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A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
Classic satire, one of the best by France’s greatest comedic playwright, pokes fun at the sham and hypocrisy of 17th-century French society. A wealthy tradesman, Monsieur Jourdain, yearns to become a gentleman in order to win the hand of a marchioness—disregarding the inconvenient fact that he is already married—but only succeeds in making a fool of himself.
Moliere is considered the Shakespeare of France. Moliere's plays are enacted throughout the world in virtually every language, as much today as ever.
DigiCat Publishing presents to you this special edition of "The Middle-Class Gentleman" by Molière. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This study explores the evolution of Molière's comedy as a careful amalgamation of comedy and philosophical satire.
With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
The Middle Class Gentleman (Le Bourgeois gentilhomme) is a five-act com�die-ballet-a play intermingled with music, dance and singing-written by Moli�re, first presented on 14 October 1670.The play satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Moli�re's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.