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Catalogue documenting the exhibition of the same name.
This monograph explores how John Graham became an influential figure in American painting and discusses the development of his distinctly American approach to art-making. John Graham was an American Modernist and figurative painter. He was a mentor figure to artists such as Jackson Pollock, Willem de Kooning, and Arshile Gorky and a notable influence on Abstract Expressionist artists such as Lee Krasner and David Smith. This book includes more than 50 paintings and a selection of important works on paper. Scholarly essays provide insight on each stage of Graham's career and the practice of art historical investigation, while commentary from contemporary artists offers an understanding of how Graham influenced their work. A reprint of Graham's seminal article, "Primitive Art and Picasso," first published in 1937, reveals his academic and artistic brilliance.
The first authorized examination of a twentieth-century architectural giant "A comprehensive survey of one of Florida's most prolific and influential architects of the mid-twentieth century. In an era when we seek resiliency in design and building, there are lessons to be learned in the work of Alfred Browning Parker, a subtropical master."--Anthony Abbate, AIA, and contributor to Miami Modern Metropolis Alfred Browning Parker (b. 1916) is one of the twentieth century's most famous Florida-based architects. A principal leader of the "Coconut Grove School" of tropical organic architecture, he is arguably the most renowned and honored architect in the history of Florida architecture, and his influence has been felt throughout the United States and the Caribbean. Attaining an almost rock star-like status in his home city of Miami, Parker was publicly praised by Frank Lloyd Wright, something Wright rarely did. Parker's work and philosophy has had an ecological and environmental basis since the early 1940s. He began expressing an interest in alternative fossil fuels and renewable energy sources in the 1970s, far ahead of the current trends in green and energy-conscious architecture. He has continually placed an emphasis on using local materials and has been increasingly praised for his early exploration in environmentally friendly design. ?Randolph Henning's overview of the life work of this modernist master features sixty-nine of the more than five hundred residential and commercial structures Parker created between 1942 and 2001. The descriptions are accompanied by nearly 400 color photographs, more than a third of which are vintage images from renowned photographer Ezra Stoller. Henning also provides a biographical narrative, excerpts from Parker's own writings, a full bibliography, and a complete list of Parker's works. Randolph C. Henning is the author of At Taliesin: Newspaper Columns by Frank Lloyd Wright and the Taliesin Fellowship, 1934-1937 and Frank Lloyd Wright's Taliesin: Illustrated by Vintage Postcards. He is a practicing architect and lives in Lewisville, North Carolina.
Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley. Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.
This volume documents the best examples of Florida's residential architecture era, which took place between 1941 and 1966. Many homes incorporate verandas, porches, and raised floors to open out to tropical vegetation, and more importantly, cooling breezes.
"In Radical Cities, Justin McGuirk treks across Latin America to discover the activist architects, maverick politicians and radical communities rethinking their cities for the twenty-first century. From Brazil to Venezuela, Mexico to Argentina, McGuirk finds new ways to address the issues of poverty, inequality, and the barrio"--Back cover.
Peter Krasnow (1886-1979) is the great California modernist you don t know. Although revered during his lifetime by a coterie that included Edward Weston, Richard Neutra, Rudolph Schindler, Galka Scheyer, among others, Krasnow remained largely out of the public eye, cantankerously resisting publicity or self-promotion while dedicating himself to an artistic ideal. He demonstrated extraordinary skills in each of his three major phases: the early representational paintings and wood carvings (1910-1930), the abstract wood sculptures (1936-1943), and the hard-edged geometric and patterned paintings (1940-1979).
Place of publication transcribed from publisher's web site.
Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator on the American experience.
In early twentieth-century China, Chen Diexian (1879–1940) was a maverick entrepreneur—at once a prolific man of letters and captain of industry, a magazine editor and cosmetics magnate. He tinkered with chemistry in his private studio, used local cuttlefish to source magnesium carbonate, and published manufacturing tips in how-to columns. In a rapidly changing society, Chen copied foreign technologies and translated manufacturing processes from abroad to produce adaptations of global commodities that bested foreign brands. Engaging in the worlds of journalism, industry, and commerce, he drew on literati practices associated with late-imperial elites but deployed them in novel ways within a culture of educated tinkering that generated industrial innovation. Through the lens of Chen’s career, Eugenia Lean explores how unlikely individuals devised unconventional, homegrown approaches to industry and science in early twentieth-century China. She contends that Chen’s activities exemplify “vernacular industrialism,” the pursuit of industry and science outside of conventional venues, often involving ad hoc forms of knowledge and material work. Lean shows how vernacular industrialists accessed worldwide circuits of law and science and experimented with local and global processes of manufacturing to navigate, innovate, and compete in global capitalism. In doing so, they presaged the approach that has helped fuel China’s economic ascent in the twenty-first century. Rather than conventional narratives that depict China as belatedly borrowing from Western technology, Vernacular Industrialism in China offers a new understanding of industrialization, going beyond material factors to show the central role of culture and knowledge production in technological and industrial change.