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When the British journalist Rachel Polonsky moves to Moscow, she discovers an apartment on Romanov Street that was once home to the Soviet elite. One of the most infamous neighbors was the ruthless apparatchik Vyacheslav Molotov, a henchman for Stalin who was a participant in the collectivizations and the Great Purge—and also an ardent bibliophile. In what was formerly Molotov's apartment, Polonsky uncovers an extensive library and an old magic lantern—two things that lead her on an extraordinary journey throughout Russia and ultimately renew her vision of the country and its people. In Molotov's Magic Lantern, Polonsky visits the haunted cities and vivid landscapes of the books from Molotov's library: works by Chekhov, Dostoevsky, Pushkin, Akhmatova, and others, some of whom were sent to the Gulag by the very man who collected their books. With exceptional insight and beautiful prose, Polonsky writes about the longings and aspirations of these Russian writers and others in the course of her travels from the Arctic to Siberia and from the forests around Moscow to the vast steppes. A singular homage to Russian history and culture, Molotov's Magic Lantern evokes the spirit of the great artists and the haunted past of a country ravaged by war, famine, and totalitarianism.
When Rachel Polonsky went to live in Moscow, she found an apartment block in Romanov Street, once a residence of the Soviet elite. One of those ghostly neighbours was Stalin's henchman Vyacheslav Molotov. In Molotov's former apartment, Rachel Polonsky discovered his library and an old magic lantern. Molotov - ruthless apparatchik, participant in the collectivizations and the Great Purge - was also an ardent bibliophile. Molotov's library and his magic lantern became the prisms through which Rachel Polonsky renewed her vision of Russia. She visited cities and landscapes associated with the books in the library - Chekhov, Dostoevsky, Pushkin, Akhmatova and many less well-known figures. Some were sent to the Gulag by the man who collected their books. She writes exceptionally well about the longings and aspirations of Russian writers in the course of a journey that takes her to the Arctic and Siberia, the Crimean summer and Lake Baikal, from the forests around Moscow to the vast steppes. In each place she encountered the spirit of great artists and the terrible past of a country ravaged by war, famine, and totalitarianism.
An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.
A post-apocalyptic thriller of the after effects in the United States after a terrifying terrorist attack using electromagnetic pulse weapons. New York Times best selling author William R. Forstchen now brings us a story which can be all too terrifyingly real...a story in which one man struggles to save his family and his small North Carolina town after America loses a war, in one second, a war that will send America back to the Dark Ages...A war based upon a weapon, an Electro Magnetic Pulse (EMP). A weapon that may already be in the hands of our enemies. Months before publication, One Second After has already been cited on the floor of Congress as a book all Americans should read, a book already being discussed in the corridors of the Pentagon as a truly realistic look at a weapon and its awesome power to destroy the entire United States, literally within one second. It is a weapon that the Wall Street Journal warns could shatter America. In the tradition of On the Beach, Fail Safe and Testament, this book, set in a typical American town, is a dire warning of what might be our future...and our end. The John Matherson Series #1 One Second After #2 One Year After #3 The Final Day Other Books Pillar to the Sky 48 Hours At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Translating Anarchy tells the story of the anti-capitalist anti-authoritarians of Occupy Wall Street who strategically communicated their revolutionary politics to the public in a way that was both accessible and revolutionary. By “translating” their ideas into everyday concepts like community empowerment and collective needs, these anarchists sparked the most dynamic American social movement in decades. ,
After moving to Moscow, British journalist Polonsky discovers the apartment of Stalin's henchman, Vyacheslav Molotov, and uncovers an extensive library and an old lantern--two things that lead her on a journey throughout Russia, which ultimately renews her vision of the country and its people.
This is a Bash Back! anthology. It takes a peek at the radical Queer tendency and/or (non)organization from 2007 to 2011. The anthology includes interviews, analysis, communiques, and other documents relating to Bash Back! and the tendency that it spawned. We view queer as the blurring of sexual and gender identities. Queer is the refusal of fixed identities. It is a war on all identity. In line with the Bash Back! tendency, for the uses of this anthology queer is trans because the gender binary is inherently oppressive. More often than not, our use of the term queer is interchangeable with our use of trans, though that is not necessarily true of the way in which trans-whatever is used. With these notions we are not naïve. We acknowledge that society ensures Queer is an oppressed identity. Anti-Queer oppression is the systematic violence that people who fall outside of traditional sexual or gender categories encounter.
Handy (and often hilarious) hacks from the resourceful TV hero. Includes illustrations! For over thirty years, the name MacGyver has been synonymous with astonishing feats of ingenuity, from fixing a car with nothing but water and egg whites to busting out of jail using a hairpin and a pair of repurposed handcuffs to, of course, saving the world with his favorite weapon, a simple paperclip. What you might not know is that every trick that the resourceful secret agent pulls off on CBS’s hit show has been tested and fact-checked by experts, and really works . . . most of the time. No one is saying that you should craft a DIY airplane out of trash bags and a lawnmower engine. But with this book, you could. The first official how-to guide to the MacGyver universe, this book is packed with drawings and step-by-step descriptions of the hacks that made this character the world’s most resourceful secret agent. It’s lots of fun for fans of the new hit series as well as the classic show that started it all—or anyone who enjoys a bit of applied physics and clever problem-solving.
History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.
The turn of the nineteenth century, a time of exceptional creativity in Russia, was also a time of great receptivity to foreign cultural influences. Among the most important of these were English poetry and aesthetic thought, which gave new impetus to the Russian imagination. This 1998 book is a study of the Russian reception of English literature from Romanticism to aestheticism, focusing particularly on the reception by Russian poets of Shelley, Ruskin, Pater, Frazer and Wilde. Framing this account is a pioneering exploration of the intellectual background to these influences in comparative scholarship, illuminating a common interest in myth, folklore, anthropology, and the origins of language. This book discusses the relationship between Russian conceptions of national identity, literary influence and the origins of comparative literary history.