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From a world authority on impressionism and nineteenth-century French art comes this new addition to the World of Art series on the art and life of Claude Monet. One of the most famous and admired painters of all time, Claude Monet (1840– 1926) was the architect of impressionism—a revolution that gave birth to modern art. His technique of painting outside at the seashore or in city streets was as radically new as his subject matter: the landscapes and middle-class pastimes of a newly industrialized Paris. Working with unprecedented immediacy and authenticity, Monet claimed that his work was both natural and true, and therefore, entirely novel. In Monet, James H. Rubin, one of the world’s foremost specialists in nineteenth-century French art, traces Monet’s development, from his early work as a caricaturist to the late paintings of water lilies and his garden at Giverny. Rubin explores the cultural currents that helped shape Monet’s work, including the utopian thought that gave rise to his politics, his interest in Japanese prints and gardening, and his relationship with earlier French landscape painters and contemporaries such as E´douard Manet and Pierre-Auguste Renoir. Featuring more than 150 color illustrations of his key works, Rubin establishes Monet as the inspiration for generations of avant-garde artists and a true patriarch of modern art.
"The world's appearance would be shaken if we succeeded in perceiving the spaces in between things as things." These words from the philosopher Maurice Merleau-Ponty apply to the core of Claude Monet's art in the years between 1880 and the beginning of the twentieth century. While interest usually lies only on the early and late work of this exceptional artist, the catalogue, containing more than fifty works of art, traces the development between these two periods. Accompanied by texts by well-known art historians, the reader is invited to follow Monet's unusual treatment of reflections and shadows in his paintings. It allowed him to break loose from the modalities of representational logic and the pictorial object. And they made room for an aesthetic that helped to do justice to perception itself and to enforce a painting's self-reflexive momentum. Exhibition: Fondation Beyeler Riehen/Basel 22.1.-28.5.2017
See how iconic artists like Claude Monet were influenced by their environments in this beautiful series produced in collaboration with The Met. See the world through Claude Monet’s’ eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favorite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with the Metropolitan Museum of Art, you can see what they saw and be inspired to create your own artwork, too. In What the Artist Saw: Claude Monet, meet famous French painter Claude Monet. Step into his life and learn how he pioneered the Impressionist movement. Learn all about his love of nature and how he was inspired to paint light, water, and water lilies. Have a go at producing your own art inspired by what you find most beautiful about nature! In this series, follow the artists’ stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep— perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.
This book sets Money's challenges and achievements within personal and historical contexts and carefully reconstructs his painting campaigns and strategies. What unfolds is a complicated story of an aging artist determined to create a new art. This book is the catalogue of a Monet exhibition that opened at the Museum of Fine Arts in Boston on September 23, 1998, before opening at the Royal Academy of Arts in London on January 21, 1999.
In November 1885, impressionist painter Claude Monet vacationed in Étretat, France, where he spent his days outside, painting scenes of the seaside village. One morning he rose early and carried all of his supplies and half-finished paintings out to the cliffs and rocky beach, finally stopping to paint the arch called Manneporte. Eager to capture the scene before him, and aware that he must work quickly to catch the light, Monet became so engrossed in his work that he forgot to watch the incoming tide. Based on a true incident, MONET PAINTS A DAY introduces readers to the life and nature of this illustrious impressionist. Interspersed throughout the story are excerpts from the painter’s notes and letters, while a second layer of text and back matter includes information about Impressionism as a whole. Lush watercolor illustrations in the Impressionist style give readers a visual for this artistic movement. A bibliography is also included.
A major reassessment of the methods and meaning of impressionism At pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friend’s, and paint the same scene. Painting with Monet closely examines pairs of such works, showing how attention to this practice raises tantalizing new questions about Monet’s art and about impressionism as a movement. Is impressionist painting an objective attempt to capture reality as it really is? Or is it a subjective expression of the artist’s unique way of perceiving things? How can artists create a movement without conformity extinguishing individuality? Harmon Siegel reveals how Monet explored problems like these in concrete, practical ways while painting alongside his teachers, Eugène Boudin and Johan Barthold Jongkind; his friends, Frédéric Bazille and Pierre-Auguste Renoir; and his hero, Édouard Manet. At a time of major cultural upheavals, these artists asked how we can know reality beyond our personal perception. Siegel provides new insights into the aesthetic, philosophical, and ethical stakes for these painters as they responded to a rapidly changing society. Beautifully illustrated, Painting with Monet sheds critical light on how Monet and his fellow impressionists, painting side by side, professed their capacity to know the world and affirmed their belief in what Siegel calls the reality of others.
An introduction to famous works of impressionist art, each of which bears a textured element.
Part of a new series of beautiful gift art books, Claude Monet Masterpieces of Art features all of the popular works of this insightful and experimental artist, from his first inklings as an Impressionist to his later flirtations with Abstract Expressionism. With a fresh and thoughtful introduction to the life and art of one of the most famous artists in the world, the book goes on to showcase his key works in all their glory.
Los Angeles Times Book Prize Finalist From bestselling author Ross King, a brilliant portrait of legendary artist Claude Monet and the story of his most memorable achievement, the water lilies. Claude Monet is perhaps the world’s most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Seeing them in museums around the world, viewers are transported by the power of Monet’s brush into a peaceful world of harmonious nature. Monet himself intended them to provide “an asylum of peaceful meditation.” Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases belie the intense frustration Monet experienced at the difficulties of capturing the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life. Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny, and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then 73 and one of the world’s wealthiest, most celebrated painters, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called "the most prodigious eye in the history of painting"--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture--from his lavish lifestyle and tempestuous personality to his close friendship with the fiery war leader Georges Clemenceau, who regarded the Water Lilies as one of the highest expressions of the human spirit.