Download Free Monomania Book in PDF and EPUB Free Download. You can read online Monomania and write the review.

"This book is about the obsessive strategies people use to keep the arbitrary out of their lives; it is about the fanaticism and intolerance linked to their ideas of perfection and permanence.... Those readers who have brushed against the dangers of the idée fixe, who have come close to surrendering to something or someone diabolically seductive or coercive, will recognize in these characters their own encounter with a dangerously systematized world."—From the introduction. Monomania explores the cultural prominence of the idée fixe in Western Europe during the nineteenth and twentieth centuries. Marina van Zuylen revives the term monomania to explore the therapeutic attributes of obsession. She introduces us to artists and collectors, voyeurs and scholars, hypochondriacs and melancholics, whose lives are run by debilitating compulsions that may become powerful weapons against the tyranny of everyday life. In van Zuylen's view, there is a productive tension between disabling fixations and their curative powers; she argues that the idée fixe has acted as a corrective for the multiple disorders of modernity. The authors she studies—Charles Baudelaire, Sophie Calle, Elias Canetti, George Eliot, Gustave Flaubert, and Thomas Mann among them—embody or set in motion different manifestations of this monomaniacal imperative. Their protagonists or alter egos live more intensely, more meaningfully, because of the compulsive pressures they set up for themselves. Monomania shows that transforming life into art, or at least into the artful, drives out the anxiety of the void and puts in its place something so orderly and meaningful that it can take on the aura of a religion.
Deals with the subject of Schizophrenia and Other Psychotic Disorders. With more than 600 entries, this work features a foreword and an introduction, and references and appendixes. Its coverage includes the history, treatment, diagnosis, and medical research and theories regarding this class of mental illness.
We live in an age of obsession. Not only are we hopelessly devoted to our work, strangely addicted to our favorite television shows, and desperately impassioned about our cars, we admire obsession in others: we demand that lovers be infatuated with one another in films, we respond to the passion of single-minded musicians, we cheer on driven athletes. To be obsessive is to be American; to be obsessive is to be modern. But obsession is not only a phenomenon of modern existence: it is a medical category—both a pathology and a goal. Behind this paradox lies a fascinating history, which Lennard J. Davis tells in Obsession. Beginning with the roots of the disease in demonic possession and its secular successors, Davis traces the evolution of obsessive behavior from a social and religious fact of life into a medical and psychiatric problem. From obsessive aspects of professional specialization to obsessive compulsive disorder and nymphomania, no variety of obsession eludes Davis’s graceful analysis.
TW Index is a complete and detailed index of everything that has appeared in the SDC Turning Wheels magazine since its inception in 1972. Of greatest importance are the advice items that are indexed by subject (engines, brakes, steering, etc.), model AND year including all individual letters that appear in the Co-Operator column. Historical items are also indexed by subject as well as by the vehicle (model and year) they relate to. If you own, for instance, a 1959 Hawk, TW Index will give you instant access to everything that has been published about your car and much more. Each listing, of course, refers you to the specific issue of "Turning Wheels" and cites the page on which the item begins. Rated "excellent" by Fred Fox and Bob Palma. Volume 1 of Turning Wheels Index includes issues of Turning Wheels from 1972 through 1992 with 10,711 references on 159 pages. Volume 2 of Turning Wheels Index includes 1993 through 2009 with 9,995 references on 158 pages.
The long 19th century-stretching from the start of the American Revolution in 1776 to the end of World War I in 1918-was a pivotal period in the history of disability for the Western world and the cultures under its imperial sway. Industrialization was a major factor in the changing landscape of disability, providing new adaptive technologies and means of access while simultaneously contributing to the creation of a mass-produced environment hostile to bodies and minds that did not adhere to emerging norms. In defining disability, medical views, which framed disabilities as problems to be solved, competed with discourses from such diverse realms as religion, entertainment, education, and literature. Disabled writers and activists generated important counternarratives, made increasingly available through the spread of print culture. An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Nineteenth Century includes chapters on atypical bodies, mobility impairment, chronic pain and illness, blindness, deafness, speech dysfluencies, learning difficulties, and mental health, with 37 illustrations drawn from period sources.
Examines the records on insanity in England, Ireland, Canada, and the United States over a 250-year period, concluding, through quantitative and qualitative evidence, that insanity is an unrecognized, modern-day plague.
Drawing on the recent academic interest in approaching health and wellbeing from a humanities perspective, Sensation Novels and Domestic Minds investigates how the Victorians dealt with questions of mental health by examining literary works in the genre of sensation fiction. The novels of Mary Elizabeth Braddon and Wilkie Collins, two prominent writers of the genre, often portray characters suffering from mental illnesses commonly diagnosed at the time, among which are monomania, moral insanity, melancholia and hypochondria. By studying the fictional works of Braddon and Collins alongside medical texts from the nineteenth century, it sets out to investigate how these novels fictionally represented real mental sufferings. This book considers the different mental illnesses the characters of sensation novels develop inside and outside the home as they struggle to define their own identity against Victorian social expectations. It demonstrates how these novels fictionalised the crisis of the leisured upper classes, who spent most of their time at home, and found themselves at odds with a society that increasingly separated the domestic and working environments, while also considering the impact that a lack of a sense of domestic belonging could have on their mental health. Sensation Novels and Domestic Minds further analyses the extent to which domesticity—in its excess or lack—could afflict the mental health of Victorian men and women through the fictional representation of suicidal thoughts and acts in the novels of Braddon and Collins.