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Scope limited to literature in modern Indian languages, excluding Sanskrit and Indo-Anglian literatures; covers the period up to mid 1989.
Most of the papers presented at various national and international seminars.
Writing histories of literature means making selections, passing value judgments, and incorporating or rejecting foregoing traditions. The book argues that in many parts of India, literary histories play an important role in creating a cultural ethos. They are closely linked with nationalism in general and various regional ‘sub-nationalisms’ in particular. The contributors to this volume look at a great variety of aspects of the historiography of modern regional languages of India. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The orientation of academic institutions has in recent years been moving away from highly specialized area studies in the classical sense towards broader regional and comparative studies. Cultural studies points to the limitation of Western approaches to non-Western cultures - a development not yet reflected in actual research and data collections. Bringing together scholars from all over the world with specialized knowledge in both Western and non-Western languages, literatures, and cultures, this collection of essays provides new insights into the agency of non-Western literatures in relation to the West - a term used with critical caution and, like other common binary dualisms, challenged here. Inter-cultural expertise, seldom applied in the combination of Asian, African, and 'oriental' perspectives, makes this compilation of essays an important contribution to the study of colonialism and postcoloniality. Topics covered include postcolonial Arabic writing; T.S. Eliot in contemporary Arabic poetry; Algerian (and Berber) literature; the English language and narratives in Kenyan art; characterization, dialogism, gender and Western infuence in modern Hindi fiction; Naya drama in India; modern Burmese theatre and literature under Western influence; Remarque's All Quiet on the Western Front and the Vietnamese Novel Without a Name; Western Marxism and vernacular literature in colonial Indonesia; hybridity in Komedi Stambul; and Sherlock Holmes in/and the crime fiction of Siam and Indonesia Contributors: Amina Azza Bekkat; Thomas de Bruijn; Matthew Isaac Cohen; Rasheed El-Enany; Keith Foulcher; Saddik M. Gohar; Rachel Harrison; Doris Jedamski; Ursula Lies; Daniela Merolla; Evan Mwangi; Guzel Vladimirovna Strelkova; Anna Suvorova; U Win Pe
Raja Rao Is An Erudite Scholar And An Ennobling Indian Novelist In English. His Sensibility Is Verily Indian And Presents A Unified Vision Of Life.His Creditable Career As A Novelist, Beginning With His First Novel Kanthapura (1938), Spans Over Almost More Than Half A Century. The Novel Is A Repository Of The Eventful Phases Of Indian S Struggle For Independence On Gandhian Lines. The Novel Merits The Distinction Of Being A Paradigmatic Text With The Deft Handling Of Myth And History.The Serpent And The Rope (1960) Renowned For Its Metaphysical Moorings Is A Compendium Of The Indian Composite Cultural Complexities Interacting As They Do With The Cross Cultural And Transactional Influences. The Text Holds Out Infinite Possibilities For The Intending Readers Set Out To Undertake A Serious Study.The Cat And Shakespeare (1965), Comrade Kirillov (1976) Are Intact With The Solidity Of An Inbuilt Structural Irony And Put Up An Amazing Picture, In An Amusing Manner, Of The Piquant Situation Obtaining All Over India In The Post-Independence Period, Soon After The Euphoria Of Independence Struggle Ceased To Exercise Its Influence.The Study Being Selective, Is Confined To Socio-Cultural Aspects Of Life As Reflected In The Above Texts.