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Monet, the father of French impressionist painting, devoted twenty-five years to a series of paintings of the water lilies that floated in the pond of his lavish garden in Giverny. This volume is dedicated to those paintings, and opens with a biography of Monet that links the artist’s childhood passion for nature and for drawing to his later fascination with light. Monet’s experiments with how to best capture light and its effect on the sky and on water at different times of the day include paintings such as Impression, Sunrise (1872), which inspired the name of the impressionist movement. A critical text analyzes Monet’s ingenuity, audacity, and modernity, as well as his influence on other artists, from Zao Wou-ki to music to Shirley Goldfarb. This definitive catalog is completed by 210 color reproductions of the water lily paintings with annotated captions, period shots of Giverny by photographers such as Cartier-Bresson, and rare documents including Monet’s personal letters to his optometrist regarding his failing eyesight, which has been linked to his development of the impressionist style. The large-format volume features an eight-page gatefold of the murals at the Orangerie in Paris, and it serves as both an accessible introductory work and a complete reference guide to an important component in the history of art.
A complete catalog of Monet’s famous Water Lilies, featuring 210 paintings from private and public collections. Monet devoted the last twenty-five years of his life to painting the water lilies that floated on the pond of his garden in Giverny. In capturing the reflections on the mirror-like water and the subtle interplay of light, the artist’s genius went "beyond painting," committing to his canvas the otherwise ephemeral. The Water Lilies brought together in this volume, are "mirrors of time" that influenced the greatest painters of modern times. A catalogue raisonné of the 251 Water Lilies known to exist, essays of art historians Jean-Dominique Rey and the late Denis Rouart, panoramic photographs of the Orangerie murals in Paris, period photographs of Giverny by Henri Cartier-Bresson, and rare archival documents complete the work.
"In 1928, the former French Prime Minister Georges Clemenceau published Claude Monet : les nymphéas (The water-lilies), a memoir of his longtime friend. Bruce Michelson has produced a new English translation, presented here with useful notes and illustrations. Michelson's translations of three short essays on art by Clemenceau, originally published by La justice in the late XIX c., are included as appendices"--
Claude Monet's water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King's Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. By the outbreak of war in 1914, Monet, then in his mid-seventies, was one of the world's most famous and successful painters, with a large house in the country, a fleet of automobiles and a colossal reputation. However, he had virtually given up painting following the death of his wife Alice in 1911 and the onset of blindness a year later. Nonetheless, it was during this period of sorrow, ill health and creative uncertainty that – as the guns roared on the Western Front – he began the most demanding and innovative paintings he had ever attempted. Encouraged by close friends such as Georges Clemenceau, France's dauntless prime minister, Monet would work on these magnificent paintings throughout the war years and then for the rest of his life. So obsessed with his monumental task that the village barber was summoned to clip his hair as he worked beside his pond, he covered hundreds of yards of canvas with shimmering layers of pigment. As his ambitions expanded with his paintings, he began planning what he intended to be his legacy to the world: the 'Musée Claude Monet' in the Orangerie in Paris. Drawing on letters and memoirs and focusing on this remarkable period in the artist's life, Mad Enchantment gives an intimate portrayal of Claude Monet in all his tumultuous complexity, and firmly places his water lily paintings among the greatest achievements in the history of art.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
-Majestic tribute to one of the most important artists of all time Who doesn't know Claude Monet's (1840-1926) famous Water Lilies? His explosions of color on canvas immerse everyone in a sea of reflections, until it is impossible to know where water starts and sky ends. The garden paintings, of which three hundred works depict the lily pond, are regarded as Claude Monet's chef-d'oeuvre. The artist commenced these works in the 1890s but produced the majority of the paintings during the final two decades of his life. His early paintings of the lily pond embraced the conventional spatial boundaries of water, surrounding land and horizon. Yet the longer Monet worked, the more the boundaries began to blur, until the pond became the universe: its scope immeasurable and defined exclusively by light. Monet's influence was tremendous. His unique color palette, vision and approach changed the course of Western art. Many artists have been influenced by Monet, whose techniques inspired both the Impressionists and Post-Impressionists, including Vincent van Gogh. In terms of form and scale, the artist's work directly influenced Abstract Expressionists such as Jackson Pollock and Mark Rothko. Andy Warhol once attested to the fact that his multiple renditions of a single subject were inspired by the French painter. It is also true to say that Monet laid the groundwork for the Minimalist movement that emerged in the 1960s. Still extremely popular in his own right, Monet continues to define both the public's appreciation of art and the perception of beauty in its purest form. The last major Monet exhibitions in the Netherlands were staged at the Gemeentemuseum in 1952 and the Van Gogh Museum in 1986. The majority of his famous garden paintings, which had a profound influence on Rothko and Pollock, for example, have never been exhibited in the country. High time, therefore, for a majestic tribute at the Gemeentemuseum Den Haag (12 October 2019 until 2 February 2020) and a new accompanying catalogue.
Steven Z. Levine provides a new understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own prolific writings in the context of the story of Narcissus, popular in late nineteenth-century France. Through a careful blending of psychoanalytical theory and historical study, Levine identifies narcissism and obsession as driving forces in Monet's art and demonstrates how we derive meaning from the accumulated verbal responses to an artist's work.