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Fantasy fiction. The Monkey King has snatched the sea-fix magic pin from the Dragon King, and the news soon passed onto the Jade Emperor in heaven. Concerned that an undisciplined animal with immortal powers may cause chaos in the human world, the Jade Emperor invites the Monkey King to serve in heaven, hoping to control him this way. After learning that the Jade Emperor's purpose is to control him, the Monkey King furiously rebel against the Emperor by creating the biggest havoc in history up in heaven.
The MONKEY Series are picture books based on the ancient Chinese fantasy novel journey to the West, a story rich in tales about demons and monsters who try to stop the Tang Priest Xuanzang from reaching the Thunder Monastery in India to fetch Buddhist scriptures. The real hero of this novel, loved for four hundred years by Chinese readers, is the resourceful, brave and humorous Monkey.
Retells the adventures of the Monkey King who creates chaos in heaven as he challenges warriors in magical competitions.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
A mischievous monkey acquires god-like powers and creates havoc in heaven. First part of a translation of the Chinese legend as retold in the sixteenth-century novel Journey to the West.
The mischievous Monkey King attempts to achieve immortality the easy way, gains god-like powers, and wreaks havoc in heaven.
Sun Wukong becomes the Monkey King after being born out of a rock on the Huaguo Mountain. Amused by his fellow monkeys' attempts at military drills, he decides to find a better weapon, as his sword is useless. The nearby Dragon Palace, which is full of treasures, seems like the perfect place. But Sun finds that the weapons there are too light. That is, until the proud Dragon King presents him with the cudgel that tamed the waters in ancient times. It weighs over six tons, so Sun shrinks it to fit into his ear. Unable to get it back, the Dragon King turns to Heaven for help. The gods try to tame Sun by giving him minor positions in Heaven - firstly as the head of the stables, and then the guardian of the garden. When this fails, they resort to force. The gods have never tried to tame such a free and rebellious soul before. They put too much faith in their army, which turns out to be a huge mistake!
Havoc in Heaven is based on the widely-acclaimed colour cartoon film that was drawn from the opening chapters of the sixteenth-cen¬tury fantasy novel Journey to the West. Its hero is the ever-popular folk hero, the cheerful, and disrespectful Monkey King, who uses his tremendous magic powers to frustrate Heaven's attempts to crush him. The story is illustrated by 84 stills from the film. Adapted by Tang Cheng from the cartoon film of the same title Scenes from the film by Yan Dingxian Pu Jiaxiang Lin Wenxiao Lu Qing Gao Yang Fang Pengnian Translated by W.J.F Jenner Havoc in Heaven The cartoon film of the same title 1964 First Edition 1979 Reprint 2021
Able to shape-shift and ride the clouds, wielding a magic cudgel and playing tricks, Sun Wukong (aka Monkey or the Monkey King) first attained superstar status as the protagonist of the sixteenth-century novel Journey to the West (Xiyou ji) and lives on in literature and popular culture internationally. In this far-ranging study Hongmei Sun discusses the thousand-year evolution of this figure in imperial China and multimedia adaptations in Republican, Maoist, and post-socialist China and the United States, including the film Princess Iron Fan (1941), Maoist revolutionary operas, online creative writings influenced by Hong Kong film A Chinese Odyssey (1995), and Gene Luen Yang’s graphic novel American Born Chinese. At the intersection of Chinese studies, Asian American studies, film studies, and translation and adaptation studies, Transforming Monkey provides a renewed understanding of the Monkey King character as a rebel and trickster, and demonstrates his impact on the Chinese self-conception of national identity as he travels through time and across borders.