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A resource book for planning baptisms, naming ceremonies, weddings and civil partnerships and marking the many other significant moments of our nights and days. There are resources that do not assume any faith commitment, as well as ones that reflect Christian belief.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
A resource book for planning baptisms, naming ceremonies, weddings and civil partnerships and marking the many other significant moments of our nights and days. There are resources that do not assume any faith commitment, as well as ones that reflect Christian belief.
This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.
Begin and end your day in a quiet moment with God--and experience his presence in every other moment as well. This devotional volume contains 120 devotions for morning and 120 devotions for evening. Each devotion includes a verse of Scripture, a short devotional, and a closing prayer. Devotions for morning remind readers of God's care and provision and encourage them to stay faithful in their walk with a God who is always faithful. Devotions for evening assure readers of God's protection through the night and the comfort of his love.
Falling asleep in front of a TV or computer screen, as many people do these days, is not the most relaxing way to end a busy day. What we do in the evening can affect our night’s sleep, disturbing our sleep patterns and dreams. Last in the Evening is Osho talking on a variety of subjects specially selected for the evening. It gives you a different option for ending your day, a taste of meditation that can carry you through the night. Simply find time in the evening to sit quietly, be with yourself, and read the suggested passage. The extracts here, and in the companion volume First in the Morning, are taken from intimate one-on-one talks with Osho, and he suggested this compilation of his insights on a variety of subjects that include the nature of bliss, joy, and meditation. Whether you are familiar with meditation or a newcomer to the inner world, these two invaluable books, separately or together, can make a real difference to how you approach each day, and your life.
Michelle Van Loon helps us treasure our time as a gift and a spiritual responsibility, and God as faithfully present in all our moments and days. People rarely slow down to experience their days, and so they feel rushed through life even as they begin to suspect that life lacks significance. By introducing (and reintroducing) us to the feasts and festivals of the Bible, as well as the special celebrations of the Christian calendar, Moments and Days restores a sacred sense of time throughout our year, enriching our experience of each "holy day" and enlivening our experience of even the most "ordinary time."
The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.
We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality. Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.