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June 1982. John Boorman, director of Deliverance and Excalibur arrives in Los Angeles to raise finance for a film based on a newspaper account of a young American boy who was kidnapped by Brazilian Indians and whose father spent ten years searching for his lost child. March 1985. The film The Emerald Forest, is sneak-previewed to audiences in Dallas and San Diego. This diary chronicles the three-year journey John Boorman undertook to make this film. This quest took him into the tangled, but fascinating, jungle of Hollywood (its studios, lawyers, financiers), involved him in the complex manoeuverings that went on within England' s Goldcrest organization, and sent him on a journey through the rain forest and rivers of Brazil.
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.
In Money and Magic, Binswanger elucidates Goethe's remarkable prediction that, following the Industrial Revolution, economic society would be built on the transformation of natural resources into a continually expanding money supply. Yet Goethe also cautioned of the results should modern society exploit these resources and fail in its responsibility to the natural environment. Goethe meant Faust to be a warning to modern economic society.
In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story.
A 50 page Companion Booklet To The Spoken Word Album. Writer/Director Walter Hill, well-known for his westerns (The Long Riders, Geronimo, Wild Bill, Deadwood, Broken Trail), tells the story of a shootout that occurred in Newton, Kansas in 1871 and its legendary aftermath of violence and controversy. "The Cowboy Iliad reaches back to the spoken tradition of storytelling - designed to have no simple resolution, but a mix of history, nostalgia and speculation. And, of course, we wanted to honor the tradition of the Western... In other words, Bobby Woods and I had a couple of shooters and made a record." - Walter Hill As heard on The Cowboy Iliad Spoken Word Album. Hill makes his recording debut at the age of 77, and, for the first time, his writing is presented using his own voice. Hill began his film career as screenwriter, notably working with filmmakers Sam Peckinpah (The Getaway) and John Huston (The MacKintosh Man). He made his own directorial debut in 1975 with Hard Times starring Charles Bronson and James Coburn. In the years following he directed many films, including The Driver, The Warriors, Southern Comfort, 48 HRS., Streets Of Fire, Red Heat, Johnny Handsome, Last Man Standing, Bullet To The Head, and most recently The Assignment. Hill also served as a co-writer and co-producer on the first three Alien films. Recently, Hill has written three graphic novels published in Paris by Rue de Sèvres; Balles Perdues, Corps et Âme, and Le Specimen. The Cowboy Iliad is written by Walter Hill. The album is produced by Bobby Woods with music performed by Les Deux Love Orchestra.The album is released by Heart Times Coffee Cup Studios and available on Amazon, Spotify, iTunes, Apple Music, and everywhere records are streamed and sold.
A lemonade stand in winter? Yes, that's exactly what Pauline and John-John intend to have, selling lemonade and limeade--and also lemon-limeade. With a catchy refrain (Lemon lemon LIME, Lemon LIMEADE! Lemon lemon LIME, Lemon LEMONADE!), plus simple math concepts throughout, here is a read-aloud that's great for storytime and classroom use, and is sure to be a hit among the legions of Jenkins and Karas fans. "A beautifully restrained tribute to trust and tenderness shared by siblings; an entrepreneurship how-to that celebrates the thrill of the marketplace without shying away from its cold realities; and a parable about persistence." —Publishers Weekly, Starred
An intimate memoir by the controversial and outspoken Oscar-winning director and screenwriter about his complicated New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface. Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with in-the-moment details of the high and low moments: We see meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); his risky on-the-ground research of Miami drug cartels for Scarface; his stormy relationship with The Deer Hunter director Michael Cimino; the breathless hustles to finance the acclaimed and divisive Salvador; and tensions behind the scenes of his first Academy Award-winning film, Midnight Express. Chasing the Light is a true insider's look at Hollywood's years of upheaval in the 1970s and '80s.
The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.
“I am most grateful for two things: that I was born in North Korea, and that I escaped from North Korea.” - Yeonmi Park "One of the most harrowing stories I have ever heard - and one of the most inspiring." - The Bookseller “Park's remarkable and inspiring story shines a light on a country whose inhabitants live in misery beyond comprehension. Park's important memoir showcases the strength of the human spirit and one young woman's incredible determination to never be hungry again.” —Publishers Weekly In In Order to Live, Yeonmi Park shines a light not just into the darkest corners of life in North Korea, describing the deprivation and deception she endured and which millions of North Korean people continue to endure to this day, but also onto her own most painful and difficult memories. She tells with bravery and dignity for the first time the story of how she and her mother were betrayed and sold into sexual slavery in China and forced to suffer terrible psychological and physical hardship before they finally made their way to Seoul, South Korea—and to freedom. Park confronts her past with a startling resilience. In spite of everything, she has never stopped being proud of where she is from, and never stopped striving for a better life. Indeed, today she is a human rights activist working determinedly to bring attention to the oppression taking place in her home country. Park’s testimony is heartbreaking and unimaginable, but never without hope. This is the human spirit at its most indomitable.