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First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.
The fourth title published as part of the Robert Graves Programme. This text is the first of a three-volume collection of Graves's poems. It restores hundreds of poems that Graves omitted from the canon or overlooked in his continual refinements. It may lead to a revaluation of his entire poetic oeuvre. Other titles in the series are The Centenary Selected Poems, edited by Patrick Quinn and Collected Writings on Poetry, edited by Paul O'Prey.
This unique anthology gathers together all of Melville's tales, as well as a judiciously edited array of his prose poems, literary criticism, letters, lectures, and poetry--Melville's abiding passion.
Often compared during his lifetime to T.S. Eliot, whose work he translated and introduced to Greece, George Seferis is noted for his spare, laconic, dense and allusive verse in the Modernist idiom of the first half of the twentieth century. At once intensely Greek and a cosmopolitan of his time (he was a career-diplomat as well as a poet), Seferis better than any other writer expresses the dilemma experienced by his countrymen then and now: how to be at once Greek and modern. The translations that make up this volume are the fruit of more than forty years, and many are published here for the first time.
Originally published as: Mountain interval. New York: H. Holt and Co., 1916.
Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth ... half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something ... it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before. ' It is one of the most enduring scenes of American literature; an eerie winter evening full of memories and ghosts, when a bereaved man comes face to face with a strange bird utterin the foreboding phrase 'Nevermore'. Edgar Allan Poe's celebrated poem 'The Raven' is a haunting elegy of loss and mourning that has resonates with readers for over 150 years. This handsome edition sets the text alongside the famous illustrations by Gustave Dore, which capture and enhance the brooding atmosphere of the poem and the psychological turmoil of its subject. The book is completed with other poems fromPoe's acclaimed 1845 collection including 'Tamerlane', 'A Dream', and 'The Valley of Unrest'.
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
A major career-spanning collection from the inimitable Nobel Prize-winning poet For the past fifty years, Louise Gl ck has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form- the book-length sequence of poems. This volume brings together the twelve collections Gl ck has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest living poets. From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Gl ck's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.