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When her health begins failing, the mysterious author Vida Winter decides to let Margaret Lea, a biographer, write the truth about her life, but Margaret needs to verify the facts since Vida has a history of telling outlandish tales.
Modern Gothic culture alternately fascinates, horrifies, or bewilders many of us. We cringe at pictures of Marilyn Manson, cheer for Buffy in Buffy the Vampire Slayer, and try not to stare at the pierced and tattooed teens we pass on the streets. But what is it about this dark and morbidly morose aesthetic that fascinates us today? In Contemporary Gothic, Catherine Spooner probes the reasons behind the prevalence of the Gothic in popular culture and how it has inspired innovative new work in film, literature, music, and art. Spooner traces the emergence of the Gothic subculture over the past few decades and examines the various aspects of contemporary society that revolve around the grotesque, abject, and artificial. The Gothic is continually resituated in different spheres of culture, she reveals, as she explores the transplantation of the “street” Goth style to haute couture runway looks by fashion designers. The Gothic also appears in a number of surprisingly diverse representations, and Spoonerconsiders them all, from the artistic excesses of Jake and Dinos Chapman to the fashions of Alexander McQueen, and from the mind-bending films of David Lynch to the abnormal postmodern subjects of Joel-Peter Witkin’s photography. In an engaging way, Contemporary Gothic argues that this style ultimately balances a number of contradictions—the grotesque and incorporeal, authentic self-expression and campiness, mass popularity and cult appeal, comfort and outrage—and these contradictions make the Gothic a crucial expression of contemporary cultural currents. Whether seeking to understand the stories behind the TV show Supernatural or to extract deeper meanings from modern literature, Contemporary Gothic is a lively and virtually unparalleled study of the modern Gothic sensibility that pervades popular culture today.
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.
This lively collection of essays aims to chart the survival of the gothic strain - the dark, the forbidding, the alienated, the fantastic - in a spectrum of popular and 'high cultural' forms of representation.
"Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863-82 traces the timeless American immigrant success story of Anton Kimbel and Joseph Cabus. The enterprising New York City design team pioneered an inventive take on Modern Gothic furniture of near-infinite variety, for a broad range of customers, and defined a significant aesthetic in the United States. The Brooklyn Museum, which retains the largest institutional holdings of Kimbel and Cabus's work, is the first to tell their story with new scholarship and fresh insight into this important yet little-explored partnership. A fully illustrated catalogue co-published with Hirmer Press will accompany the exhibition at the Brooklyn Museum that will be on view July 2, 2021-February 13, 2022 . The publication is co-authored by Barbara Veith, Guest Curator, Brooklyn Museum, and Medill Higgins Harvey, Associate Curator of American Decorative Arts and Manager, Henry R. Luce Center for the Study of American Art, Metropolitan Museum of Art, with additional contributions by Max Donnelly, Curator of Nineteenth-Century Furniture, Victoria and Albert Museum; Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang Curator of American Decorative Arts, Metropolitan Museum of Art; and Dr. Melitta Jonas, Kunsthistorikerin, Berlin"--
This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of modern life. Topics discussed include the norms and shifting boundaries of sex and gender, the explosion of different forms of media and technology, the mixture of cultures across the western world, the problem of identity for the modern individual, what people continue to see as evil, and the very nature of modernity. Also including a chronology and guide to further reading, this volume offers a comprehensive account of the importance of Gothic to modern life and thought.
A woman's unsolved family history comes back to haunt her in an eerie, old, isolated manor in the Scottish Highlands. Ailsa Calder has inherited half of a house. The other half belongs to a man who disappeared from her life without a trace twenty-seven years ago—her father. Leaving London behind to settle the inheritance, Ailsa returns to her childhood home, nestled amongst the craggy peaks of the Scottish Highlands, joined by the half-sister who's almost a stranger to her. Ailsa can't escape the claustrophobic feeling that the house itself is watching her—as if her past hungers to consume her. She also can't ignore how the neighborhood animals refuse to set one foot within the gates of the garden. When the first nighttime intruder shows up and the locals in the isolated community pry into her plans for the manor, Ailsa becomes terrified that the mysteries surrounding the beautiful old home will cost her everything.
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.
The Modern Gothic and Literary Doubles is concerned with Gothic representations of London in the late 19th century. Establishing that a modern Gothic literary mode relocates the traditional rural Gothic to the late 19th century metropolis, this volume explores the cultural history of London in the 19th century. The subsequent discussion of the Gothic fictions of Stevenson, Wilde and Wells offers new perspectives from which to assess the impact of contemporary perceptions of London as a Gothicized space on the works of these novelists.
Welcome to the fantasy-made-flesh that is Jamie Mahon's imagination. Weaving together sublime locations, superb photography, and striking models, this award-winning photographer has created true artwork of the alternative subculture. He and a clique of extraordinary creators have labored to produce images of beautiful women, expertly made up and professionally styled in fantastic surroundings. Whether it's the ethereal otherworldliness of his Gothic heroines and villainesses, the provocative postures of his fetish performers, or the adrenalin-charged action of his fantasy characters, each image leaps from its page to shock and awe you. Mahon's imagination is realized with such depth, passion, and color as to be an entire reality of its own. So come join us in this wicked world of sinful style.