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The study of Assamese literature has so far been in terms of the history of the Assamese language. This book is a history of the narratives written in Assamese language and its relation to the process of region formation. The literature dealt with ranges from pre-colonial chronicles, ballads and drama to modern genres of fiction and critical writing in Assamese language. Taking the Brahmaputra valley and Assamese literature as case studies, the author attempts to link literature, its nature and use, to processes of region formation, arguing that such a study needs to take the context of historical geography into consideration. The book views region formation in north-east India as a dialectical process, that is, the dialectic between the shared and the distinct in inter-group and community relations. It borrows an anthropological approach to study written narratives and cultures so as to locate such narratives in specific processes of region formation.
This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.
This is the first English book introducing Assamese Language & Literature to the outside world authored by famous litterary scholar Prof. Bhabananda Deka and his associates. Two Presidents and Two Prime Ministers of India wrote Forewords of this historic book, which was officially released in New Delhi on 24 Nov 1968 by then President of India Dr Zakir Hussain, acknowledging the pioneering literary work of Principal Deka and his associates. After half a century, Er. Arnab Jan Deka recovered the only surviving copy of this priceless book and republished it after thorough editing.
India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume.
This Volume Is Devoted To Plays And Prose Writings, The Task Of Bringing Together Samples Of The Best Of Modern Indian Writing Is Now Complete. The Translations Have Been Done By A Competent Team And Are Sure To Appeal To Lovers Of Literature
Finalist for Marsh Hawk Press Poetry Prize. Finalist for Four Way Books Levis Award in Poetry. THERE IS NO GOOD TIME FOR BAD NEWS opens in a country ravaged by prolonged political conflict. Told in the voices of survivors, it introduces the reader to a wide array of characters: the local police precinct summons a woman after three decades to identify the body of her insurgent son among recovered dead bodies; a soldier lives through nightmares about the war he fought forty years ago; a woman writes a letter to her insurgent lover; and an ordinary citizen, through an open letter, challenges the child-killing insurgents to kill her. At once vignettes and urgent pleas, these are stories as much as they are poems. Zooming through wars, protest marches, and conflicts, they show what it means to live under the duress of prolonged violence.