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The book comprises of the best samples of Azerbaijani literature of the last 40 years. The Anthology includes more than sixty short stories and novels of Ismayil Shikhli, Isi Melikzade, Isa Mughanna, Yusif Samadoghlu, Aziza Jafarzade, Sabir Ahmedli, Chingiz Huseynov, Gholam-Hussein Saedi, Anar, Elchin, Movlud Suleymanli, Sara Oghuz, Rustam Ibrahimbeyov, Mammad Oruj, Seyran Sakhavet, Chingiz Abdullayev, Rafig Taghi, Orkhan Fikratoghlu, Elchin Huseynbeyli and etc. Azerbaijani prose was first published about half a century ago during the Soviet period in Moscow. The world readers have since then lacked the opportunity to know about success of the Azerbaijani literature. Therefore, this Anthology presented with annexes, in new edition and design is of great importance.
This anthology presented to reader consists of the artistic prose of the last thirty years. As this period covers the collapse of the Soviet Union and Azerbaijans independence, the literature reflects the influence of these momentous changes of that period. This book contains the works of writers representing a wide literary generation to include the likes of Aziza Jafarzade, Sara Oghuz, Manzar Nigarli, Afag Masud, Nushaba Mammadli, Mehriban Vazir, Gunel Anargizi, Zumrud Yaghmur, Nazila Isgandarova, Aygun Hasanoghlu, Eluja Atali, Khumar Alakbarli, Shalala Abil and others. It consists of the best examples of Azerbaijani womens prose created during this period . Azerbaijani female writers works have certain artistic licenses from the point of view of content and style. These writers works contain various topics, starting from the social and political problems up to moral, ethical and family issues. Besides, the written works are based upon various creative styles. The stories selected in the anthology were based on their relevance to the world readers interest and taste. Thus, there are epic-analytic, lyrical psychological and conditional-metaphorical works among these stories. All of these aspects express the wide variety of genre, style, and topic that represents the female writers artistic research.
This book brings together papers presented at an international conference held in Tbilisi, Georgia, in 2013, and organised by the Shota Rustaveli Institute of Georgian Literature and the Georgian Comparative Literature Association (GCLA). It represents the first in-depth analysis of the different angles of the problem of emigration and emigrant writing, so painful for the cultural history of Soviet countries, as well as many other European countries with different political regimes. It brings together scholars from Post-Soviet countries, as well as various other countries, to discuss a range of issues surrounding emigration and emigrant writing, highlighting the historical and cultural experience of each particular country. The book deals with such significant problems as the fate of writers revolting against different political regimes, conceptual, stylistic and generic issues, the matter of the emigrant author and the language of his fiction, and the place of emigrant writers’ fiction within their national literatures and the world literary process.
Amid ethnic violence, political corruption, and petty professional intrigue, an artist tries to live free of lies. Set during the last years of the Soviet Union, Stone Dreams tells the story of Azerbaijani actor Sadai Sadygly, who lands in a Baku hospital while trying to protect an elderly Armenian man from a gang of young Azerbaijanis. Something of a modern-day Don Quixote, Sadai has long battled the hatred and corruption he observes in contemporary Azerbaijani society. Wandering in and out of consciousness, he revisits his hometown, the ancient village of Aylis, where Christian Armenians and Muslim Azeris once lived peacefully together, and dreams of making a pilgrimage of atonement to Armenia. Stone Dreams is a searing, painful meditation on the ability of art and artists—of individual human beings—to make change in the world.
This monograph provides full and detailed information about the ethnic and political history of Azerbaijan from ancient times until the present day and clarifies a number of disputed questions. This book is intended for students, lecturers and non-specialists working in the educational system as well as for the general reader with an interest in Azerbaijan.
This new edition of Historical Dictionary of Azerbaijan contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture.
The Dictionary of Oriental Literatures fills a long-felt gap in Western literature by presenting a concise summary, in three volumes and about 2000 articles, of practically all the literatures of Asia and North Africa. The first volume describes the Chinese, Tibetan, Japanese, Korean and Mongolian literatures; the second covers the area of South and South-East Asia, comprising, besides all literatures of India and Pakistan, those of Nepal, Bangladesh, Sri Lanka, Myanmar, Thailand, Cambodia, Vietnam, Indonesia, Malaysia and the Philippines; and the third is devoted to the numerous literatures of West Asia and North Africa. including on the one hand the literatures of the ancient Near East and Egypt, and on the other hand those of Central Asia and the Caucasus, of Turkey, Iran, Afghanistan and of the various Arab countries including Morocco, Tunisia and Algeria. The majority of entries give information about the life and work of the individual writers and poets of the classical, medieval and modern periods of the literatures included and also attempt to evaluate their writings from the historical and aesthetic point of view. The remaining articles describe literary terms, genres, forms, schools, movements etc. The Dictionary has been prepared by the Oriental Institute in Prague under the supervision of a Advisory Editorial Board of European and American scholars of international reputation and is unique in that it is the fruit of the collaboration of over 150 orientalists from many parts of the world. Contents include: Volume I East Asia: The Far East, including Chinese, Tibetan, Japanese, Korean and Mongolian literatures. Volume II South and South-East Asia: Ancient Indian, Assamese, Baluchi, Bengali, Gujarati, Hindi, Indian literature in English, Indo-Persian, Kannada, Kashmiri, Maithili, Malayalam, Marathi, Oriya, Panjabi, Pashto, Rajasthani, Sindhi, Tamil, Telugu and Urdu, Sinhalese, Nepali, Burmese, Thai, Cambodian, Malay and Indonesian, Javanese, Vietnamese and Philippines literatures. Volume III West Asia and North Africa: The Near East and Egypt, Central Asia and the Caucasus, Turkish, Persian, Afghan, Kurd and Arabic literatures, covering all the Arab states from Iraq in the East to Algeria in the West.
LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of literature, and addressing the situation of literature in the world today. Organized throughout in six broad regions—Africa, the Americas, East Asia, Europe, South Asia, Southeast Asia, and Oceania, and West and Central Asia—Literature: A World History offers readers a clear and consistent treatment of diverse forms of literary expression across time and place. Throughout the text, particular emphasis is placed on literary institutions within different regional and linguistic cultures and on the relations between literature and a spectrum of social, political, and religious contexts. Features work by an international panel of leading scholars from around the globe, in Africa, the Middle East, South and East Asia, Australia and New Zealand, Europe, and the United States Provides a balanced overview of national and global literature from all major regions of the world from antiquity to the present Highlights the specificity of regional and local cultures throughout much of literary history, together with cross-cutting essays on topics such as different writing systems, court cultures, and utopias Literature: A World History is an invaluable reference work for undergraduate and graduate students as well as scholars looking for a wide-ranging overview of global literary history.
The tales in this book were told to the renowned author and academic Aziza Jafarzade by her mother "Grandmother Boyukhanim" when she was a child in Azerbaijan in the first half of the last century. In later life she faithfully wrote them down and preserved them for posterity in the collection "My Mother's Tales" published in Baku in 1982. They are a joy to read. Influenced by fairy tales and folklore they are rich in mysticism, metaphor, allegory and magic. With dragons and serpents, speaking animals, flying horses and other strange creatures, every story has a strong moral element to it. Good usually triumphs over evil, but not always, for - like all good fairy tales - there is a dark side to them. All aspects of human life are addressed with consummate skill and these stories will appeal to both children and adults alike. This universal appeal and timelessness is best summed up by Professor Maharramova: "She used the language of the marvellous to mirror the hopes and fears of our own world".