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Mommy Has A Tattoo tells the story of a little boy named James, who is afraid of his tattooed neighbor until he discovers that his own mother has a tattoo as well. The book emphasizes the importance of familiarizing children with tattoos at a young age and eliminates the common notion of "scary" that has sometimes been linked to tattoos. Tattoos are a source of pride for lots of Mommies, and a source of endless curiosity for their kids. The charming characters, bright colors, and delightful illustrations in Mommy Has A Tattoo show kids that tattoos, in fact, aren't scary at all!
Why Does Mommy Have Tattoos? is a work of imagination and creativity by Marilyn RondOn. This illustrated children's book answers the questions often posed to tattooed parents by their children and their children's friends. Each page is bright and interactive, and the book engages children with themes of self-acceptance, wrapped in fun dialogue with richly colored illustrations by RondOn. Why Does Mommy Have Tattoos? Is an enthusiastic and unforgettable children's book for both conversation and learning.
“Parents with or without tattoos will be touched by [this] heartwarming tale about sharing your past with your children—it leaves a mark” (Real Simple). It’s after dinner and a little boy wants a story from his father. It’s story he’s heard many times before, one etched all over his father’s body. So, dad once again tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There’s a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by the New York Times–bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love.
James is a toddler who loves his daddy's tattoo, and Polly is a little girl who loves parrots! Together they use their imaginations to try to solve a mystery! The story encourages imagination and teaches that you shouldn't judge a book by it's cover... not when it comes to tattoos!
'Dark, heartbreaking and totally absorbing' - LORRAINE KELLY 'Brilliantly written and emotionally compulsive' - HARRIET TYCE 'A powerful and thought-provoking page turner' - KATERINA DIAMOND CALL ME MUMMY. IT'LL BE BETTER IF YOU DO. Glamorous, beautiful Mummy has everything a woman could want. Except for a daughter of her very own. So when she sees Kim - heavily pregnant, glued to her phone and ignoring her eldest child in a busy shop - she does what anyone would do. She takes her. But foul-mouthed little Tonya is not the daughter that Mummy was hoping for. As Tonya fiercely resists Mummy's attempts to make her into the perfect child, Kim is demonised by the media as a 'scummy mummy', who deserves to have her other children taken too. Haunted by memories of her own childhood and refusing to play by the media's rules, Kim begins to spiral, turning on those who love her. Though they are worlds apart, Mummy and Kim have more in common than they could possibly imagine. But it is five-year-old Tonya who is caught in the middle... ________________________________________ *** A NETGALLEY BOOK OF THE MONTH *** 'Disturbing and distinctive, this is a book I couldn't put down' - AMANDA JENNINGS 'Tense and gripping, these characters will stay with me' - ALICE CLARK-PLATTS 'Psychologically twisty and utterly gripping' - LISA HALL
Covered from head to toe with one-of-a-kind tattoos, Marigold is the brightest, most beautiful mother in the world. At least, that’s what Dolphin thinks—she just wishes Marigold wouldn’t stay out quite so late or have mood spells every now and again. Dolphin’s older sister, Star, loves Marigold too, but she’s tired of looking after her. So when Star’s dad shows up out of the blue and offers to let the girls stay with him, Star jumps at the opportunity. But Dolphin can’t bear to leave Marigold alone. Now it’s just the two of them, and Dolphin is about to be in over her head. . . .
When Jem's Aunt Amy comes home from the Army, she has love to give and stories to tell... about her tattoos! Join Jem as she learns about why some grown-ups get tattooed, and how some stories are told on a living canvas of memories.
Make no mistakes about it. I know what I look like to others. Young, government-aided, pregnant mom. They see Lucy on my hip, and they see a mistake. I mean, why else would someone have a child so young, right? They couldn't be more wrong. I'm too busy most days between parenting, work, and finishing up my last year of nursing school to let their judging gaze tear me down until he moves into the vacant house next to the apartments I live in.His cold, blunt observation of us doesn't differ from any other stranger. He doesn't know me, but he's already painting a picture of who he thinks I am in his mind. He judges my very round belly, Lucy's inability to leave him alone, the bags under my eyes, and the fact that I couldn't care less what I look like anymore.He's a rude guy. Stays that way for months too. Then something happens, I'm not even sure what. Judgmental Guy decides Lucy and me-as well as baby Eli, are worth his friendship.Turns out, Judgmental Guy isn't too mean-okay, he kind of still is. But he graduates to Elijah. I build an unlikely friendship with him which deems it necessary for him to start smiling around me and my kids. I'm wrong again. Elijah isn't rude. He's terrifying. His strange acts of kindness are unraveling me. Elijah is only my friend.Right? Oh, fudge. I think I'm wrong. Again.
Ever wondered how the heck to explain your tattoos to children So have I!! haha.. "Mommy, Where Do Tattoos Come From?" is a fun and colorful way to explain to kids where all these pictures on people's bodies come from! It's poetic and vibrant, and both you and your child will love the tattoo inspired kid friendly artwork on every page!
This book is the first full-length critical study to explore the rapidly growing cadre of amateur-authored, independently-published, and niche-market picture books that have been released during the opening decades of the twenty-first century. Emerging from a powerful combination of the ease and affordability of desktop publishing software; the promotional, marketing, and distribution possibilities allowed by the Internet; and the tremendous national divisiveness over contentious socio-political issues, these texts embody a shift in how narratives for young people are being creatively conceived, materially constructed, and socially consumed in the United States. Abate explores how titles such as My Parents Open Carry (about gun laws), It’s Just a Plant (about marijuana policy), and My Beautiful Mommy (about the plastic surgery industry) occupy important battle stations in ongoing partisan conflicts, while they are simultaneously changing the landscape of American children’s literature. The book demonstrates how texts like Little Zizi and Me Tarzan, You Jane mark the advent of not simply a new commercial strategy in texts for young readers; they embody a paradigm shift in the way that narratives are being conceived, constructed, and consumed. Niche market picture books can be seen as a telling barometer about public perceptions concerning children and the social construction of childhood, as well as the function of narratives for young readers in the twenty-first century. At the same time, these texts reveal compelling new insights about the complex interaction among American print culture, children’s reading practices, and consumer capitalism. Amateur-authored, self-published, and specialty-subject titles reveal the way in which children, childhood, and children’s literature are both highly political and heavily politicized in the United States. The book will be of interest to scholars and students in the fields of American Studies, children’s literature, childhood studies, popular culture, political science, microeconomics, psychology, advertising, book history, education, and gender studies.