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After decades of uncomfortable silence, Spain has now started dealing with its violent twentieth-century past. In recent years, a vibrant memory discourse has emerged in Spanish society: the number of films, TV series, newspaper articles, history books, and memorials dedicated to the Civil War of 1936-1939 and the ensuing dictatorship of Franco has increased dramatically. Literature has also played its part in provoking and maintaining this memory boom, and as a consequence, the study of contemporary Spanish novels has started revolving around questions on the responsibility of the author, on the impact of literature in society, on its role in shaping memories, and on its ethical status. This book takes up these questions in an attempt to combine the outlook of collective memory studies with the theoretical demands of Poststructuralist theories. Focusing on themes such as haunting and the uncanny, nostalgia, the Bildungsroman genre, and autobiography, its author analyses memory narratives in fourteen novels by foremost Spanish authors like Javier Marías, Luis Goytisolo, Enrique Vila-Matas, and Manuel Vicent. -- From publisher's website.
Designed for students from a wide range of backgrounds, this text takes a chronological and interdisciplinary approach to human development. With its focus on context and culture, the 8/E illustrates that the status of human development is inextricably embedded in a study of complex and changing cultures.
Jaime Saenz is arguably the greatest Bolivian writer of the twentieth century. His poetry is apocalyptic, transcendent, hallucinatory, brilliant--and, until recently, available only in Spanish. Forrest Gander and Kent Johnson's translations of Saenz's work have garnered much-deserved attention and acclaim. Here for the first time in English they give us his masterpiece, The Night, Saenz's most famous poem and the last he wrote before his death in 1986. An unusual man, Saenz lived his whole life in La Paz, Bolivia, seldom venturing far from the city and its indigenous culture that feature so prominently in his writings. He sought God in unlikely places: slum taverns, alcoholic excess, the street. Saenz was nocturnal. He once stole a leg from a cadaver and hid it under his bed. On his wedding night he brought home a panther. In this epic poem, Saenz explores the singular themes that possessed him: alcoholism, death, nightmares, identity, otherness, and his love for La Paz. The poem's four movements culminate in some of the most profoundly mystical, beautiful, and disturbing passages of modern Latin American poetry. They are presented here in this faithful and inspired English translation of the Spanish original. Complete with an introduction by the translators that paints a vivid picture of the poet's life, and an afterword by Luis H. Antezana, a notable Bolivian literary critic and close friend of Saenz, this bilingual edition is the essential introduction to one of the most visionary and enigmatic poets of the Hispanic world.
Este livro conta a História do Futebol a partir de seus aspectos políticos e sociais. Traz ainda um estudo inédito sobre a violência das torcidas e uma discussão sobre a utilização do esporte pelos regimes autoritários.
The dramatic transition from military to civilian rule in Brazil between 1974 and 1985 raises critical questions about voters, competitive party politics, and democracy at the end of the twentieth century. This book argues that whereas military government stifled democratic activity, public opinion quickly revived when the military liberalized electoral politics in 1974. Voters rapidly aligned themselves with parties for and against military government, acquired new views on major issues, judged leaders by their performance and policies, and grounded their beliefs in concepts of social justice. Kurt von Mettenheim examines how Brazilian voters make choices and cast their ballots runs counter to long-held liberal theories about how democracy works.
La tercera edad de oro de la ficción televisiva ha favorecido la proliferación de series de gran despliegue técnico y a la vez de narrativas que describen la intimidad y la rutina cotidiana de los protagonistas. Son obras que nos presentan personajes alejados de la heroicidad, representados a menudo dentro del espacio doméstico, que ha pasado a ser un lugar clave para la descripción y evolución de los personajes. Partiendo de la premisa que la ficción televisiva desarrolla una clara función de referencia y legitimación social, creando estereotipos y modelos en los que los espectadores se identifican, este libro analiza veinte de las series contemporáneas más populares, reflexionando sobre el rol paternal y maternal de sus protagonistas. En algunas series se encuentran ejemplos que se alejan de la descripción de la familia patriarcal convencional. Destacamos así la pluralidad de discursos que se están ofreciendo, aunque también observamos que muchas de ellas, a pesar de un envoltorio transgresor, siguen reproduciendo roles que alimentan los valores familiares tradicionales.