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This book investigates Russia's transformation into a European Power by way of the activities of the tsarist translator and official Andrei Vinius, who became an important advisor to Peter the Great. Vinius emerges as an influential conduit of Western culture and technology, who played a key role in transforming Muscovy into Russia.
This is the first book to place Russia's 'long' eighteenth century squarely in its European context. The conceptual framework is set out in an opening critique of modernisation which, while rejecting its linear implications, maintains its focus on the relationship between government, economy and society. Following a chronological introduction, a series of thematic chapters (covering topics such as finance and taxation, society, government and politics, culture, ideology, and economy) emphasise the ways in which Russia's international ambitions as an emerging great power provoked administrative and fiscal reforms with wide-ranging (and often unanticipated) social consequences. This thematic analysis allows Simon Dixon to demonstrate that the more the tsars tried to modernise their state, the more backward their empire became. A chronology and critical bibliography are also provided to allow students to discover more about this colourful period of Russian history.
This resource is written for for students studying the economic and social development of Russia and the Soviet Union, as well as the nature of Russian government and its impact on the Russian people in this period.
This book examines how technological modernisation and innovation policies have been implemented in Russia from the Soviet era to the present day. It discusses how since about 2000 the Russian state has attempted to address the country’s excessive dependence on natural resources by implementing an ambitious programme of economic modernisation, including giving innovation more policy prominence, boosting state funding for research and development and innovation, and emphasising science towns and technology parks as key instruments for stimulating innovation. Based on extensive original research, taking a multidisciplinary approach, and including detailed case studies, the book explains why, despite these efforts, Russia is performing comparatively poorly in innovation outcomes. It argues that a key factor is the country’s political economy model in which science, technology, and innovation policies are mainly controlled and funded by the federal centre of power and led by domestic political and economic elites.
Covering more than one thousand years of tumultuous history, Russia as Empire shows how the medieval empire of Kyivan Rus’ metamorphosed into today’s Russian Federation. Kees Boterbloem vividly and lucidly describes Russia’s various incarnations and considers how the concept of empire evolved from tsarist Russia to the Soviet Union, and how and why it survives today. He discusses the ideological architects of these empires and the ideas of their political leaders—the tsars, Lenin, Stalin, Boris Yeltsin, and Vladimir Putin. Russia as Empire considers the role of the various empires’ inhabitants, from nobility to clergy and communist party members, revealing how and why they adhered to, or believed in, their country’s imperial mission. What emerges is a highly original overview that illuminates the continuities and discontinuities in Russian history.
The Russian president's landmark speeches, interviews and policies borrow heavily from great Russian thinkers past and present, from Peter the Great to Dostoevsky and Solzhenitsyn. They offer powerful visions of strong leaders and the Russian nation: they value conservatism and the Slavic spirit. They root morality in Orthodoxy, and Russian identity in the historic struggle with the West. Today, Putin manages and manipulates those same ideas in his 'defense' of 130 million ethnic Russians against the world. With the annexation of Crimea, the war in Syria and shock election results across the West, the challenge of decrypting his worldview has become more pressing than ever. From a Eurasian Union to a new Russian Empire, this is a revealing tour of Kremlin doctrine and strategy, viewed through its philosophical roots.
This volume offers an in-depth investigation of the role of new media in the political, social and cultural life in the region of Europe-Asia. By focusing on new media, which is understood primarily as internet-enabled networked social practice, the book puts forward a political and cultural redefinition of the region which is determined by the recognition of the diversity of new media uses in the countries included in the study. This book focuses on the period prior to the advent of ‘world internet revolutions’, and it registers the region at its pivotal moment—at the time of its entry into the post-broadcast era. Does the Internet aid democratisation or it conditioned by socio-political norms? Has the Internet changed politics or has it had to fit existing political structures? Has the use of digital technologies revolutionized election campaigns? How is hyperlinked society different from society prior to the advent of the web? How do ordinary people actually use the Internet. These and other pressing questions – crucial to understanding the post-socialist world – are investigated in the current volume. This book was published as a special issue of Europe-Asia Studies.
An examination of social imaginary surrounding Thai kingship and Thainess that yield an intriguing amalgam of ideas concerning popular religion, Buddhist kingship, nationalism, and material culture. It explores the contemporary appeal of King Chulalongkorn and considers what this ruler's unprecedented popularity says about Thai society.
The first English-language book to document the men who emerged from the gulags to become Russia's much-feared crime class: the vory v zakone Mark Galeotti is the go-to expert on organized crime in Russia, consulted by governments and police around the world. Now, Western readers can explore the fascinating history of the vory v zakone, a group that has survived and thrived amid the changes brought on by Stalinism, the Cold War, the Afghan War, and the end of the Soviet experiment. The vory--as the Russian mafia is also known--was born early in the twentieth century, largely in the Gulags and criminal camps, where they developed their unique culture. Identified by their signature tattoos, members abided by the thieves' code, a strict system that forbade all paid employment and cooperation with law enforcement and the state. Based on two decades of on-the-ground research, Galeotti's captivating study details the vory's journey to power from their early days to their adaptation to modern-day Russia's free-wheeling oligarchy and global opportunities beyond.
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.