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This comparative overview of modern Irish dialects surveys the phonology, morphology and syntext of the various dialects and contains a wealth of empirical data organized in an accessible way for the nonspecialist.
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Examines the politics of female ship in relation to contemporary documentary practices
Although the number of Gaelic speakers has declined during the twentieth century, the last forty years have seen an astonishing flowering of Scottish Gaelic poetry, much of it in the modern idiom. This bilingual anthology provides a selection of the best work of poets who have contributed most to that revival--Sorely Maclean, George Campbell Hay, Derick Thomson, Iain Crichton Smith, and Donald MacAulay.
Community in Modern Scottish Literature is the first book to examine representations and theories of community in Scottish writing of the twentieth and twenty-first centuries across a broad range of authors and from various conceptual perspectives. The leading scholars in the field examine work in the novel, poetry, and drama, by key Scottish authors such as MacDiarmid, Kelman, and Galloway, as well as less well known writers. This includes postmodern and postcolonial readings, analysis of writing by gay and Gaelic authors, alongside theorists of community such as Nancy, Bauman, Delanty, Cohen, Blanchot, and Anderson. This book will unsettle and yet broaden traditional conceptions of community in Scotland and Scottish literature, suggesting a more plural idea of what community might be.
Modern Irish: A Comprehensive Grammar is a complete reference guide to modern Irish grammar, providing a thorough overview of the language. Key features include: highly systematic coverage of all levels of structure: sound system, word formation, sentence construction and connection of sentences authentic examples and English translations which provide an accessible insight into the mechanics of the language an extensive index, numbered sections, cross-references and summary charts which provide readers with easy access to the information. Modern Irish: A Comprehensive Grammar is an essential reference source for the learner and user of Irish. It is ideal for use in schools, colleges, universities, and adult classes of all types.
Ranging from devotional poetry to confessional history, across the span of competing religious traditions, this volume addresses the lived faith of diverse communities during the turmoil of the sixteenth and seventeenth centuries. Together, they provide a textured understanding of the complexities in religious belief, practice and organization.
Basic Irish: A Grammar and Workbook provides a jargon-free introduction to the most commonly used grammatical structures within the Irish language. Focusing on the repeated use of grammatical patterns, this Workbook develops an understanding of the structures presented, making the forms familiar and automatic for learners. This user-friendly workbook includes: terminology introduced and explained with multiple examples exercises in the grammatical forms introduced in the text translation exercises an exercise key.
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s onwards. Although an early form of Celticism disappeared with the demise of the Celtic Revivals of Ireland and Scotland, the 'Celtic world' and the 'Celtic temperament' remained key themes in central texts of Irish and Scottish literature well into the twentieth century. Richard Barlow examines the emergence, development, and transformation of Celticism within Irish and Scottish writing and identifies key connections between modern Irish and Scottish authors and texts. By reading works from figures such as James Macpherson, Walter Scott, Sydney Owenson, Augusta Gregory, W. B. Yeats, Fiona Macleod, James Joyce, Samuel Beckett, Hugh MacDiarmid, Sorley MacLean, and Seamus Heaney in their political and cultural contexts, Barlow provides a new account of the characteristics and phases of literary Celticism within Romanticism, Modernism, and beyond.