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This 1966 book provides a series of concise, accessible essays reflecting on the development of Persian fiction during the modern period. The structure of the text is broadly chronological, with chapters allocated to key authors, literary movements, and social changes. This is a valuable volume for anyone interested in Persian literature.
Originally published in 1966, this book forms the companion volume to A Modern Persian Prose Reader (Cambridge, 1968). It provides a series of concise, accessible essays reflecting on the development of Persian fiction during the modern period. The structure of the text is broadly chronological, with chapters allocated to key authors, literary movements, and social changes. A long second section is devoted to the work of Sadeq Hidayat (1903-1951), regarded by many as Iran's foremost writer of prose fiction and short stories. This is a fascinating book that will be of value to anyone with an interest in Persian literature.
This volume of Persian language texts contains representative passages from the works of major Persian writers.
Persian Literature and Modernity recasts the history of modern literature in Iran by elucidating the bonds between the classical tradition and modernity and exploring textual, generic and discursive formations through heterodoxical investigations. This is first done through the rehabilitation of concepts embedded in tradition, including the munāzirah (debate), Ahrīman (the demonic), tajarrud (radical aloneness) and nāriz̤āyatī (discontent). Following this are broader structural and processual treatments, including the emergence of the genre of the social novel, the international dimension of Persian and Persianate canon formation, and the development of salvage ethnography and anthropological discourse in Iran. Covering literary experiments from the twelfth to the twentieth centuries, the chapters in this volume make a case for stepping outside the bounds of orthodox literary scholarship in Iranian studies with its associated political and orientalist determinants in order to provide a more nuanced conception of literary modernity in Iran. Offering an alternative reading of modernity in Persian literature, this book is an invaluable resource for scholars and students interested in the history of modern Iran and Persian Literature.
CONTRIBUTORS -- INTRODUCTION -- CHAPTER 1: A MEDIEVAL NEXUS: LOCATING ENSHA' AND ITS ONTOLOGY IN THE PERSIANATE INTELLECTUAL TRADITION, 1000?1500 (Colin Mitchell) CHAPTER 2: ADVICE LITERATURE (Louise Marlow) -- CHAPTER 3: RES℗LE, MAQ℗LE, AND KET℗B: AN OVERVIEW OF PERSIAN EXPOSITORY AND ANALYTICAL PROSE (Ali Gheissari) -- CHAPTER 4: SCIENCE IN PERSIAN (Ziva Vesel in collaboration with Sonja Brentjes) -- CHAPTER 5: CALLIGRAPHY (Francis Richard) -- CHAPTER 6: CONSIDERATIONS ON LITERARY ASPECTS OF PERSIAN HISTORIOGRAPHY (Bert Fragner) -- CHAPTER 7: BIOGRAPHICAL WRITING: TADHKERE AND MAN℗QEB (Paul Losensky) -- CHAPTER 8: STORIES AND TALES: ENTERTAINMENT AS LITERATURE (Mehran Afshari) -- CHAPTER 9: POPULAR ANECDOTES AND SATIRE (Mehran Afshari) -- CHAPTER 10: THE DEVELOPMENT OF MODERN PERSIAN PROSE: FROM THE NINETEENTH TO THE EARLY TWENTIETH CENTURY (Iraj Parsinejad) -- ABBREVIATIONS -- INDEX.
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century ce epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as women's laments.
When Arcade Publishing originally contracted this extraordinary collection of poetry and literature, the Department of the Treasury was attempting to censor the publication of works from countries on America’s “enemies list.” Arcade, along with the PEN American Center, the Association of American Publishers Professional and Scholarly Publishing Division, and the Association of American University Presses, filed a lawsuit in federal court against the United States government. Their landmark case forced the Office of Foreign Assets Control to change their regulations regarding editing and publishing literature in translation, and Arcade is proud to reissue this anthology that showcases the developments in Iranian literature over the past quarter-century. Since the Iranian revolution of 1979, the United States has been virtually cut off from that country’s culture. Despite severe difficulties imposed by social, political, and economic upheavals, as well as war, repression, and censorship, a veritable cultural renewal has taken place in Iran over the past quarter-century, not only in literature, but in music, art, and cinema. Over forty writers from three generations contributed to this rich and varied collection—or, to use the Persian term, golchine, a bouquet—one that provides a much-needed window into a largely undiscovered branch of world literature. In the wake of the Green Revolution and sweeping changes in the region, this particular golchine is more relevant than ever, and will bring literary enjoyment as well as a fuller understanding of a complex and ever-shifting culture.