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A vividly rendered portrait of both the rise of Impressionism and of Monet, the artist at the center of the movement. It is, above all, a love story of the highest romantic order.
Beautiful and original, this book brings together all Monet's paintings of his beloved river Seine and sets them in biographical context using a wealth of photographs. 50 black-and-white and 50 color photographs.
"This book accompanies the exhibition Monet and the Seine: Impressions of a River, Philbrook Museum of Art, Tulsa, June 29-September 21, 2014, The Museum of Fine Arts, Houston, October 26, 2014-February 1, 2015."
This large-format art book features more than sixty four-color reproductions of riverscapes by Renoir, Monet, Manet, Sisley, Pissarro, Morisot, and Caillebotte. It puts special focus on the centerpiece of The Phillips Collection, Renoir's much-loved Luncheon of the Boating Party (1881), and celebrates the importance of the Seine in the hearts and minds of Parisians during the late nineteenth century.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
A new picture book about the iconic artist Claude Monet, from the Caldecott-Award winning team that created The Noisy Paint Box. Claude Monet is one of the world's most beloved artists--and he became famous during his own lifetime. He rejected a traditional life laid out clean and smooth before him. Instead he chose a life of art. But not just any art: a new way of seeing that came to be called impressionism. Monet loved to paint what he saw around him, particularly the Seine River. He was initially rejected for using bright colors, tangled brushstrokes--condemned for his impressions. But soon art dealers and collectors were lining up each morning to see as Monet saw. Monet, however, waited only for the light. The changing light...each morning he had a dozen canvases on hand to paint a dozen different moments. His brush moved back and forth, chasing sunlight--putting in the arduous work to create an image that seemed to contain no effort at all. The stellar team that brought you the Caldecott Honor book The Noisy Paint Box explores another influential painter, in a moving tribute to creativity, commitment, and new ways of seeing the world around you.
Spanning the artist's entire career, this book explores Claude Monet's enduring relationship with nature and the landscapes he returned to again and again. Capturing fleeting natural impressions played a central role in the art of Claude Monet. He deeply engaged with the landscape and light of different places, from the metropolis of Paris to the Seine villages of Argenteuil and Giverny. This lavishly illustrated volume explores the development of Monet's art from the 1850s to the 1920s, focusing on the places, both at home and on his frequent travels, from which he drew inspiration for his painting. In addition, the book traces the critical shift in Monet's art that occurred when he began to focus on series of the same subjects such as haystacks, poplars, and the water lilies and pond at his meticulously designed garden in Giverny. Insightful and revealing, the book deepens our appreciation of Monet's art and allows us to experience anew his gift for bringing the natural world to life.
A fictional novel that focuses upon the turbulent life and times of one of the founders of the Impressionist movement: Berthe Morisot. This novel was awarded a first prize in historical fiction from the Chanticleer Reviews writing contest.
This volume on the life and work of Claude Monet is quite unlike any other book on this popular artist, as for the first time his letters have been brought together with his paintings, pastels and drawings. There are letters to his fellow artists and youthful friends, long affectionate letters to family and loved ones and begging letters in times of hardship. We read of Monet's persistence in money matters, his frustrations and successes while on painting expeditions to Italy, Brittany and Norway, and his experience of solitude, illness and bereavement in later life. Monet emerges from the correspondence as a more troubled and complex individual than his sun-filled canvases might suggest. Alongside the artist's letters are more than 200 superb colour reproductions. These accompany the text and enable the reader to follow the young artist through his first encounters with the Parisian art scene, his days as a commanding presence in the Impressionist movement and the final chapter of his life when he produced some of his most ambitious and colourful work at Giverny.