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Mogie is a real-life Labradoodle with a special talent: he always knows just what a sick kid needs! Get to know this passionate pup with this story by a Newbery Honoree. Give that dog a puddle and he’d splash. Give him a whistle and he’d roll over. Give him a rule and he’d break it. One day a passel of puppies was born. Each puppy was designated for a Very Important Job, like Service Dog, or Search and Rescue Dog, or Groomed for the Show Ring Dog. Each puppy, that is, except Mogie. Mogie was a ball-chasing, tail-wagging, moon-howling pup. Not the kind of pup for any of those jobs! But there is a place that is just right for Mogie: a very special house where sick children and their families can stay while they undergo long-term treatment. A place with children who NEED a ball-chasing, tail-wagging, moon-howling pup. And there’s one little boy in particular who needs Mogie. And Mogie is about to prove he’s the best darn pooch in the passel. Based on a true story, this heartwarming picture book is published in conjunction with the Ronald McDonald House.
By the end of the twentieth century, Adrian C. Louis had become one of the most powerful voices in the canon of Native American literature. Skins, his best-known work, is now offered by the University of Nevada Press with a new foreword by David Pichaske. It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino. But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face. Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.
In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities: Perspectives on Contemporary American Indian Film and Art draws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women’s Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.
What if the next generation is denied the benefits of a government founded on God centered political integrity?Ryker Cuff finds himself thrust into the middle of an American tragedy where USA original fundamentals are perverted or gone, leaving influence on society much different from its founding. Technology has advanced but society reflects an unprincipled philosophy without the authority of God "s word. It is up to an underground organization to research, resurrect roots and teach people what is lost. The Network struggles with organizing and operating under the NMA (Neutral Morals Agency), which polices the governments " new amoral rights. Intrigue, intelligence and ingenuity frame actions as each alliance vies for societal dominance. SThe term tolerance has been overused and abused. It was successfully used to elevate lenience of ideas contrary to unsophisticated Christian conviction. But it was turned upon progressive philosophies in like manner. The term we need is something that matches our goals of tolerance but only supports neutral reactions. The term neutral should be integrated into the idea of freedom. Morgan Tanner, New American Bill of Rights taskforce leader “ 8/18/2022
An irony of their personal history is that the vivid imagination so rampant in the world into which Dorcas had been born and then shackled is the only available source of how she arrived in her new home and who she actually considered herself to be there. She had moved from the coven of Salem witchcraft and its lingering aftermath to the covert of Beaufort. It became her hiding place. Like a bird or a snake, she hoped to lurk there in a kind of invisibility, but in time she produced a child. That little girl grew to adulthood in and around Beaufort. Her connection to weak-minded but crafty Dorcas lived in the daughter’s youthful mind, and stories about what had happened to Dorcas in Salem circulated in the village as well. Perhaps some of the passengers on board the ship that brought Dorcas to Beaufort had recognized her. Word spread. Her daughter became the subject of local gossip by 1720, just as Sarah Good and Dorcas had been during the witching days in 1692-93. And evil days such as those might come again. This time in Beaufort....
ABOUT THE BOOK: Christian Science Fiction - Christian: obvious; Science: not the focus; and Fiction: only a story - you discern the truth. What if the next generation is denied the benefits of a government founded on God-centered political integrity? Ryker Cuff finds himself thrust into the middle of an American tragedy where USA original fundamentals are perverted or gone, leaving influence on society much different from its founding. Technology has advanced, but society reflects an unprincipled philosophy without the authority of God's word. It is up to an underground organization to research, resurrect roots, and teach people what is lost. The Network struggles with organizing and operating under the NMA (Neutral Morals Agency), which polices the government's new amoral rights. Intrigue, intelligence, and ingenuity frame actions as each alliance vies for societal dominance. **** ABOUT THE AUTHOR: Author Richard Coller has been an adult Sunday school teacher and Bible study leader for over 22 years. Richard came to know the Lord at 25 and understands growing up under the influence of "North Country" values founded on Christian beliefs, but without the personal foundation until 1980. He has worked in a variety of industries as a maintenance specialist for over 36 years. Richard writes a political blog; (http: //uspoliticsthrucorrectivelenses.blogspot.com). He is from the Potsdam, New York, area but currently lives near Albany with his wife Marilyn. You may contact Richard about Search at [email protected].
A poignant and unforgettable rags-to-riches family saga following three generations of a remarkable clan from downtown ghetto to Park Avenue opulence Marrying Jack Auerbach was Essie Litsky’s salvation, enabling her to break free of her strict Russian-Jewish immigrant parents and escape New York’s poor, dirty, overcrowded Lower East Side. Together with her husband, Essie amassed a fortune that dwarfed their wildest dreams: She was living in a grand mansion on Park Avenue, collecting priceless art, even conferring with a US president. But money could never buy the affection of family or compensate for the true love Essie let slip away. And now, as she nears the end of her life, she must contend with blackmail and heartless legal assaults coming at her from all sides, the result of the ugly, persisting greed of her own children and grandchildren. But Essie is not dead yet, and those who underestimate the remarkable old woman are in for a shocking and powerful surprise. In this New York Times bestseller, Stephen Birmingham, acclaimed chronicler of the lives of the super-rich and author of “Our Crowd”, introduces three generations of a singular family as it moves from poverty to privilege over the course of a cataclysmic century, led by one of the most endearing and unforgettable heroines in modern American fiction.
Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include film summary nation represented image portrayal production details DVD availability Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volumeoffers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema.
In Native Recognition, Joanna Hearne persuasively argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity and range of this Native participation have often been obscured by the on-screen, larger-than-life images of Indians in the Western. Not only have Indigenous images mattered to the Western, but Westerns have also mattered to Indigenous filmmakers as they subvert mass culture images of supposedly "vanishing" Indians, repurposing the commodity forms of Hollywood films to envision Native intergenerational continuity. Through their interventions in forms of seeing and being seen in public culture, Native filmmakers have effectively marshaled the power of visual media to take part in national discussions of social justice and political sovereignty for North American Indigenous peoples. Native Recognition brings together a wide range of little-known productions, from the silent films of James Young Deer, to recovered prints of the 1928 Ramona and the 1972 House Made of Dawn, to the experimental and feature films of Victor Masayesva and Chris Eyre. Using international archival research and close visual analysis, Hearne expands our understanding of the complexity of Native presence in cinema both on screen and through the circuits of film production and consumption.