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When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Modernism in Trieste seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature.
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, ­all of which have an urgent bearing on the poetics of modernity.
This innovative text examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna.
This volume presents and illustrates the development of the ideologies of nation states, the "modern" successors of former empires. They exemplify the use modernist ideological framaeworks, from liberalism to socialism, in the context of the fundamental reconfiguration of the political system in this part of Europe between the 1860s and the 1930s. It also gives a panorama of the various solutions proposed for the national question in the region.
"Demonstrates how the idea of a united Europe was a modern literary utopia before it was an economic and political project"--
The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.
"The volume, presented in an elegant box, illustrates the intervention on the recovery and transformation of the 19th century volume of the former wine warehouse on the seaside boulevard of Trieste. The design does not modify the original volume but invades it by excavating the space for another completely independent, ethereal and translucent building inside it, dimensioned to the rhythm of the masonry wall of the original façade. The physical gap between the new 'product' and the historical screen has become a fascinating locus between internal and external. The glass that seals the internal shell reflects the outlines of the warehouse walls and their openings, allowing for visibility of the activities that are being conducted inside. The publication tells the complete and detailed story of this project and its construction with numerous engaging work site images that reveal the complexity of the building phases and the specificity of the work processes that were necessary and, naturally, the shots of the results upon completion. The monograph, in a single language Italian or English edition, is introduced by critical and descriptive essays and accompanied by a wealth of iconographic material including technical drawings at various scales. The volume is composed of different types of papers -- inserted with diverse dimensions among the pages -- fixed with a special exposed type of backbone binding, all developed ad hoc in relation to the originality of the project to be presented."--.
Publisher description
Joseph Mali shows how modern thinkers were inspired by Vico to create their own theories of human life and history.