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In Modern China: All That Matters, Jonathan Clements presents China as the Chinese themselves see it. He explains the key issues of national reconstruction; the Cold War, the Cultural Revolution, and the dizzying spectacle of China's economic reform. Clements offers a Chinese perspective on such events as the Handover of Hong Kong, and chronicles the historical events that continue to resonate today in Chinese politics, economics, culture and quality of life. A final chapter examines China's role in the global marketplace, its indirect effect on foreign economies from Australia to America to Africa, and its growing military might, with an assessment of the damage done to its environment and population. In his most provocative assertion, Clements suggests that China's contemporary problems are not the trials of a developing nation, but a possible vision of our own future. This accessible and readable book will appeal both to students and general readers, giving a fascinating introduction to modern China - and what matters most about it.
In Modern China: All That Matters, Jonathan Clements presents China as the Chinese themselves see it. He explains the key issues of national reconstruction; the Cold War, the Cultural Revolution, and the dizzying spectacle of China's economic reform. Clements offers a Chinese perspective on such events as the Handover of Hong Kong, and chronicles the historical events that continue to resonate today in Chinese politics, economics, culture and quality of life. A final chapter examines China's role in the global marketplace, its indirect effect on foreign economies from Australia to America to Africa, and its growing military might, with an assessment of the damage done to its environment and population. In his most provocative assertion, Clements suggests that China's contemporary problems are not the trials of a developing nation, but a possible vision of our own future. This accessible and readable book will appeal both to students and general readers, giving a fascinating introduction to modern China - and what matters most about it.
This work chronicles the history of China for over four hundred years through the spring of 1989.
China today is never out of the news: from human rights controversies and the continued legacy of Tiananmen Square, to global coverage of the Beijing Olympics, and the Chinese 'economic miracle'. It seems a country of contradictions: a peasant society with some of the world's most futuristic cities, heir to an ancient civilization that is still trying to find a modern identity. This Very Short Introduction offers the reader with no previous knowledge of China a variety of ways to understand the world's most populous nation, giving a short, integrated picture of modern Chinese society, culture, economy, politics and art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Clear and engaging, this is the definitive history of China, one of the most important political, economic, and cultural players in the modern world. 8-page color photo insert.
Amid early twentieth-century China’s epochal shifts, a vital and prolific commercial publishing industry emerged. Recruiting late Qing literati, foreign-trained academics, and recent graduates of the modernized school system to work as authors and editors, publishers produced textbooks, reference books, book series, and reprints of classical texts in large quantities at a significant profit. Work for major publishers provided a living to many Chinese intellectuals and offered them a platform to transform Chinese cultural life. In The Power of Print in Modern China, Robert Culp explores the world of commercial publishing to offer a new perspective on modern China’s cultural transformations. Culp examines China’s largest and most influential publishing companies—Commercial Press, Zhonghua Book Company, and World Book Company—during the late Qing and Republican periods and into the early years of the People’s Republic. He reconstructs editors’ cultural activities and work lives as a lens onto the role of intellectuals in cultural change. Examining China’s distinct modes of industrial publishing, Culp explains the emergence of the modern Chinese intellectual through commercial and industrial processes rather than solely through political revolution and social movements. An original account of Chinese intellectual and cultural history as well as global book history, The Power of Print in Modern China illuminates the production of new forms of knowledge and culture in the twentieth century.
This book is a study of a topic that is both extremely important and highly sensitive: how the Chinese have viewed other ethnic groups across time. The issue of racial differences constitutes a highly marked and oblique discourse in modern China. This is the first book to analyse that shielded rhetoric directly.
This guide to people, places, ideas, and events crucial to an understanding of a rising world power focuses on society and politics and their impact on China and the world. Hutchings provides over 200 short essays, arranged alphabetically, covering figures and events from Sun Yat-sen to Jiang Zemin and the Boxer Rebellion to Tiananmen Square.
The past hundred years in China have seen almost continuous transformation and upheaval. From Confucianist monarchy to warlordism, from fanatically doctrinaire socialist tyranny to almost doctrineless social-capitalism, China has experienced political, cultural and economic disintegration, reunion, and revolution on an unprecedented scale. Beginning with the overthrow of the Emperor in 1911, Moise guides us through a century of ever-unfolding drama with characteristic clarity and balance. Examining the effects of the communist revolution, he argues that in the early days Mao Zedong established the most effective government China had ever known, and that even during the bizarre excesses and blood-letting of the Cultural Revolution, there were still issues that were dealt with in a rational and effective manner. Moving on to the developments since the death of Mao in 1976, in a section fully revised and updated for this new edition, Moise gives a nuanced account of the two sides of China: its spectacularly successful programme of capitalist economic development, and its continuing dictatorship. He contends that dictatorship is now much less total than it was until the mid-70s; although dissenters are still persecuted, their very existence is evidence of a significant loosening of repression. However, there is a heavy price being paid for the Chinese economic miracle. The environmental effects of this boom already stretch well beyond the borders of China. Modern Chinasends us a clear message: the rapid and fundamental change that has framed the last century has not slowed or stalled but acts as a pointer to the near certainty of significant further change. To understand China’s future we must understand its past. Edwin E. Moise is Professor of History at Clemson University, South Carolina and a specialist in the history of China and Vietnam. His previous works include Land Reform in China and North Vietnam(1983) and Tonkin Gulf and the Escalation of the Vietnam War (1996).
Contemporary discussions of China tend to focus on politics and economics, giving Chinese culture little if any attention. Why Fiction Matters in Contemporary China offers a corrective, revealing the crucial role that fiction plays in helping contemporary Chinese citizens understand themselves and their nation. Where history fails to address the consequences of man-made and natural atrocities, David Der-Wei Wang argues, fiction arises to bear witness to the immemorial and unforeseeable. Beginning by examining President Xi Jinping’s call in 2013 to “tell the good China story,” Wang illuminates how contemporary Chinese cultural politics have taken a “fictional turn,” which can trace its genealogy to early modern times. He does so by addressing a series of discourses by critics within China, including Liang Qichao, Lu Xun, and Shen Congwen, as well as critics from the West such as Arendt, Benjamin, and Deleuze. Wang highlights the variety and vitality of fictional works from China as well as the larger Sinophone world, ranging from science fiction to political allegory, erotic escapade to utopia and dystopia. The result is an insightful account of contemporary China, one that affords countless new insights and avenues for understanding.