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Two exciting adventures starring a Tribe of friends! Why is Copper Pie bunking off school at lunchtime? When the other Tribers find out, they can't help getting involved and they're soon in trouble (again). Then it's the school camping trip, where Team Tribe build rafts, tell jokes, race rubber ducks and finally face the scary assault course. Will Fifty manage to conquer his fear? It's non-stop for Tribe.
Three exciting adventures starring a Tribe of friends! Fifty causes all sorts of mayhem when he accidentally kidnaps his sister. Keener is too busy working out how to mountain-board to remember he's dog-sitting Bee's Labradoodle. Bee does a good job of forgetting her birthday, then remembering it, and then wishing she hadn't. And all the Tribers have a difficult dilemma when their arch-enemy, Callum, gets falsely accused. Should they help or not? It's non-stop for Tribe.
The Tribers – Bee, Jonno, Keener, Fifty and Copper Pie – have fun getting in and out of adventures.Only six days left to fill a thousand water bombs for the summer fair, and Copper Pie goes off with Tribe’s arch enemy! Will it be a washout or can the Tribers save the day? There's a thief in school. The Tribers catch the culprit, and then wish they hadn't. Then Marco the mad mountain-boarder presents Tribe with a tricky dilemma. It’s non-stop for Tribe!
The Tribers – Bee, Jonno, Keener, Fifty and Copper Pie – have fun getting in and out of adventures.When Copper Pie knocks the ear off the school statue with a catapult, he’s in serious danger of being expelled. Luckily, new boy Jonno has some bright ideas, and Tribe is born.Then Tribe tame the scary Alley Cats gang and defend their territory using the world’s weirdest weapons: Bee’s cupcakes and a stag beetle. It’s non-stop for Tribe!
In 'Monkey Bars and Rubber Ducks', the Tribers - Bee, Jonno, Keener, Fifty and Copper Pie - have more fun getting in and out of adventures.
This “sterling debut” short story collection explores immigrant life in prose that is “crisp and economical but also poetic and full of imagery” (Publishers Weekly, starred review). The nine linked stories of Reema Rajbanshi’s Sugar, Smoke, Song are set in the Bronx, California, India, and Brazil. Following the secrets and passions of young women, these stories and their narrators cross genres and rules to arrive at unforeseen lives. A subway rider remembers enacting the gods with her estranged twin; a concert usher discovers her tango-dancing boyfriend’s lover; and a literacy worker confesses the gambles she and others have lost through the bluesy singers she admires. Told through semi-experimental play with nonlinear plots, plural narrators, and hybrid prose, these stories embody the experiences of immigrants from Africa, Asia and South America who carrying histories both unseen and cyclically lived.
A brilliant writer, first-time mother, and respected biologist, Sandra Steingraber tells the month-by-month story of her own pregnancy, weaving in the new knowledge of embryology, the intricate development of organs, the emerging architecture of the brain, and the transformation of the mother's body to nourish and protect the new life. At the same time, she shows all the hazards that we are now allowing to threaten each precious stage of development, including the breast-feeding relationship between mothers and their newborns. In the eyes of an ecologist, the mother's body is the first environment, the mediator between the toxins in our food, water, and air and her unborn child.Never before has the metamorphosis of a few cells into a baby seemed so astonishingly vivid, and never before has the threat of environmental pollution to conception, pregnancy, and even to the safety of breast milk been revealed with such clarity and urgency. In Having Faith, poetry and science combine in a passionate call to action.A Merloyd Lawrence Book
Children's literature isn't just for children anymore. This original study explores the varied forms and roles of children's literature—when it's written for adults. What do Adam Mansbach's Go the F**k to Sleep and Barbara Park's MA! There's Nothing to Do Here! have in common? These large-format picture books are decidedly intended for parents rather than children. In No Kids Allowed, Michelle Ann Abate examines a constellation of books that form a paradoxical new genre: children's literature for adults. Distinguishing these books from YA and middle-grade fiction that appeals to adult readers, Abate argues that there is something unique about this phenomenon. Principally defined by its form and audience, children's literature, Abate demonstrates, engages with more than mere nostalgia when recast for grown-up readers. Abate examines how board books, coloring books, bedtime stories, and series detective fiction written and published specifically for adults question the boundaries of genre and challenge the assumption that adulthood and childhood are mutually exclusive.
*NATIONAL BESTSELLER* From New York Times bestselling author Randy Wayne White, after the deadliest hurricane to hit Florida’s Gulf Coast in a century, Doc Ford must stop a gang of thieves—and worse—during the twelve hours of chaos that follow the passing of a storm’s eye. A Russian diplomat disappears while Doc is tagging great white sharks in South Africa, and members of a criminal brotherhood, Bratva, don’t think it’s a coincidence. They track the biologist to Dinkin’s Bay Marina on the west coast of Florida, where Brotherhood mercenaries have already deployed, prepared to pillage and kill in the wake of an approaching hurricane. No one, however, is prepared for a cataclysmic event that will forever change the island and leaves Doc to deal with escapees from Russia’s most dangerous prison, including a serial killer—the Vulture Monk—who has a taste for blood. His only ally is an enigmatic British inventor whose decision to ride out the storm might have more to do with revenge than protecting a priceless art collection. Doc has a lot at stake—the lives of his fiancée, Hannah Smith, and their son, plus the fate of his hipster pal, Tomlinson, whose sailboat has disappeared in the Gulf of Mexico. The greatest threat of all, though, is a force that cannot be escaped—a Category Five hurricane that, minute by minute, melds sins of the past with Florida's precarious future.