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Excerpt from Modern Embroidery It is generally recognised to-day, and strongly so in the United States, that technical skill is not in itself sufficient to produce work of distinction, but that a basis of good design is equally essential. While this has never been denied in the case of painting and sculpture, there has until recently been a tacit assumption that one or two minor arts, such as that of embroidery, could get along very well without much conscious design, - were, if anything, the better for it. The art of the embroideress was judged rather by the cunning of her fingers than her eye, and anything supremely difficult of execution could be sure of praise, regardless of its meaning or use. Hence the increasingly debased repetition of traditional patterns by means of transfers patterns, not designs. It is not possible to get full satisfaction from work limited to the reproduction of worn-out ideas. Everyone is an artist to a greater or less degree, and it is the aim of this book to help its readers to discover their own powers. The dozens of examples from all over the world which it contains are the work of artists with the needle, but their artistry is of a kind within the reach of all intelligent people. There are hun dreds of ideas here waiting for you to develop them into designs of your own as attrae tive, as useful and as modern as these. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Poetry of Catullus The favourites of the gods are released from life before they have had time to outstay their youth. The tribute to those who died young is tribute to the youth which they never lived to lose - ih part, no doubt, objective, but in part also subjective, and prompted by the thought expressed in that line of Thackeray: Oh, the brave days, when we were twenty-one! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book combines the passionate and the practical features of the kebaya fashion. It renews the intricate embroidery work of the past through the creative adaptation to fit contemporary demands. The outfit can be worn and cared for on a daily basis or based on creative preferences of the nyonyas. The book also shares tips and ideas on matching the kebayas with the sarongs (skirts) so as to achieve an amazing ensemble! Aspects of the sarong art is also highlighted.
Profusely illustrated volume by 19th-century pioneer of professional art criticism offers valuable information on how to furnish a home tastefully and affordably. Charming, lucidly written text covers everything from firescreens, curtained archways, and Grandmother's cupboard to Tyrolian tables and chairs, a Dutch bedstead, and a French bureau with fine brass mounts.
The dissemination of classical material to children has long been a major form of popularization with far-reaching effects, although until very recently it has received almost no attention within the growing field of classical reception studies. This volume explores the ways in which children encountered the world of ancient Greece and Rome in Britain and the United States over a century-long period beginning in the 1850s, as well as adults' literary responses to their own childhood encounters with antiquity. Rather than discussing the role of classics in education, it focuses on books read for enjoyment, and on two genres of children's literature in particular: the myth collection and the historical novel. The tradition of myths retold as children's stories is traced in the work of writers and illustrators from Nathaniel Hawthorne and Charles Kingsley to Roger Lancelyn Green and Ingri and Edgar Parin D'Aulaire, while the discussion of historical fiction focuses particularly on the roles of nationality and gender in the construction of an ancient world for modern children. The book concludes with an investigation of the connections between childhood and antiquity made by writers for adults, including James Joyce, Virginia Woolf, and H.D. Recognition of the fundamental role in children's literature of adults' ideas about what children want or need is balanced throughout by attention to the ways in which child readers have made such works their own. The formative experiences of antiquity discussed throughout help to explain why despite growing uncertainty about the appeal of antiquity to modern children, the classical past remains perennially interesting and inspiring.