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This collection contains 13 essays on modern and contemporary Taiwanese philosophy, written by outstanding scholars working in this field. It highlights the importance of Taiwanese philosophy in the second half of the 20th century. While the Chinese conceptual tradition (especially Confucianism) fell out of favor from the 1950s onwards and was often banned or at least severely criticized on the mainland, Taiwanese philosophers constantly strove to preserve and develop it. Many of them tried to modernize their own traditions through dialogs with Western thought, especially with the ideas of the European Enlightenment. However, it was not only about preserving tradition; in the second half of the 20th century, several complex and coherent philosophical systems emerged in Taiwan. The creation of these discourses is evidence of the great creativity and innovative power of many Taiwanese theorists, whose work is still largely unknown in the Western world.
This book illuminates the problem of women in Chinese philosophy through the lens of the lives and work of two contemporary Taiwanese female philosophers. It takes two approaches that have been relegated, quite unfairly, to the margins of dominant discourses. The first is concerned with the work of women philosophical theorists who are still overshadowed by their male colleagues, regardless of where they live, their theoretical potential, and the value of their research. The second approach is related to the question of the role of Taiwanese philosophy in maintaining the continuity of the Chinese intellectual tradition in the second half of the twentieth century. The book thus connects these two issues and provides a bridge linking them. Although discrimination against female philosophical theorists, on the one hand, and the failure to recognize the important contribution of Taiwanese philosophy to the development of modern Chinese philosophy, on the other, seem, at first glance, to have little in common, both harbor a problem that has its roots in discourses of exclusion emanating from the political, historical, and social inequalities associated with power structures.
The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan. As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.
This collection of essays highlights that, despite its history of conflict, Bosnia and Herzegovina has a real enthusiasm for comparative philosophy. It illustrates the role of this type of philosophy in Bosnian culture and links it with developments in other parts of the world and other cultures. Part One consists of essays that have appeared, in slightly revised versions, in a number of journals and books that focus on relevant resources introducing this field in our region and especially Bosnia and Herzegovina, while Part Two consists of interviews with prominent scholars outside of this country. The book examines the challenges confronting the teaching of comparative philosophy within the university-level philosophy curriculum in Bosnia and Herzegovina and the surrounding countries in the Balkans, a part of the world where multicultural societies are the norm. Facing the twenty-first century, these confluences and cross-currents are increasingly gaining importance, especially in this region, with a comparativism of ethnocentrism and multiculturalism becoming a way of challenging stereotypes.
This book examines democracy in recent Chinese-language philosophical work. It focuses on Confucian-inspired political thought in the Chinese intellectual world from after the communist revolution in China until today. The volume analyzes six significant contemporary Confucian philosophers in China and Taiwan, describing their political thought and how they connect their thought to Confucian tradition, and critiques their political proposals and views. It illustrates how Confucianism has transformed in modern times, the divergent understandings of Confucianism today, and how contemporary Chinese philosophers understand democracy, as well as their criticisms of Western political thought.
This collection contains seven chapters that focus on relevant sources introducing the field of intercultural and transcultural studies in the Balkan region, specifically Bosnia and Herzegovina, as well as contributions by Bosnian and Herzegovinian scholars from different epochs and nations including medieval, modern and postmodern trends in BH philosophy. Through the entire study of BiH contributions to transcultural philosophy, the author attempts to strengthen the already-existing transcultural processes and centuries-long transcultural exchanges. In these chapters, the author also attempts to further develop and improve efforts in the field of transcultural philosophy and by eo ipso, the navigation of Bosnian and Herzegovinian cultural differences in today’s world.
Confucian political philosophy has recently emerged as a vibrant area of thought both in China and around the globe. This book provides an accessible introduction to the main perspectives and topics being debated today, and shows why Progressive Confucianism is a particularly promising approach. Students of political theory or contemporary politics will learn that far from being confined to a museum, contemporary Confucianism is both responding to current challenges and offering insights from which we can all learn. The Progressive Confucianism defended here takes key ideas of the twentieth-century Confucian philosopher Mou Zongsan (1909-1995) as its point of departure for exploring issues like political authority and legitimacy, the rule of law, human rights, civility, and social justice. The result is anti-authoritarian without abandoning the ideas of virtue and harmony; it preserves the key values Confucians find in ritual and hierarchy without giving in to oppression or domination. A central goal of the book is to present Progressive Confucianism in such a way as to make its insights manifest to non-Confucians, be they philosophers or simply citizens interested in the potential contributions of Chinese thinking to our emerging, shared world.
This edited volume presents a comprehensive examination of contemporary Confucian philosophy from its roots in the late 19th century to the present day. It provides a thorough introduction to the major philosophers and topics in contemporary Confucian philosophy. The individual chapters study the central figures in 20th century Confucian philosophy in China, Taiwan, and Hong Kong, as well as the important influences on recent Confucian philosophy. In addition, topical chapters focus on contemporary Confucian theory of knowledge, ethics, politics, aesthetics, and views of human nature. The volume brings together scholars from around the world to provide a sound overview of the philosophy of the period and illustrate the important current debates. Confucian philosophy has been undergoing a revival in China for more than three decades, and this book presents the most significant work of the past century and more. By giving a detailed account of the philosophical positions involved, explaining the terminology of contemporary Confucian philosophy, and situating the views in their historical context, this volume enables the reader to understand what is at stake and evaluate the arguments.
Understanding Chinese philosophy requires knowledge of the referential framework prevailing in Chinese intellectual traditions. But Chinese philosophical texts are frequently approached through the lens of Western paradigms. Analysing the most common misconceptions surrounding Western Sinology, Jana Rošker alerts us to unseen dangers and introduces us to a new more effective way of reading Chinese philosophy. Acknowledging that different cultures produce different reference points, Rošker explains what happens when we use rational analysis, a major feature of the European intellectual tradition, to read Chinese philosophy. We rely on impossible comparisons, arrive at prejudiced assumptions and fail to arrive at the truth, the consequence of applying a different methodology to the process of perceiving, understanding and interpreting reality. Instead of transferring concepts and categories from Western sinology onto socio-cultural Chinese contexts, Rošker constructs a new methodology of reading, understanding and interpreting Chinese philosophy. She opens our eyes to the basic problems of Western paradigms, encourages intercultural approaches and allows us to master a more autochthonous understanding of Chinese philosophy.
Genuine Pretending is an innovative and comprehensive new reading of the Zhuangzi that highlights the critical and therapeutic functions of satire and humor. Hans-Georg Moeller and Paul J. D’Ambrosio show how this Daoist classic, contrary to contemporary philosophical readings, distances itself from the pursuit of authenticity and subverts the dominant Confucianism of its time through satirical allegories and ironical reflections. With humor and parody, the Zhuangzi exposes the Confucian demand to commit to socially constructed norms as pretense and hypocrisy. The Confucian pursuit of sincerity establishes exemplary models that one is supposed to emulate. In contrast, the Zhuangzi parodies such venerated representations of wisdom and deconstructs the very notion of sagehood. Instead, it urges a playful, skillful, and unattached engagement with socially mandated duties and obligations. The Zhuangzi expounds the Daoist art of what Moeller and D’Ambrosio call “genuine pretending”: the paradoxical skill of not only surviving but thriving by enacting social roles without being tricked into submitting to them or letting them define one’s identity. A provocative rereading of a Chinese philosophical classic, Genuine Pretending also suggests the value of a Daoist outlook today as a way of seeking existential sanity in an age of mass media’s paradoxical quest for originality.