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The Secession years -- Arter World War I -- Paris calls -- Exile -- St. Louis -- St. Louis to New York
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.
Franz Marc was one of the most important members of the Blue Rider group of painters - this first volume of a three-part catalogue raisonné is devoted to the oil paintings.This book includes all 244 paintings and is the ultimate reference work for art lovers, art historians and collectors, offering fresh insights into the work of Franz Marc and the Blue Rider group as a whole.Franz Marc (1880-1916) was one of the most important members of the Blue Rider group of painters, together with other outstanding artists such as Wassily Kandinsky, Gabriele Münter, August Macke, Paul Klee and Alfred Kubin.The group marked the high point of German Expressionism and had a profound influence on international art during the brief period from its formation to the beginning of the First World War.The chronology of the paintings has been thoroughly revised and updated and each entry provides details of technique, provenance, exhibitions and literature.All the paintings are illustrated, most of them in colour. The resulting volume is the ultimate reference work for art lovers, art historians and collectors and offers fresh insights into the work of Franz Marc and the Blue Rider group as a whole.
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.