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Pontus Hult�n worked at Moderna Museet in Stockholm between 1958 and 1973. In 1960 he was appointed director. It was in this role that he built the collection and the Museum's international reputation, with exhibitions such as Movement in Art (1961), American Pop Art. 106 Forms of Love and Despair (1964), She - A Cathedral (1966), and Andy Warhol (1968).In 2005 Pontus Hult�n donated his private art collection, his library, and his archives to Moderna Museet. The Formative Years, is to focus on his practice as an exhibition curator and museum director and to explore the legacy of the legendary 1960s and its implications for the Museum today.In addition to the five articles the book contains archival photographs and documents as well as a previously unpublished text from 1962 by Pontus Hult�n himself, outlining his ideas on how a modern art museum should be run.
At once radical, controversial and revered, Marina Abramovic is the progenitor of contemporary performance art At once radical, controversial and revered, Marina Abramovic is one of the most discussed artists today. Famous for her groundbreaking performance works, she continues to expand the boundaries of art. This publication, accompanying her first major retrospective in Europe, gives an extensive overview of her work from the earliest years until today: film, photography, paintings and objects, installations and archival material. Since the early 1970s Abramovic has explored the intersection between performing and visual art in her work and, though rarely overtly political, posed questions of power and hierarchy. In addressing fundamental issues of our existence and seeking the core of such notions as loss, memory, pain endurance and trust, she both provokes and moves.
Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half-a-mil-lion visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documenta-ry films and biographies. In 2013, Iris Müller-Westermann organized the first institutional exhibition of af Klint's work. Now she presents us with the latest information and research in an extensive survey show at the Moder-na Museet in Malmö. Of crucial importance is the issue of spirituality in af Klint's painting-how she managed to translate both the material and the immaterial world into a pictorial vision. The accompanying exhibition catalogue is the first to investigate, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by leading historians of theosophy and a quantum physicist, among others, provide enlightening insight into a world in which both the visualization of atoms and spiritual séances alike became artistic material-a world that fascinates us even more than ever.
Marie-Louise Ekman is one of Sweden?s most prominent artists. Using an idiosyncratic imagery and the theatre as her basic format, she creates scenes that challenge established roles and conventions. Ekman belongs to a generation of Swedish artists who emerged in the politically turbulent 1960s and 1970s Inspired by pop art?s focus on everyday life and the style of comics, she also culled material from her own experiences of being a woman and a daughter. In the 1980s, she appropriated details from works by male artists, creating interactions, for instance, between Picasso?s female figures and Daisy Duck. Her films and plays, which often deal with subjects from her own life, highlight the absurdity and tragicomedy of existence. This richly illustrated book is the first virtually total overview of Marie-Louise Ekman?s long and winding artistic practice. Published on the occasion of the exhibition, Marie-Louise Ekman at Moderna Museet, Stockholm, 17 June - 17 September.
The Moderna Museet (Museum of Modern Art) is Sweden's principal museum of national and international modern and contemporary art, containing some 50,000 examples of both Swedish and international modern and contemporary art and sculpture. In addition, the museum holds a huge collection of photographs dating from the first half of the 19th century to the present day. This new guide, published in association with the museum to mark the opening of its new building in February 1998, contains extended commentaries and full-page color illustrations of nearly 80 key works from the museum's permanent collections. These are given an added dimension through the use of quotes by the artists themselves, or their contemporaries, which appear alongside major works.
Multitude of strangely beautiful natural forms: Radiolaria, Foraminifera, Ciliata, diatoms, calcareous sponges, Siphonophora, star corals, starfishes, Protozoa, flagellates, brown seaweed, jellyfishes, sea-lilies, moss animals, sea-urchins, glass sponges, leptomedusae, horny corals, trunkfishes, true sea slugs, anthomedusae horseshoe crabs, sea-cucumbers, octopuses, bats, orchids, sea wasps, seahorse, a dragonfish, a frogfish, much more. All images black-and-white.
Pontus Hultén was one of the major museum directors, nationally and internationally, in his time. He built up important art institutions, primarily Moderna Museet Stockholm, the Centre Georges Pompidou, Paris and Palazzo Grassi, Venice. Hultén put on a series of pioneering exhibitions, introducing art of importance that was not always already established at Moderna Museet in the 1960s. The artists were among others Robert Rauschenberg, Andy Warhol, Niki de Saint Phalle and Jean Tinguely. As artistic director at Centre Georges Pompidou he curated major exhibitions in the 1980s, among them a series of exhibitions on early modernism in Paris in relation to the modernism of Moscow, New York and Berlin at the time.
Within a few years, Yayoi Kusama (born 1929) has become a favourite of Louisiana’s guests because of her Gleaming Lights of the Souls installation at the museum – a mirror-lined room with hundreds of lamps in various colours that give the viewer a cosmic sensation of being in an infinite space. But with a career spanning six decades, Kusama is much more than this. She came onto the art scene almost as a woman counterpart to Andy Warhol in New York in the 1960s, where she expressed herself in a mixture of art, fashion and happenings. Since then, her striking visual language and constant artistic innovation have rightfully earned her a position as one of today’s most prominent artists. Louisiana’s exhibition of Kusama tells the full story of this Japanese artist who with prodigious productivity has created an entire world unto itself, in which color, patterns and movement together bear witness to her fascination with the infinite. The Louisiana exhibition unfurls the whole of Kusama’s life’s work: from early watercolours and pastels to her ground-breaking paintings and sculptures from the 1960s, psychedelic films, performances, installations and political happenings in the 1960s and the early 1970s, as well as shedding new light on works from the 1980s, after the artist’s return to Tokyo. Also on show exhibition are several of Kusama’s recent installations, and a series of new paintnings by the 86-year-old Kusama, created especially for Louisiana’s exhibition. The exhibition is the first Kusama retrospective to take into account the artist’s interest in fashion and design but also includes several important works from her early period that have never before been exhibited. 00Exhibition: Louisiana Museum, Humlebaek, Denmark (17.9.2015 - 24.1.2016).