his family. Through heartache and hard times, Bill held on to these sounds that reminded him of home. Award-winning author Barb Rosenstock and illustrator Edwin Fotheringham beautifully capture the ups and downs of Bill Monroe's musical journey, and how his deep Kentucky roots helped him create a unique form of American music--bluegrass. Chuck Berry, Buddy Holly, Johnny Cash and Jerry Garcia all credit Bill Monroe with influencing their music.
Considering the range of stars that have claimed Bill Monroe as an influence—Elvis Presley, Bob Dylan, and Jerry Garcia are just a few—it can be said that no single artist has had as broad an impact on American popular music as he did. For sixty years, Monroe was a star at the Grand Ole Opry, and when he died in 1996, he was universally hailed as "the Father of Bluegrass." But the personal life of this taciturn figure remained largely unknown. Delving into everything from Monroe's professional successes to his bitter rivalries, from his isolated childhood to his reckless womanizing, veteran bluegrass journalist Richard D. Smith has created a three-dimensional portrait of this brilliant, complex, and contradictory man. Featuring over 120 interviews, this scrupulously researched work—a Chicago Tribune Choice Selection, New York Times Notable Book, and Los Angeles Times Best Book of 2000—stands as the authoritative biography of a true giant of American music.
Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe’s commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe’s life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a “who’s who” of bluegrass, connecting Monroe to the music’s larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session’s place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe’s contributions as a composer, interpreter, and performer.
Mandolin Picking Tunes: Early Music Gems by Dix Bruce is a collection of 34 wonderful songs from the 1200s to the 1600s especially arranged for intermediate and advanced mandolinists. The titles span the Medieval, Renaissance, and Baroque eras and the sounds of the individual songs reflect those years. The music includes standard notation, accompaniment chords, and tablature. Includes access to online audio recordings of each piece for listening and playing along.
Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.