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This oversized book of photography and verse reflects many aspects of the highly emotional, uncommonly eventful life of the author: the confusion and poverty he experienced as a child growing up in Fort Scott, Kansas; the bigotry, drug addiction, terror, chaos and blatant inhumanity to which he was exposed as a rising journalist and photographer; the beauty and sophistication with which his professional career is associated today.
I couldn't get enough of this delectable stuff--there is nothing else like it anywhere.--Al Young
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
First published in 1998, music scored for film has only relatively recently received the critical attention which it merits. Many composers in the twentieth century have written works for films or documentaries, a number feeling that this aspect of their output has been undervalued. This dictionary complements other studies which have appeared in recent years which look at the technical and theoretical issues concerned with film music composition. Arranged alphabetically by composer, the volume comprises over 500 entries covering all nationalities. Each entry includes very brief biographical information on the composer, followed by a list of the films (with dates) for which he or she has composed. Details of recordings are also given. The dictionary’s international coverage ensures that it will become a standard reference work for all those interested in the history of twentieth-century music and the development of film.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Proper Names explores the aims and scope of the Millian approach to the semantics of proper names. Stefano Predelli covers the core semantic aspects of Millianism, and develops them against the background of an independently motivated pre-semantic picture, grounded on the distinction between meaning and use. Accordingly, the volume defends Millianism from certain popular misconceptions and criticisms, it highlights its explanatory potential, and it tackles a variety of traditional philosophical problems from its viewpoint. In particular, Predelli discusses the relationships between co-referential names, the issue of non truth-conditional meaning for proper names, the role of onomastics in a theory of the use of names, the phenomenon of empty names, cases of so-called fictional names and names from myth and false scientific theories, and apparently predicative uses of proper names.
This is an extended meditation on ethics in literature across the Senecan corpus. There are two chapters on the Moral Letters, asking how one is to read philosophy or how one can write about being. Moving from the Letters to the Natural Questions and Dialogues, Professor Gunderson explores how authorship works at the level both of the work and of the world, the ethics of seeing, and the question of how one can give up on the here and now and behold instead some other, better ethical sphere. Seneca's tragedies offer words of caution: desire might well subvert reason at its most profound level (Phaedra), or humanity's painful separation from the sublime might be part of some cruel divine plan (The Madness of Hercules). The book concludes by considering what, if anything, we are to make of Seneca's efforts to enlighten us.
This volume collects together all of Russell's philosophical papers inspired by his work with Whitehead on 'Principia Mathematica'.