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Charles Albert Bender was one of baseball&’s most talented pitchers. By the end of his major league career in 1925, he had accrued 212 wins and more than 1,700 strikeouts, and in 1953, he became the first American Indian elected to baseball&’s Hall of Fame. But as a high-profile Chippewa Indian in a bigoted society, Bender knew firsthand the trauma of racism. In Money Pitcher: Chief Bender and the Tragedy of Indian Assimilation, William C. Kashatus offers the first biography of this compelling and complex figure. Bender&’s career in baseball began on the sandlots of Pennsylvania&’s Carlisle Indian Industrial School, where he distinguished himself as a hard-throwing pitcher. Soon, in 1903, Philadelphia Athletics manager Connie Mack signed Bender to his pitching staff, where he was a mainstay for more than a decade. Mack regarded Bender as his &“money pitcher&”&—the hurler he relied on whenever he needed a critical victory. But with success came suffering. Spectators jeered Bender on the field and taunted him with war whoops. Newspapers ridiculed him in their sports pages. His own teammates derisively referred to him as &“Chief,&” and Mack paid him less than half the salary of other star pitchers. This constant disrespect became a major factor in one of the most controversial episodes in the history of baseball: the alleged corruption of the 1914 World Series. Despite being heavily favored going into the Series against the Boston Braves, the A&’s lost four straight games. Kashatus offers compelling evidence that Bender intentionally compromised his performance in the Series as retribution for the poor treatment he suffered. Money Pitcher is not just another baseball book. It is a book about social justice and Native Americans&’ tragic pursuit of the white American Dream at the expense of their own identity. Having arrived in the major leagues only thirteen years after the Wounded Knee Massacre of 1890, Bender experienced the disastrous effects of governmental assimilation policies designed to quash indigenous Indian culture. Yet his remarkable athleticism and dignified behavior disproved popular notions of Native American inferiority and opened the door to the majors for more than 120 Indians who played baseball during the first half of the twentieth century.
The greatest American Indian baseball player of all time, Charles Albert Bender, was, according to a contemporary, the coolest pitcher in the game. Using a trademark delivery, an impressive assortment of pitches that may have included the game s first slider, and an apparently unflappable demeanor, he earned a reputation as baseball s great clutch pitcher during tight Deadball Era pennant races and in front of boisterous World Series crowds. More remarkably yet, Chief Bender s Hall of Fame career unfolded in the face of immeasurable prejudice. This skillfully told and complete account of Bender s life is also a portrait of greatness of character maintained despite incredible pressure of how a celebrated man thrived while carrying an untold weight on his shoulders. With a journalist s eye for detail and a novelist s feel for storytelling, Tom Swift takes readers on Bender s improbable journey from his early years on the White Earth Reservation, to his development at the Carlisle Indian School, to his big break and eventual rise to the pinnacle of baseball. The story of a paradoxical American sports hero, one who achieved a once-unfathomable celebrity while suffering the harsh injustices of a racially intolerant world, Chief Bender s Burden is an eye-opening and inspiring narrative of a unique American life.
The true story of John Meyers and Charles Bender, who in 1911 became the first two Native pro baseball players to face off in a World Series. This picture book teaches important lessons about resilience, doing what you love in the face of injustice, and the fight for Native American representation in sports. Charles Bender grew up on the White Earth Reservation in Northwestern Minnesota. John Meyers was raised on the Cahuilla reservation in Southern California. Despite their mutual respect for each other's talents and their shared dedication to Native representation in baseball, the media was determined to pit them against each other. However, they never gave up on their dreams of being pro baseball players and didn’t let the supposed rivalry created by the media or the racism they faced within the stadium stop them. They continued to break barriers and went on to play a combined total of nine championships. With text by Traci Sorell and illustrations by Arigon Starr that brings these two players to life, the stories of John Meyers and Charles Bender remain an inspiration for achieving and maintaining one’s dreams in the face of prejudice.
This invaluable resource provides a comprehensive historical and demographic overview of American Indians along with more than 100 cross-referenced entries on American Indian culture, exploring everything from arts, literature, music, and dance to food, family, housing, and spirituality. American Indian Culture: From Counting Coup to Wampum is organized by cultural form (Arts; Family, Education, and Community; Food; Language and Literature; Media and Popular Culture; Music and Dance; Spirituality; and Transportation and Housing). Examples of topics covered include icons of Native culture, such as pow wows, Indian dancing, and tipi dwellings; Native art forms such as pottery, rock art, sandpainting, silverwork, tattooing, and totem poles; foods such as corn, frybread, and wild rice; and Native Americans in popular culture. The extensive introductory section, breadth of topics, accessibly written text, and range of perspectives from the many contributors make this work a must-have resource for high school and undergraduate audiences.
Minnesota historians present recent and groundbreaking work on a range of people and events that make up the state's history.
Amid controversies surrounding the team mascot and brand of the Washington Redskins in the National Football League and the use of mascots by K–12 schools, Americans demonstrate an expanding sensitivity to the pejorative use of references to Native Americans by sports organizations at all levels. In Indian Spectacle, Jennifer Guiliano exposes the anxiety of American middle-class masculinity in relation to the growing commercialization of collegiate sports and the indiscriminate use of Indian identity as mascots. Indian Spectacle explores the ways in which white, middle-class Americans have consumed narratives of masculinity, race, and collegiate athletics through the lens of Indian-themed athletic identities, mascots, and music. Drawing on a cross-section of American institutions of higher education, Guiliano investigates the role of sports mascots in the big business of twentieth-century American college football in order to connect mascotry to expressions of community identity, individual belonging, stereotyped imagery, and cultural hegemony. Against a backdrop of the current level of the commercialization of collegiate sports—where the collective revenue of the fifteen highest grossing teams in Division I of the National Collegiate Athletic Association (NCAA) has well surpassed one billion dollars—Guiliano recounts the history of the creation and spread of mascots and university identities as something bound up in the spectacle of halftime performance, the growth of collegiate competition, the influence of mass media, and how athletes, coaches, band members, spectators, university alumni, faculty, and administrators, artists, writers, and members of local communities all have contributed to the dissemination of ideas of Indianness that is rarely rooted in native people’s actual lives.
What can baseball teach us about language, culture, and society? The first book-length exploration of multilingualism in professional sports, Multilingual Baseball provides an intimate look at language diversity in the transnational world of baseball. Based on extensive interviews and observations in the US and the Dominican Republic, the book foregrounds the voices of current and former players, coaches, front office personnel, international scouts, language teachers, and interpreters, with baseball experience in the Dominican Republic, Cuba, South Korea, Taiwan, and the United States. Engaging a wide range of foundational concepts within sociolinguistics, applied linguistics, and linguistic and cultural anthropology, the analysis reveals the relevance of bilingualism to the social and economic realities of professional baseball as a transnational business. It also illuminates day-to-day encounters with linguistic and cultural difference on the field, in clubhouses, and in communities around the world. Through this linguistic lens, the book delves into social issues in diverse societies by connecting interactions within baseball to the broader challenges of immigration, race, and demographic change. While grounded in the experiences of Spanish and English speakers in US Major League Baseball organizations, Multilingual Baseball presents the transnational game as a microcosm of globalizing societies around the world, inviting readers to consider what we can learn from the bilingual understandings and misunderstandings that arise in everyday baseball interactions.
Almost A Dynasty details the rise and fall of the World Champion 1980 Phillies. Based on personal interviews, newspaper accounts, and the keen insight of a veteran baseball writer, the book convincingly explains how a losing team was finally able to win its first world championship.
Lefty and Tim is the dual biography of Hall of Fame pitcher Steve “Lefty” Carlton and catcher Tim McCarver, detailing their relationship from 1965, when they played with the St. Louis Cardinals, through 1980, when they played for the Philadelphia Phillies. Along the way McCarver became Carlton’s personal catcher, and together they became the best battery in baseball in the mid-to-late 1970s. At first glance Carlton and McCarver appear like an odd couple: McCarver was old school, Carlton new age. At the beginning of his career, McCarver believed that the catcher called the pitches, encouraged the pitcher when necessary, and schooled the pitcher when he deviated from the game plan. But Lefty, who pioneered the use of meditation and martial arts in baseball, was stubborn too. He wanted to control pitch selection. Over time, Carlton and McCarver developed a strong bond off the diamond that allowed them to understand and trust each other. In the process, Steve Carlton became one of the greatest left-handers in the history of Major League Baseball, an achievement that would not have been possible without Tim McCarver as his catcher. Not only did McCarver mentor Carlton as a young hurler with the Cardinals, but he helped resurrect Carlton’s career when they were reunited in Philadelphia midseason in 1975. Carlton won his second Cy Young Award with McCarver behind the plate in 1977. Told in the historical context of the time they played the game, Lefty and Tim recounts the pair’s time in the tumultuous sixties, with the racial integration of the St. Louis Cardinals and the dominance of pitching, and in the turbulent seventies, characterized by MLB’s labor tensions, the arrival of free agency, and the return of the lively ball that followed the lowering of the pitcher’s mound in 1969.
This account of the four baseball seasons of 1900 through 1903 seeks to capture the flavor of the period by providing yearly overviews from the standpoint of each team and by focusing more deeply on 30 or more players of the era--not only such legendary stars as Cy Young and Willie Keeler, but also relative unknowns such as Bill Keister and Kip Selbach. Each team section is supplemented by a table providing the significant batting and pitching statistics for each regular team member. The major theme of the period was the baseball war between the National and American leagues from 1900 to 1903. But the broad multi-season, multi-team view allows varying the focus. The pennant races receive due attention but there are other aspects of the baseball drama, such as: the aging star who finds a way to extend his period of dominance (Cy Young); the young, unpolished phenom whose raw talent enables him to excel (Christy Mathewson); and the fierce competitor who risks injury to help his team (Joe McGinnity or Deacon Phillippe).