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This anthology brings together English translations of twenty-six Urdu short stories by mostly renowned Pakistani writers. All the stories were written between 1947 and the present time. Authors range from the celebrated Saadat Hasan Manto to Dr Shershah Syed and Mehmood Zafar. Not all of these stories are necessarily the most famous works of their authors, and most of them have not been translated into English before. However, their exquisite depiction of diverse experiences and social realities justifies calling them unforgettable gems of Urdu short story writing. Selected and translated by Amina Azfar, these stories will delight the general reader and will also be found useful by students and scholars studying South Asian literature, culture, and history.
Though Barely A Hundred Years Old, The Urdu Short Story, Or Afsana', Has Established Itself At The Forefront Of Urdu Literature. Emerging As A Discrete Narrative Genre With Munshi Premchand, It Gained Momentum With The Progressive Writers' Movement In The 1930S. The Partition Of The Subcontinent In 1947 Introduced New Dynamics Into The Genre As Writers Grappled With Emerging Trends Of Modernism And Symbolism As Well As With A Depleted Readership In India And The Challenge Of Establishing A New Literary Tradition Commensurate With A New Nationhood In Pakistan. The Penguin Book Of Classic Urdu Stories Brings Together Sixteen Memorable Tales That Have Influenced Generations Of Readers. From Saadat Hasan Manto'S Immortal Partition Narrative Toba Tek Singh' And The Harrowing Realism Of Premchand'S The Shroud' To The Whimsical Strains Of Qurratulain Hyder'S Confessions Of St Flora Of Georgia' And The Daring Experimentation Of Khalida Husain'S Millipede', This Definitive Collection Represents The Best Of Short Fiction In Urdu. In The Process, It Provides A Glimpse Of The Works Of Acclaimed Masters On Both Sides Of The Border Ismat Chughtai And Ashfaq Ahmad, Rajinder Singh Bedi And Intizar Husain, Krishan Chander And Hasan Manzar, Naiyer Masud And Ikramullah.
Some of the best Urdu short stories, from the earliest to contemporary works, come together in this anthology; all in brand new translations. Some of the stories included here are available in different anthologies in other translations, but there are also several that have been translated for the first time, specifically for this volume. The book demonstrates the range of the genre in Urdu.
Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.
Sixteen striking stories from one of the richest literary storehouses of the subcontinent. Complex, audacious, and strongly individualistic, the stories in this selection underline the originality and power of the modern Urdu short story. From Qurratulain Hyder to Enver Sajjad, these are stories that dazzle with their wit, brilliance, and intelligence.
Covering 100 years of literary production, this volume includes poems, essays and sketches, autobiography, drama, humour and satire, and letters by some of the leading lights of modern Urdu literature. The volume also includes interesting anecdotes on well-known literary personages like Ghalib.
A Collection Of Urdu Stories By Some Of The Finest And Most Renowned Writers Of The Language Today - Including Naiyer Masud, Balraj Manra, Jeelani Bano And Intizar Husain - Brought To The English Reader In Accurate, Modern Translations. With Originality And Poetic Grace, These Stories Lead Us Into A World Shaped By Islamic And Indian Sub Continental Traditions, Revealing An Imagination Hovering Upon The Mystical And The Romantic, The Traditional And The Modern, The Social And The Political. Ultimately, They Testify To The Depth Of The Human Spirit Ad They Reflect Upon Its Mysteries. An Informative Preface By Muhammad Umar Memon Sets The Scene For A Power Anthology Of A Vibrant And Tenacious Literary Tradition.
Selected and translated by writer, editor and translator par excellence Muhammad Umar Memon, the twenty-five stories in this book represent the finest short fiction in Urdu literature. In his Introduction, Memon traces the evolution of the Urdu short story from its origins in the work of writers like Munshi Premchand-'the first professional short story writer in Urdu'-through the emergence of the Progressives in the late 1930s, whose writings were unabashedly political and underpinned their Marxist ideologies, to the post-Independence 'Modernist' era, and today's generation of avant-garde, experimental writers of Urdu fiction. Every story in the anthology illustrates one or the other facet of the form in the Urdu literary tradition. But even more than for their formal technique and inventiveness, these stories have been included because of their power and impact on the reader. Death and poverty face off in Premchand's masterpiece
Noveller.