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The histQry of this book dates back exactly 20 years. When I first set foot on the shores O'f Indonesia in September 1947, I was, amongst other things, assigned the task 0'£ teaching Malay literature in an advanced teacher-training course, with the instructiOon to' lay stress on modern literature. This was easier said than done, as very little had been written Oon the subject, and few materials were available to me. From this period I recall with great gratitude the regular and friendly contacts I had with Mr. Sutan Takdir Alisjahbana, whO' in many ways me with information and documentatiO'n. helped The editQrs of the magazine "Kritiek en Opbouw" found my lecture nffies Qn some pre-war authors worth publishing. These articles, with an introduction on Bahasa Indonesia and some other additiQns, were subsequently coUected and published by Pembangunan under the title Voltooid Voorspel (Completed Prelude) (Djakarta 1950). The little book sold fairly quickly, but rather than publishing a new edition in Dutch the publisher was interested in bringing out an Indo~ nesian adaptation. Much material was added, the larger part of which had been CQllected by writing occasional reviews Qf Indonesian literary works for the Dutch newspaper Nieuwsgier in Djakarta. The text of the book was very conscientiously turned intO' Bahasa Indonesia by Anku Raihul Amar gl
A young woman takes a driverless taxi through the streets of Jakarta, only to discover that the destination she is hurtling towards is now entirely submerged... A group of elderly women visit a famous amusement park for one last ride, but things don’t go quite according to plan... The day before her wedding, a bride risks everything to meet her former lover at their favourite seafood restaurant on the other side of the tracks... Despite being the world’s fourth largest nation – made up of over 17,000 islands – very little of Indonesian history and contemporary politics are known to outsiders. From feudal states and sultanates to a Cold War killing field and a now struggling, flawed democracy – the country’s political history, as well as its literature, defies easy explanation. Like Indonesia itself, the capital city Jakarta is a multiplicity; irreducible, unpredictable and full of surprises. Traversing the different neighbourhoods and districts, the stories gathered here attempt to capture the essence of contemporary Jakarta and its writing, as well as the ever-changing landscape of the fastest-sinking city in the world. Translated by Mikael Johani, Zoe McLaughlin, Shaffira Gayatri, Khairani Barokka, Daniel Owen, Paul Agusta, Eliza Vitri Handayani, Syarafina Vidyadhana, Rara Rizal and Annie Tucker.
A Literary mirror is the first English-language work to comprehensively analyse Indonesian-language literature from Bali from a literary and cultural viewpoint. It covers the period from 1920 to 2000. This is an extremely rich field for research into the ways Balinese view their culture and how they respond to external cultural forces. This work complements the large number of existing studies of Bali and its history, anthropology, traditional literature, and the performing arts. A Literary Mirror is an invaluable resource for those researching twentieth-century Balinese authors who wrote in Indonesian. Until now, such writers have received very little attention in the existing literature. An appendix gives short biographical details of many significant writers and lists their work.
Although Indonesia has the fourth largest population in the world, its history is still relatively unknown. Adrian Vickers takes the reader on a journey across the social and political landscape of modern Indonesia, starting with the country's origins under the Dutch in the early twentieth-century, and the subsequent anti-colonial revolution which led to independence in 1949. Thereafter the spotlight is on the 1950s, a crucial period in the formation of Indonesia as a new nation, followed by the Sukarno years, and the anti-Communist massacres of the 1960s when General Suharto took over as president. The concluding chapters chart the fall of Suharto's New Order after thirty two years in power, and the subsequent political and religious turmoil which culminated in the Bali bombings in 2002. Adrian Vickers is Professor of Asian Studies at the University of Wollongong. He has previously worked at the Universities of New South Wales and Sydney, and has been a visiting fellow at the University of Indonesia and Udayana University (Bali). Vickers has more than twenty-five years research experience in Indonesia and the Netherlands, and has travelled in Southeast Asia, the U.S. and Europe in the course of his research. He is author of the acclaimed Bali: a Paradise Created (Penguin, 1989) as well as many other scholarly and popular works on Indonesia. In 2003 Adrian Vickers curated the exhibition Crossing Boundaries, a major survey of modern Indonesian art, and has also been involved in documentary films, including Done Bali (Negara Film and Television Productions, 1993).
A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation. Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.
While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked. Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly recovered lecture by Wright, previously published only in Indonesian. Brian Russell Roberts and Keith Foulcher introduce and contextualize these documents with extensive background information and analysis, showcasing the heterogeneity of postcolonial modernity and underscoring the need to consider non-English language perspectives in transnational cultural exchanges. This collection of primary sources and scholarly histories is a crucial companion volume to Wright'sThe Color Curtain.
FOR MORE THAN THREE DECADES, Soeharto reigned as the most powerful man in Indonesia - President, father figure and infallible leader to millions. That span of the country's history has remained largely opaque to the public, with confusion and vagaries obscuring the inner workings of his regime. In Shades of Grey: A Political Memoir of Modern Indonesia 1965-1998, longtime political insider Jusuf Wanandi, who worked closely with the President's top advisors for decades, sheds light on the indecipherable dark of this period. From the day of the 1965 coup to the invasion of East Timor to Soeharto's complex relationships with China, the communist party and Islamic activists, Wanandi draws on behind-the-scenes knowledge and lifelong experience to illuminate some of the most dramatic and less understood elements of Indonesian history. Both history scholars and political novices will learn much from this book, gaining greater comprehension of how Indonesia came to be what it is today, as well as coming to understand one of modern history's largest political personalities. As the title suggests, nothing in this deeply layered story is black-and-white, no truths absolute in the violent and passionate tale of Indonesia's journey toward full democracy, but Wanandi offers perhaps the most comprehensive and nuanced explanation to date. Though no history can tell all sides of a story, Shades of Grey - colored by Wanandi's thoughtful voice, as well as humanizing anecdotes about great figures - paints a rich picture of a fascinating time, a picture that is sure to provoke debate and introspection for years to come. ABOUT THE AUTHOR Jusuf Wanandi (1937), a native of Sawahlunto, West Sumatra, is a lawyer by training and an activist by calling. He co-founded the Centre for Strategic and International Studies in 1971 and amongst his many other responsibilities and appointments he currently serves as President Director of The Jakarta Post and Chairman of Prasetiya Mulya Business School. He lives in Jakarta with his wife and family. This is his third book.
An epic historical saga, Home expands Oscar-nominated documentary The Act of Killing's scope to delve into Indonesia's tragic 20th century