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THE STORY: Three points of view about a poignant drama are related by three characters addressing the audience directly. First there is Molly, blind since early infancy, who describes her world before and after an operation to restore some of her s
A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?
Henry, a boy with cerebral palsy, goes to school and plays with his friend Joel.
A New York Times bestseller A candid, compulsively readable, hilarious, and heartbreaking memoir of resilience and redemption by comedic genius Molly Shannon At age four, Molly Shannon’s world was shattered when she lost her mother, baby sister, and cousin in a car accident with her father at the wheel. Held together by her tender and complicated relationship with her grieving father, Molly was raised in a permissive household where her gift for improvising and role-playing blossomed alongside the fearlessness that would lead her to become a celebrated actress. From there, Molly ventured into the wider world of New York and Los Angeles show business, where she created her own opportunities and developed her daring and empathetic comedy. Filled with behind-the-scenes stories involving everyone from Whitney Houston to Adam Sandler to Monica Lewinsky, many told for the first time here, Hello, Molly! spans Molly’s time on Saturday Night Live—where she starred alongside Will Ferrell, Adam Sandler, Cheri Oteri, Tracy Morgan, and Jimmy Fallon, among many others. At the same time, it explores with humor and candor her struggle to come to terms with the legacy of her father, a man who both fostered her gifts and drive and was left with the impossible task of raising his kids alone after the loss of her mother. Witty, winning, and told with tremendous energy and heart, Hello, Molly!, written with Sean Wilsey, sheds new and revelatory light on the life and work of one of our most talented and free-spirited performers.
“Filled with wisdom and thought experiments and things that will mess with your mind.” — Neil Gaiman, author of The Graveyard Book and American Gods In sharply argued, fast-moving chapters, Cory Doctorow’s Information Doesn’t Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today — about how the old models have failed or found new footing, and about what might soon replace them. An essential read for anyone with a stake in the future of the arts, Information Doesn’t Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next. This book is DRM-free.
THE STORY: This extraordinary play is the story of five unmarried sisters eking out their lives in a small village in Ireland in l936. We meet them at the time of the festival of Lughnasa, which celebrates the pagan god of the harvest with drunken
Fear, the most powerful force in our life, is the least understood. Every one of us experiences it. Many arrange their lives to avoid it. Yet nearly every one of us needs to find more fear. Most of us know fear as the unwanted force that drives phobias, anxieties, unhappiness, and inhibits self-actualization. Ironically, fear is the underlying phenomenon that heightens awareness and optimizes physical performance, and can drive ambition, courage, and success. Harnessing fear can heighten emotional intelligence and bring success to every aspect of your life. Neuroscience and current research on how the brain processes and uses fear have torn the lid off the possibilities of human performance; yet most people are not reaching their complete potential because of a psychological roadblock Sweeney calls the Fear Frontier. Identifying your Fear Frontier and addressing it, Sweeney illustrates in these pages, is the path to success, happiness and fulfillment in almost all aspects of your life. He also provides the most effective steps toward rewiring your mind for a healthier longer life based on courage. Fear is Fuel is a practical guide that instructs readers on a unique path toward translating fear into optimal living. By facing fears, and challenging new ones, readers can harness the power of unique motivations to achieve more, experience more, and enjoy more. The path to a fulfilling life is not to avoid fear but to recognize it, understand it, harness it, and unleash its power.
The classic account of survivors of the sleeping-sickness during the great epidemic just after World War I—and their return to the world after decades of “sleep.” • “One of the most beautifully composed and moving works of our time" (The Washington Post) from the distinguished neurologist and the national bestselling author of The Man Who Mistook His Wife for a Hat. Awakenings—which inspired the major motion picture starring Robert DeNiro and Robin Williams—is the remarkable story of a group of patients who contracted sleeping-sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, "awakening" effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and the extraordinary transformations which went with their reintroduction to a changed world.
NOW IN PAPERBACK! Two unlikely friends skip through dimensions and encounter weeping giants, alligator islands, and a topsy turvy 2D world, learning to find strength in each other. For fans of Station Eleven and Black Mirror. "Skip is a flurry of bold and vivid cartooning that pulls you through this tender story of friendship at heart-wrenching speeds. Molly layers every page with such a dense whimsicality that it left me wanting to go back and re-read so I could sink my eyes into the details again and again." --Sloane Leong, creator of Prism Stalker "Skip isn't a travelogue — it's a trip. The point isn't to vicariously explore imaginary worlds, but simply to let your eye float along the stream of fantastical visions Mendoza spins out… A creation this idiosyncratic deserves to find a niche — or, perhaps, to make one." —Etelka Lehoczky, NPR "From the first spread to the last image, Mendoza’s gorgeous, surrealist artwork presents imaginative depths both refreshing and disorienting. Poignant catharsis surfaces through tearful declarations and emotional strife as Bloom and Gloopy reflect on their strengths and weaknesses amid unusual environments... An exceptional road taken." Kirkus Reviews, STARRED REVIEW "Molly Mendoza is a master illustrator. Skip speaks to the universal experience of feeling adrift and out of place, mourning what’s past while looking curiously toward and unpredictable future." —Outsider Comics A colorful, unpredictable postapocalyptic world comes alive in Skip when two unlikely friends, Bloom and Gloopy, find themselves tossed from dimension to dimension. Gloopy is running toward adventure, and away from their home and friends who don't understand their creative talent. Bloom is desperately trying to return home to their lake, and avoid the terrible violence of the city. Instead, both Bloom and Gloopy find what they need in each other, and bravely return home to challenge their fears and create beauty in their own worlds.
Blindness has always fascinated those who can see. Although modern imaginative portrayals of the sightless experience are increasingly positive, the affirmative elements of these renderings are inevitably tempered and problematized by the visual predilections of the artists undertaking them. This book explores a variety of the (dis)continuities between depictions of the sightless experience of beauty by sighted artists and the lived aesthetic experiences of blind people. It does so by pressing a radical interdisciplinary reinterpretation of celebrated dramatic portrayals of blindness into service as a tool with which to probe the boundaries of the capacities of the sighted imagination while exploring the sensory detriment of our visually fixated notions of beauty. Works by J. M. Synge, W. B. Yeats, and Brian Friel are explored as a means of crafting a workable and innovative medium of theoretical and experiential exchange between the disciplines of literature, aesthetics, and disability studies. In addition to appraising previously unexamined aspects of the work of three of Ireland's most celebrated modern dramatists, this book considers the consequences for blind people of the exclusionary and prohibitive elements of traditional aesthetic theory and art education. The insights yielded will be of value to those with an interest in modern literature, differential aesthetics, visual culture, perception, and the experience of blindness.