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In Modern Poetry and the Christian Tradition, Wildler examines this movement in poetry in relation to the direction in which our culture is moving. He interprets the significance of modern poetry and shows its relation to the "traditional." He gives attention to the representative poets of our time (including Dylan Thomas, Gerard Manley Hopkins, Allen Tate, W. H. Auden, Wallace Stevens, T. S. Eliot and others); he notes the wider implications of their work and assesses from them the impulses and trends of our age. As a poet of considerable ability, as a student of literary criticism for many years, and as a teacher, Wilder is in a position to know and understand his subject. The result is a book of permanent value to all concerned with the deeper meanings of civilization and Christianity.
What if the religious themes and allusions in modernist poetry are not just metaphors? Following the religious turn in other disciplines, literary critics have emphasized how modernists like Woolf and Joyce were haunted by Christianity’s cultural traces despite their own lack of belief. In Poetry and Theology in the Modernist Period, Anthony Domestico takes a different tack, arguing that modern poets such as T. S. Eliot, W. H. Auden, and David Jones were interested not just in the aesthetic or social implications of religious experience but also in the philosophically rigorous, dogmatic vision put forward by contemporary theology. These poets took seriously the truth claims of Christian theology: for them, religion involved intellectual and emotional assent, doctrinal articulation, and ritual practice. Domestico reveals how an important strand of modern poetry actually understood itself in and through the central theological questions of the modernist era: What is transcendence, and how can we think and write about it? What is the sacramental act, and how does its wedding of the immanent and the transcendent inform the poetic act? How can we relate kairos (holy time) to chronos (clock time)? Seeking answers to these complex questions, Domestico examines both modernist institutions (the Criterion) and specific works of modern poetry (Eliot’s Four Quartets and Jones’s The Anathemata). The book also traces the contours of what it dubs “theological modernism”: a body of poetry that is both theological and modernist. In doing so, this book offers a new literary history of the modernist period, one that attends both to the material circulation of texts and to the broader intellectual currents of the time.
Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.
Intro -- Contents -- Preface -- Introduction -- Chapter 1: A Lost Pastoral Rhythm: The Poetry of John Montague -- Chapter 2: "The God in the Tree" : Seamus Heaney and the Pastoral Tradition -- Chapter 3: "Love Poems, Elegies: I am losing my place " : Michael Longley's Environmental Elegies -- Chapter 4: Learning the Lingua Franca of a Lost Land: Eavan Boland's Suburban Pastoral -- Chapter 5: "In My Handerkerchief of a Garden" : Medbh McGuckian's Miniature Pastoral Retreats -- Chapter 6: "When Ireland Was Still under a Spell" : Miraculous Transformations in the Poetry of Nuala Ní Dhomhnaill -- Conclusion: The Future of Pastoral -- Notes -- Bibliography -- Index.
The republication of this book resurrects a landmark volume hailed when published as "the first major effort to assess modern poetry from the point of view of its contributions to the spiritual life of our times." Resting on the assumption that poetry offers "a mirror in which the world can know itself and in which it can read its deepest dilemmas and its deepest omens," Wilder explores the work of W. B. Yeats, Ezra Pound, Robert Frost, D. H. Lawrence, T. S. Eliot, Conrad Aiken, Archibald MacLeish, Hart Crane, W. H. Auden, Kenneth Patchen, and Robinson Jeffers, among others. Wilder investigates the ethical and religious attitudes behind these works, the sources behind them, and their importance for religious and spiritual life in the modern era. The author also discusses the work of leading critics and provides a guide and bibliography to the sources of modernism's roots in America and abroad, as well as biographical sketches of the poets and critics discussed.
Volume IV (bound as two volumes) provides a critical and descriptive bibliography of religion in American life that is unequalled in any other source. Arranged topically, so that books and articles on a single subject are discussed in relation to each other, and carefully cross-referenced and indexed, it will be an indispensable tool for anyone exploring further into American religion or related subjects. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book from renowned poetry critic Edna Longley presents fresh, dynamic perspectives on W. B. Yeats' enduring legacy.
Features:• Wide chronological coverage of English literature, especially texts found in the Norton, Oxford, Blackwell and other standard anthologies• Short, punchy essays that engage with the texts, the critics, and literary and social issues• Background and survey articles• Glossaries of Bible themes, images and narratives• Annotated bibliography and questions for class discussion or personal reflection• Scholarly yet accessible, jargon-free approach – ideal for school and university students, book groups and general readersCreated for readers who may be unfamiliar with the Bible, church history or theological development, it offers an understanding of Christianity’s key concepts, themes, images and characters as they relate to English literature up to the present day.
Literature remains one of the few disciplines that reflect the experiences, sensibility, worldview, and living realities of its people. Contemporary African literature captures the African experience in history and politics in a multiplicity of ways. Politics itself has come to intersect and impact on most, if not all, aspects of the African reality. This relationship of literature with African people’s lives and condition forms the setting of this study. Tanure Ojaide’s Indigeneity, Globalization, and African Literature: Personally Speaking belongs with a well-established tradition of personal reflections on literature by African creative writer-critics. Ojaide’s contribution brings to the table the perspective of what is now recognized as a “second generation” writer, a poet, and a concerned citizen of Nigeria’s Niger Delta area.