Download Free Modern Man Is Obsolete Book in PDF and EPUB Free Download. You can read online Modern Man Is Obsolete and write the review.

On the political and social consequences of the atom bomb and atomic energy.
The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.
A cultural catalog of everyday things rapidly turning into rarities—from landlines to laugh tracks. So many things have disappeared from our day-to-day world, or are on the verge of vanishing. Some we may already think of as ancient relics, like typewriters (and their accompanying bottles of correction fluid). Others seem like they were here just yesterday, like boom boxes and CDs. We may feel fond nostalgia for certain items of yore: encyclopedias, newspapers, lighthouses. Other items, like MSG, not so much. But as the pace of change keeps accelerating, it’s worth taking a moment to mark the passing of the objects of our lives, from passbooks and pay phones to secretaries and skate keys. And to reflect on certain endangered phenomena that may be worth trying to hold on to—like privacy, or cash. This thoughtful alphabetized compendium invites us to take a look at the many things, ideas, and behaviors that have gone the way of the subway token—and to reflect on what is ephemeral, and what is truly timeless.
‘Men are so last century. They seem to have stopped evolving. The Mad Men world is disappearing and the guys are struggling to figure out the altered parameters of manliness.’ Maureen Dowd ‘Do women get anything from men being obsolete? Do we win by triumphing in work, education, the economy, politics and business, while retaining homemaking and child rearing? If that happened then we will be doing everything! Are men obsolete? No! I won’t let you be you f*****s!’ Caitlin Moran Are Men Obsolete is an essential and entertaining read for anyone interested in what happens next in the great gender discussion. Maureen Dowd, Caitlin Moran, Camille Paglia and Hanna Roisin debate whether modern man is past his sell-by-date, and, if so, what does that mean for women?
In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times
As the editor of the Saturday Review for more than thirty years, Norman Cousins had a powerful platform from which to help shape American public debate during the height of the Cold War. Under Cousins's leadership, the magazine was considered one of the most influential in the literary world. Cousins's progressive, nonpartisan editorials in the Review earned him the respect of the public and US government officials. But his deep impact on postwar international humanitarian aid, anti-nuclear advocacy, and Cold War diplomacy has been largely unexplored. In this book, Allen Pietrobon presents the first true biography of Norman Cousins. Cousins was much more important than we realize: he was involved in several secret citizen diplomacy missions during the height of the Cold War and, acting as a private citizen, played a major role in getting the Limited Test Ban Treaty signed. He also wrote JFK's famous 1963 American University commencement speech ("not merely peace in our time but peace for all time"). This book is a fascinating look at the outsized impact that one individual had on the course of American public debate, international humanitarianism, and the Cold War itself. This biography of the vocal anti-communist and anti-nuclear activist's public life will interest readers across the ideological spectrum.
In 1962, a Hiroshima peace delegation and an Auschwitz survivor's organization exchanged relics and testimonies, including the bones and ashes of Auschwitz victims. This symbolic encounter, in which the dead were literally conscripted in the service of the politics of the living, serves as a cornerstone of this volume, capturing how memory was utilized to rebuild and redefine a shattered world. This is a powerful study of the contentious history of remembrance and the commemoration of the atomic bomb in Hiroshima in the context of the global development of Holocaust and World War II memory. Emphasizing the importance of nuclear issues in the 1950s and 1960s, Zwigenberg traces the rise of global commemoration culture through the reconstruction of Hiroshima as a 'City of Bright Peace', memorials and museums, global tourism, developments in psychiatry, and the emergence of the figure of the survivor-witness and its consequences for global memory practices.
Originally published in 1985, By the Bomb's Early Light is the first book to explore the cultural 'fallout' in America during the early years of the atomic age. Paul Boyer argues that the major aspects of the long-running debates about nuclear armament and disarmament developed and took shape soon after the bombing of Hiroshima. The book is based on a wide range of sources, including cartoons, opinion polls, radio programs, movies, literature, song lyrics, slang, and interviews with leading opinion-makers of the time. Through these materials, Boyer shows the surprising and profoundly disturbing ways in which the bomb quickly and totally penetrated the fabric of American life, from the chillingly prophetic forecasts of observers like Lewis Mumford to the Hollywood starlet who launched her career as the 'anatomic bomb.' In a new preface, Boyer discusses recent changes in nuclear politics and attitudes toward the nuclear age.
What is a realist response to nuclear weapons? This book is animated by the idea that contemporary attempts to confront the challenge of nuclear weapons and other global security problems would benefit from richer historical foundations. Returning to the decade of deep, thermonuclear anxiety inaugurated in the early 1950s, the authors focus on four creative intellectuals – Günther Anders, John H. Herz, Lewis Mumford and Bertrand Russell – whose work they reclaim under the label of ‘nuclear realism’. This book brings out an important, oppositional and resolutely global strand of political thought that combines realist insights about nuclear weapons with radical proposals for social and political transformation as the only escape from a profoundly endangered planet. Nuclear Realism is a highly original and provocative study that will be of great use to advanced undergraduates, graduates and scholars of political theory, International Relations and Cold War history.
A vivid account of America at the pivot point of the postwar era, Harry Truman’s first full year in office In 1946, America had just exited the biggest war in modern history and was about to enter another of a kind no one had fought before. We think of this moment as the brilliant start of America Triumphant, in world politics and economics. But the reality is murkier: 1946 brought tension between industry and labor, political disunity, bad veteran morale, housing crises, inflation, a Soviet menace—all shadowed by an indecisiveness that would plague decision makers who would waffle between engagement and isolation, as the country itself pivoted between prosperity and retrenchment, through the rest of the century. The Year of Indecision, 1946 overturns the image of Truman as a can-do leader—1946, in fact, marked a nadir in his troubled presidency. Relations broke down with the Soviet Union, and nearly did with the British. The United States suffered shortages and strikes of a magnitude it had not seen in years. In November 1946, the Democrats lost both houses of Congress. The tension between fear and optimism expressed itself too in popular culture. Americans rejoiced in talent and creative energy, but a shift was brewing: Bing Crosby making room for Bill Haley and B.B. King; John Wayne for Montgomery Clift. That year also saw a burst of spirit in literature, music, art and film—beneath the shadow of noir. The issues and tensions we face today echo those of seven decades ago. As we observe in this portrait of the era just before our own, as America learned, piecemeal and reluctantly, to act like a world power, it tried, and succeeded only partially, to master fear. Indecision, Weisbrode argues, is the leitmotif of American history.