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Child prostitution became one of the key concerns of the international community in the 1990s. World congresses were held, international and national laws were changed and concern over "cemmercially sexually exploited children" rose dramatically. Rarely, however, were the children who worked as prostitutes consulted of questioned in this process, and the voices of these children brought into focus. This book is the first to address the children directly, to examine their daily lives, their motivations and their perceptions of what they do. Based on 15 months of fieldwork in a Thai tourist community that survived through child prostitution, this book draws on anthropological theories on childhood and kinship to contextualize the experiences of this group of Thai child prostitutes and to contrast these with the stereotypes held of them by those outside their community.
Child prostitution became one of the key concerns of the international community in the 1990s. World congresses were held, international and national laws were changed and concern over "cemmercially sexually exploited children" rose dramatically. Rarely, however, were the children who worked as prostitutes consulted of questioned in this process, and the voices of these children brought into focus. This book is the first to address the children directly, to examine their daily lives, their motivations and their perceptions of what they do. Based on 15 months of fieldwork in a Thai tourist community that survived through child prostitution, this book draws on anthropological theories on childhood and kinship to contextualize the experiences of this group of Thai child prostitutes and to contrast these with the stereotypes held of them by those outside their community.
Child prostitution became one of the key concerns of the international community in the 1990s. World congresses were held, international and national laws were changed and concern over "cemmercially sexually exploited children" rose dramatically. Rarely, however, were the children who worked as prostitutes consulted of questioned in this process, and the voices of these children brought into focus. This book is the first to address the children directly, to examine their daily lives, their motivations and their perceptions of what they do. Based on 15 months of fieldwork in a Thai tourist community that survived through child prostitution, this book draws on anthropological theories on childhood and kinship to contextualize the experiences of this group of Thai child prostitutes and to contrast these with the stereotypes held of them by those outside their community.
As long as there have been wars, victors have written the prevailing histories of the world's conflicts. An army that loses - and especially one that is destroyed or disbanded - is often forgotten. Nevertheless, the experiences of defeated forces can provide important insights, lessons, and perspectives not always apparent to the winning side. In this work, Pesach Malovany provides a comprehensive and detailed history of the Iraqi military from its formation in 1921 to its collapse in 2003. Malovany analyses Iraqi participation in the 1948, 1967, and 1973 Arab wars against Israel as well as Iraq's wars with the Kurds during the twentieth century.
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.
A gripping portrait of black power politics and the struggle for civil rights in postwar Oakland As the birthplace of the Black Panthers and a nationwide tax revolt, California embodied a crucial motif of the postwar United States: the rise of suburbs and the decline of cities, a process in which black and white histories inextricably joined. American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension. American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership. Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.
Although Iraqi Jews saw themselves as Iraqi patriots, their community—which had existed in Iraq for more than 2,500 years—was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the part of their Iraqi compatriots, but rather the outcome of misguided state policies during the late 1940s and early 1950s. Sadly, from a dominant mood of coexistence, friendship, and partnership, the impossibility of Arab-Jewish coexistence became the prevailing narrative in the region—and the dominant narrative we have come to know today.
A FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION LONGLISTED FOR THE 2023 ASPEN WORDS LITERARY PRIZE ONE OF THE MOST ANTICIPATED BOOKS OF 2022 – Boston Globe, BuzzFeed, LitHub, Electric Literature, LGBTQ Reads, Latinx in Publishing *Recommended by The New York Times* In this contemporary debut novel—an intimate portrait of queer, racial, and class identity —Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband’s infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends. Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he’d left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds. Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.
As long as there have been wars, victors have written the prevailing histories of the world's conflicts. An army that loses -- and especially one that is destroyed or disbanded -- is often forgotten. Nevertheless, the experiences of defeated forces can provide important insights, lessons, and perspectives not always apparent to the winning side. In Wars of Modern Babylon, Pesach Malovany provides a comprehensive and detailed history of the Iraqi military from its formation in 1921 to its collapse in 2003. Malovany analyzes Iraqi participation in the 1948, 1967, and 1973 Arab wars against Israel as well as Iraq's wars with the Kurds during the twentieth century. His primary focus, however, is the era of Saddam Hussein (1979--2003), who implemented rapid and significant military growth and fought three major wars: against Iran from 1980 to 1988, and against coalition forces led by the United States in 1991 and 2003. He examines the Iraqi military at the strategic, operative, and tactical levels; explains its forces and branches; and investigates its use of both conventional and unconventional weapons. The first study to offer a portrait of an Arab army from its own point of view, Wars of Modern Babylon features interviews with and personal accounts from officers at various levels, as well as press accounts covering the politics and conflicts of the period. Malovany also analyzes books written by key figures in the Iraqi government and the army high command. His definitive chronicle offers English speakers new and overlooked perspectives on critical developments in twentieth-century history. The book won the Israel Yitzhak Sade Award for Military Literature in 2010.