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From the early years of the twentieth century, with the rejection of European political and cultural domination in Europe, modern artistic expression in Egypt was influenced by and often reflected the country's growing national consciousness. In the years following the 1952 revolution, wealthy patrons of the arts disappeared from Egypt's cosmopolitan art world and were replaced by the state, which by the 1960s exercised full control over all cultural activities, including the arts. In the 1990s, as elsewhere throughout the world, Egyptian art was affected by general shifts in culture brought about by globalization. The disruption of a sense of place and feelings of belonging were a response to the influx of the challenging, and at times, disquieting information available to whole cultures and communities through new media. Examining the work of over 70 artists from 1910 until the present day, Liliane Karnouk traces the parallel steps of modern Egyptian art and the social and political environment in which that art was and continues to be created. Fully illustrated with over 280 color and black-and-white illustrations, this comprehensive volume is both a feast for the eyes and a mine of information for artists and non-specialists alike.
Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.
In a collage of images the author attempts to convey the transformation of consumer culture and how it is related to the urban reshaping of the city of Cairo to meet with the demands of globalisation. Evidently Cairo ́s urban reshaping is taking place by pushing away the unwanted slums residents, which constitute the majority of the city ́s population.
A look at some of the raging debates in the arts in Egypt
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.
This handbook provides an overview of the society, culture, geography, history, and politics of contemporary Egypt. While such historic monuments as the pyramids at Giza, the Karnak Temple, and the Valley of the Kings draw visitors to Egypt each year, the country is today a large and varied collection of some 79 million people. An important political and cultural force in the Middle East and home to one of Africa's most advanced economies, Egypt is rapidly becoming a major player in the 21st-century world. This comprehensive text examines all facets of life in Egypt, including its land, history, politics, and culture. It is written in a manner that makes the subject accessible and engaging for readers with little prior knowledge about the country, but also provides a critical analysis of the latest research for students and scholars familiar with Egypt and its people. Special attention is given to the historical period following the rise of Islam to enable a greater understanding of Egypt's contemporary government, religious practices, popular culture, and current events.

Egypt

Laura Etheredge Assistant Editor, Middle East Geography

Published: 2011-01-15

Total Pages: 207


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Explains the history, politics, and culture of Egypt and examines the geography of the country.
In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.