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This book chronicles the evolution of architecture in the St. Louis area between 1948 and 1973, with insightful essays by established architectural scholars on the significant aspects of modern architecture in St. Louis and of the Washington University School of Architecture in the flowering of mid-century American modernism. Archival photographs and drawings illustrate the authors' historical analyses, and statements about the school written by distinguished alumni and faculty, including Fumihiko Maki, a former faculty member, illuminate a rich pocket of little-known American creativity.
St. Louis is one of the most architecturally impressive cities in the United States, with a heritage of innovative design stretching back to the early 1800s. This is reflected in the architecture of the downtown area and surrounding neighborhoods. More than just about any city in America, St. Louis embraced the imposing forms and lush ornamentation of the Beaux Arts tradition. Indeed, one can make the argument that only Washington, D.C. in the United States has a more impressive collection of classically inspired structures. American City: St. Louis Architecture is the first large-format book on the city's architecture since the 1920s, and includes over 100 new color photographs and text for 50 of the city's most important structures. These range from such 19th Century masterpieces as Louis Sullivan's Wainwright Building, Alfred Mullet's Old Post Office and Theodore Link's Union Station, to Eero Saarinen's Gateway Arch, Tadao Andao's Pulitzer Foundation for the Arts Building and Maya Lin's recently completed Ellen Clark Hope Plaza.
"St. Louis Modern was published in conjunction with an exhibition presented at the Saint Louis Art Museum from November 8, 2015, to January 31, 2016."
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
The city of St. Louis has undergone substantial physical changes in recent years--dramatic new structures have been built in the rejuvenated downtown district and throughout the urban area; neglected buildings have been put to new, innovative uses; and historic neighborhoods and landmarks have been restored. Illustrating and describing over two hundred years of architecture from both the city and the surrounding region, A Guide to the Architecture of St. Louis includes over 500 photographs, elevation drawings, plans, diagrams, and maps. In addition, the entry for each structure gives the address, the name of the architect, the date, the date of construction, and descriptive and historic information. Introductory essays provide an overview of architectural developments in the city and stress its unique characteristics, such as its private streets and vernacular structures. Sponsored by the St. Louis Chapter, American Institute of Architects
An examination of the complex connections in St. Louis among modern architecture, urban renewal, and racial and spatial change. Design Agendas: Modern Architecture in St. Louis, 1930s-1970s features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and architectural historian Eric P. Mumford situates the work of these architects and others within the context of St. Louis urban development against the midcentury backdrop of New Deal planning, the Great Migration, and the civil rights and Great Society eras. Most of the featured architectural works were created in a period of de facto racial segregation, an era that is now known for its often racist and destructive modernist urban planning, such as the Pruitt-Igoe public housing project (1950-56) and the clearance of the Mill Creek Valley neighborhood with its twenty thousand African American residents (1959). These and other urban renewal initiatives were also part of several interlocking design agendas that used modern architecture and planning to propose and express new and then thought to be more liberating, ideas about social organization and forms of architecture and planning. This publication adds to the small but growing number of studies on modern architecture in St. Louis.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century
In The Story of Post-Modernism, Charles Jencks, the authority on Post-Modern architecture and culture, provides the defining account of Post-Modern architecture from its earliest roots in the early 60s to the present day. By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.