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Reproduction of the original: Modern Painters by John Ruskin
Now available in a new edition, this chronologically arranged volume covers a century and a half of masterpieces which beautifully capture the development of art in the modern age.Now available in a new edition, this chronologically arranged volume covers a century and a half of masterpieces which beautifully capture the development of art in the modern age. Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists redefined norms and challenged tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. From the Impressionists to the Surrealists, Cubists to Pop artists—readers will find a wealth of information as well as hours of enjoyment learning about one of the most popular and prolific periods in art history.
Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to GustonÕs practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate GustonÕs paintings within broader artistic debates of the time, using the cultural movement of Òthe sixtiesÓ as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, SlifkinÕs comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
This survey of great contemporary artists is the perfect introduction to the exciting world of art today. Artists working after the Second World War faced a confounding array of challenges, as stylistic barriers were broken, technology advanced, and issues of sexuality and race came to the forefront. From painters and photographers to sculptors and performance artists, fifty of the most influential contemporary artists are profiled in this colorful and engaging book that traces the various artistic movements and radical changes of the second half of the twentieth and early twentyfirst centuries. Presented chronologically, each artist is featured in 2 or 4-page spreads that include brilliant reproductions of their most important works, an illuminating biography, key dates in their career, and informative background on major developments in the art world. Throughout the volume a timeline places each artist within the context of contemporary art. As diverse and inspiring as the artists themselves, this book is a voyage of discovery into art's cutting edge.
Dealing with not only specific artists in the context of their national identity, but also with overarching themes in the rise of modernism, Czech Modern Painters is an articulate and well-researched overview of modern art styles from the former Czechoslovakia, focusing on impressionism, the Art Nouveau movement, and cubism. This study covers three generations of artists who changed the landscape of traditional art at the turn of the twentieth century, and looks specifically at how these artists pushed the boundaries of and came into conflict with the work of their predecessors. To do so, Petr Wittlich has combed through each artist's work in art school, galleries, and new art journals, while tracking each individual's own personal style. The result is a beautifully illustrated book that carefully explains the aesthetic theory of each movement, and provides biographical information on the leading personalities of the period and brief, informative captions for each reproduction. Wittlich also investigates the profound influence of capitalism, and the way in which these artists departed from the prevailing aesthetic tastes of their contemporaries. Czech Modern Painters has the magisterial quality of a textbook for students of modern art styles while maintaining readability, making it appealing to art lovers and historians alike.
There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States. With a foreword by legendary artist (and former sign painter) Ed Ruscha, this vibrant book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco s New Bohemia Signs and New York s Colossal Media s Sky High Murals.