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Presented inside is a creative collection of my personal poetry, alluring articles, and savvy songs that I’ve conjured up to capture your curiosity. My book provides a powerful message to readers of all ages. The context of my writing is surprisingly simple to read and relate to, therefore one doesn’t have to be a literature scholar to comprehend it. This wide variety of little ditties mostly consist of my true to life experiences and personal feelings based on drugs, love, religion, and nature. My approach is to write about what people particularly feel uncomfortable talking about. My goal is to provide the reader with a profound knowledge of how my uniquely assembled collage of writing reflects on the psyche of today’s society. I truly believe that this book will educate, intrigue, and inspire the readers intellect. I’ve also included an additional bonus feature which reveals my perspective on how to live a successful life, and how one person alone can make a significant difference in this world. Which I believe is our purpose for living. Half of the proceeds from this astonishing book will be donated towards a fantastic foundation that I’m creating called A Hand Up, Not A Hand Out. It’s a non profit organization designed to help people who have creative minds obtain the interest free funding for starting a small business, invention patents, publishing a book, song writing or things of that nature. I know we all can agree that it takes money to make money and I personally feel that it’s wrong to deprive people of their dreams because of financial difficulties. So please help me help us all by purchasing this one of a kind, everlasting book of keepsakes. I encourage every person to pursue their dreams because I believe that’s what being a free American is all about.
Mostly humorous verse written as an expression of moods reflecting real life with a couple of just for fun poems.
Over the past thirty years, narrative poems have made a comeback against the lyric approach to poetry that has dominated the past century. Drawing on a decade of conferences and critical seminars on the topic, The Contemporary Narrative Poem examines this resurgence of narrative and the cultural and literary forces motivating it. Gathering ten essays from poet-critics who write from a wide range of perspectives and address a wide range of works, the collection transcends narrow conceptions of narrative, antinarrative, and metanarrative. The authors ask several questions: What formal strategies do recent narrative poems take? What social, cultural, and epistemological issues are raised in such poems? How do contemporary narrative poems differ from modernist narrative poems? In what ways has history been incorporated into the recent narrative poetry? How have poets used the lyric within narrative poems? How do experimental poets redefine narrative itself through their work? And what role does consciousness play in the contemporary narrative poem? The answers they supply will engage every poet and student of poetry.
This new volume explores the surprisingly intense and complex relationships between East and West during the Middle Ages and the early modern world, combining a large number of critical studies representing such diverse fields as literary (German, French, Italian, English, Spanish, and Arabic) and other subdisciplines of history, religion, anthropology, and linguistics. The differences between Islam and Christianity erected strong barriers separating two global cultures, but, as this volume indicates, despite many attempts to 'Other' the opposing side, the premodern world experienced an astonishing degree of contacts, meetings, exchanges, and influences. Scientists, travelers, authors, medical researchers, chroniclers, diplomats, and merchants criss-crossed the East and the West, or studied the sources produced by the other culture for many different reasons. As much as the theoretical concept of 'Orientalism' has been useful in sensitizing us to the fundamental tensions and conflicts separating both worlds at least since the eighteenth century, the premodern world did not quite yet operate in such an ideological framework. Even though the Crusades had violently pitted Christians against Muslims, there were countless contacts and a palpitable curiosity on both sides both before, during, and after those religious warfares.
Unique in the literature of planners, architects, and urban officials, Rebuilding Cities is a compendium and analysis of the achievements of city planning from the ""Ideal City"" of Palmanova in 1593 to the innovative achievements of planners and designers of the twentieth century. As such, it is vital reading for anyone concerned with the problem of rebuilding and revitalizing cities after disasters--either of a human or physical decimation. Rebuilding Cities covers and includes medieval nuclei to urban sprawl; physical, economic, and social factors in planning; and the changing nature of components of cities incorporating elements from different periods in a single visual scheme. Also included are analysis of planning schemes from Indian and Greek visionaries; legislative and administrative changes needed for successful planning; the massive redevelopment that happened in London after World War Two; renewal schemes; and urban design and work throughout the world. The remarkable clarity and thoroughness of the book and its abundant illustrations clearly demonstrate the successes and failures of planning schemes and lays a solid groundwork for intelligent assessment of the goals and practical possibilities of city planning. Teachers and students of planning and architecture, professionals actively engaged in the field, and all who visualize a truly civilized urban environment will find this book immensely helpful and satisfying.
The subject of "culture" has provided theologians with a whole new realm of exploration. By the turn of the twentieth century and the beginning of this new milennium the subject of culture had presented itself to theologians and church leaders for vital consideration. As one of the world's leading theologians, Robert Jenson's eminent career has coincided with the pre-eminence of culture in theological and churchly discussion. Having described himself as a theologian of culture in his earliest works, culture continually informs Jenson's systematic theology, which in turn works its way out in countless cultural forms. In Rhyming Hope and History we explore the philiosophical and theological influences of Jenson's work and outline their vast and varied applications to the world of culture and the life of the church. For Jenson, the church is the cultural embodiment of the risen Christ in the fallen reality of our world. In a series of conversations between Jenson and leading thinkers, including G.W.F. Hegel, Jonathan Edwards, Wittgenstein, Richard H. Niebuhr, Kathryn Tanner, Paul Tillich, Nicholas Wolterstorff, Augustine, and Jeremy Begbie, we explore this creative and courageous proposal.
An exploration of natural law for an era of deep division: Burgess lays out the long struggle to protect human rights for all citizens. Dr. King's famous words—"The arc of the moral universe is long, but it bends towards justice”—rest on the thinking and policy of philosophers and legislators from ancient Greece to the present day. Douglas R. Burgess Jr.—a broadly published writer and professor of legal history—tells us that important story, from the Greeks to the Middle Ages to the Enlightenment, ending with FDR's "Four Freedoms" and the Nuremberg Trials. With timely reference to recent assaults on human rights, including the 2021 attack on the US Capitol, When Hope and History Rhyme has both historical sweep and contemporary significance.
The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.
No detailed description available for "Analytic Essays in Folklore".
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.