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In Modern Etudes and Studies for the Total Percussionist, band director and percussionist Chris Colaneri lays out a comprehensive system of total percussion education. The lessons are gleaned from interviews, research, and the nearly two decades he has spent directing middle school band and percussion ensembles. Where the first edition of the book addressed total percussion education for the seventh-grade student and included simple audio examples and practice tracks, this expanded second edition meets needs of sixth- through eighth-grade percussion students, helping them develop intermediate skills for future participation in a high school or extracurricular band setting. Music examples throughout are carefully sized for easy reading, and students will find more information about equipment they should own, world percussion techniques, and famous percussionists. Developed with the practical needs of percussion teachers in mind,Modern Etudes has been extensively classroom tested and provides key teaching aids that will be welcomed by every band director. These include a curriculum guide and practice assignment sheets for all three grades; practice tips; and exercises and etudes for snare, mallet, set, and timpani. Recordings and practice tracks are available on the book's companion website.
The actual daily practice routines used by professional symphonic and jazz drummers. The many variations of basic rudimental patterns make snare drum practicing a joy.
In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into a core performance principle based on integrated motions resulting in refined tone quality and meaningful musicianship. The book applies this principle to several instruments including snare drum, timpani, marimba, vibraphone, multiple-percussion, tambourine and triangle, bass drum, cymbals, tam-tams, and a variety of Western concert and world percussion repertoire. In particular, Udow addresses the importance of coupling stroke types with stickings to set the foundation for precise rhythmic playing and expressive musicality. Chapters also focus on integrated rhythms, breath, and pulsed rhythms, anatomy and physiological health, psychological health, purposeful listening, and the importance of singing when practicing. Offering solutions to common performance problems, the book's many examples serve as a paradigm for future problem solving. A comprehensive companion website complements Udow's teachings with a wealth of video tutorials and listening examples.
The "Goldenberg Book" has been used by generations of orchestral snare drum players to develop their skills. As well as studies and etudes, this book includes excerpts of major orchestral repertoire for snare drum and all of the instruments of the percussion family. This edition, edited by Tony Cirone, includes phrasings and stickings along with re-engraved etudes. This book is the primary source for percussionists to learn proper technique and important orchestral repertoire.
Through the past twenty years or so, the "pit," or "front ensemble," has grown to be an integral part of the modern drum corps and marching band activities. This evolution has brought us into a new realm in the world of percussion education and performance, merging outdoor playing styles with indoor playing styles. "Up Front" explores the numerous details of a successful front ensemble. Topics included are: equipment, instrument ranges, transporting, instrument care, technique, exercises, teaching techniques, arranging, and much, much more. At a whopping 225 pages thick, this resource is sure to provide years of insight. It is meant to be an all-encompassing guide for pit members and educators of all experience levels. Jim Casella and Jim Ancona have instructed and arranged for some of drum corps' most musical and innovative percussion ensembles. Now they have combined their "pit knowledge" into one complete resource. "Up Front" explores every unique aspect of today's front ensemble, from technique and musicianship to arranging and instructing.
One of the classic snare drum books in print today! This publication presents the reader with challenging and stimulating material for the intermediate and advanced percussion student. Contains 50 musical solos and brief performance notes. A Federation Festivals 2020-2024 selection.
A collection of studies and etudes for developing four-mallet independence in playing the marimba. It contains single hand studies, interval studies, rotation studies, parallel motion studies, four mallet arpeggio studies, and more. A must for the intermediate student of keyboard percussion.
Polyrhythmic Studies for Snare Drum is a compilation of 35 etudes and 26 solos for intermediate and advanced levels. It is designed to encompass several phases of music for the snare drum as well as to develop the minds and hands to perform both common and uncommon meters. The first section of the book contains an analysis of polyrhythms and abnormal groups; if studied carefully, this section will help in building a solid foundation of understanding so that polyrhythmic and odd group figures may be executed with little difficulty.
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. Samuel Z. Solomon, himself a percussionist and teacher, offers How to Write for Percussion to fill this longstanding need. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover the tools a composer needs to comfortably create innovative and skilled percussion composition. Featuring an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis, How to Write for Percussion is sure to appeal to a wide swath of musicians and composers. Those familiar with the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will find his insights illuminating. Book jacket.
(Meredith Music Percussion). Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.