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Eleven-year-old Clay must find a home on the streets of New York City in this award-winning, heartbreakingly honest novel. He was eleven years old, and he had never felt so alone in his life. Clay Garrity lived a normal life until his father lost his job and abandoned the family. Now his pregnant mother has deserted him too, leaving Clay alone in a welfare hotel with a jar of peanut butter and half a loaf of bread. Fearing being placed in foster care, Clay runs away. Alone in the city, Clay wanders down streets with boarded-up buildings and through dark alleys, until he comes to a small triangular park that looks like an island in a stream. In the light of a street lamp, he sees cardboard boxes, blankets, bundles—and people. Some are lying on benches, others inside boxes. Two of the men, Calvin and Buddy, offer to share their shelter, and Clay is grateful to have a place to stay during the bitter November cold. Before long, Calvin, Buddy, and Clay form a family amid the threatening dangers and despair of the streets. Clay knows that leaving the streets and going into foster care means that he may never see his parents again. But if he stays, he may not survive at all. An ALA Best Book for Young Adults, this acclaimed novel offers an intensely moving and candid look at the all-too-real lives of homeless teens.
A story about the tough and frightening world of New York's homeless seen through the eyes of Clay, an 11-year-old boy abandoned by his mother. the author won the American Book Award for A Place Apart and the Newberry Medal for The Slave Dancer.
When he sees all the attention which his parents and people in the neighborhood give to Jacob, eleven-year-old Paul struggles with his feelings toward this younger brother who has Down syndrome.
Born to nomadic and bohemian parents who rarely had time for her, the author presents a portrait of her childhood, detailing her many homes, from an orphanage in Manhattan to a sugar plantation in Cuba.
National Book Award Winner: A grieving teenager wonders if she’ll ever understand anything—especially the big things—in life. Time passed, and all the minutes hurt . . . After her father’s death, Victoria Finch’s life changes completely. To save money, she and her mother move from Boston to a small house in the town of New Oxford. There, Victoria attends school in a building that resembles a train station, where no one pays her much attention. Then she meets Hugh Todd, the rich kid who runs the school’s theater club. He’s charming, adventurous, and encouraging, and he takes particular interest in Victoria’s writing. Hugh’s presence reinvigorates Victoria’s life. But he needs something as well, and as the months pass, Victoria realizes that his friendship comes at a high price. A New York Times Outstanding Book of the Year, A Place Apart is a lyrical novel of loss, friendship, and moving on.
When Liam finds out that his father has AIDS, he refuses to believe that it was transmitted by a blood transfusion. Although he never told a soul, three years before, during a family vacation, Liam saw his father on the beach with another man. As time passes and the disease takes its toll, Liam desperately searches for the meaning of life in his father's gaunt face. Text copyright 2004 Lectorum Publications, Inc.
Max and his little brother Adam make a bet about eating chocolate-covered ants.
Winner of the Boston Globe–Horn Book Award:A young girl learns some hard truths about human nature in this thought-provoking, beautifully crafted novel. Tomorrow, Emma’s uncle is coming to take her to his house on Long Island while her father undergoes surgery and her mother stays with him in hospital. For two whole weeks, Emma will be stuck with her father’s half-sister: the strange, bossy Aunt Bea. Luckily, Emma makes a friend at the beach, Bertie, and the two girls begin building a village made entirely of shells. There’s the mayor’s house, constructed of sand dollars and with a roof of pinecones, and the main street with white bubble shells. Every day the girls add to their village by the sea. Then, just before Emma is to return home, something awful happens. In this thoughtful novel, Newbery Medal and Hans Christian Andersen Award winner Paula Fox offers an unflinching and candid depiction of forgiveness and unconditional love.
Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.
WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013 This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almodóvar film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.