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"Model Making for the Stage explains the practical techniques that will promote accurate scale model making for the theatre. Topics covered include: practical information about model-making materials and setting up a good working environment; foundation skills, techniques and exercises to introduce model making; how to construct scale interiors, exteriors and furniture, and create accurate scale figures; different types of model within a design process; the scenographic model as a communication tool; collaborating with the director and fellow designers as an integral part of model-making process; the importance of considering the performers during the model-making process; information about theatre technology, scenic construction and painting; and presenting the final scenographic model"--Publisher's description.
Prop makers everywhere now have available to them a broader range of products and processes than every before. Making Stage Props is a book for anyone involved in prop making who wishes to explore the wealth of materials and techniques open to them. This highly illustrated guide covers planning, costing, and scheduling; tools and safety; working with wood, steel, and clay; making and repairing furniture; painting and finishing; and more. Andy Wilson has worked with theatrical companies throughout Britain, including the Royal Shakespeare Company. He currently teaches propmaking at the Guildhall School of Music and Drama.
The Handbook of Model-making for Set Designers describes the entire process of making scale models for stage sets, from the most basic cutting and assembling methods to more advanced skills, including painting, texturing and finishing techniques, and useful hints on presenting the completed model. Many drawings and colour photographs of the writer's own work illustrate the text. Some state-of-the-art computerized techniques are described here for the first time in a book of this kind, including many ways in which digital techniques can be used in combination with the more traditional methods to enhance the model-maker's work. This book will be of use not only to theatre designers, but to anyone with an interest in scale models of any kind. The book covers; tools and materials; painting and texturing; architectural models; people, trees and organic elements; moving parts; furniture and dressings. Superbly illustrated with 200 colour photographs and drawings.
Model-making: Materials and Methods focuses primarily on the wide variety of materials that can be employed to make models; those which have been favoured for a while and those which are relatively new. The book looks at how these materials behave and how to get the best out of them, then illustrates a range of relatively simple methods of building, shaping, modelling, surfacing and painting with them. Useful features of the book include: the different uses of models in various disciplines; the sequence of making; planning and construction, creating surfaces, painting and finishing; methods of casting, modelling and working with metals; step-by-step accounts of the making of specially selected examples; simple techniques without the need for expensive tools or workshop facilities; a 'Directory' of a full range of materials, together with an extensive list of suppliers. This book is intended for students of theatre production, art & architecture, animation and theatre/television set designers where accurate scale models are necessary, and is also of interest to anyone involved with the process of making forms in 3D and the challenge of making small-scale forms in general. Superbly illustrated with 185 colour photographs.
Scenic Construction for the Stage is a comprehensive guide to the practical processes involved in constructing scenery for the theatre. Offering key insight into the role of the scenic carpenter, Mark Tweed details the progression from interpreting design, model boxes and drawings, to material selection, fabrication and finishing. Additional topics include advice for developing accuracy, finish and consistency; tool selection and sharpening; CDM, Health and Safety; practical workshop mathematics and geometry, and how to fit ironmongery. With an in-depth but accessible approach, this practical book offers advice on how to start out and improve as a scenic carpenter, building a solid repertoire of reliable techniques and working practices to achieve professional results. Includes a foreword by Sir Kenneth Branagh and illustrated throughout with 350 colour photographs and 34 technical drawings and detailed step-by-step instructions.
With advances in information technology and expertise in modeling, IRI introduced model-based services in the US that explain and predict essential parts of the marketplace. ACNielsen followed, and marketing researchers have been developing increasingly valid, useful and relevant models of marketplace behavior ever since. Models that provide information about the sensitivity of market behavior to marketing activities such as advertising, pricing, promotions and distribution are now routinely used by managers for the identification of changes in marketing programs that can improve brand performances. Building Models for Marketing Decisions, Second Edition describes up-dated marketing models that managers can use as an aid in decision making.
Filled with dozens of photos, illustrations, and technical diagrams, Todd Muffatti’s Creative and Successful High School Set Design guides theatre teachers through the preparation and design steps necessary to build an appropriate and effective stage set. Using his 40-year career as a professional set designer and university professor, Muffatti shares tips from his creative process and offers practical ideas about how to approach and accomplish imaginative set designs for high school theatre. Creative and Successful High School Set Design discusses the spatial relationship of the auditorium and stage, the factors to be considered when choosing a script, and the research necessary to arrive at a proper visual metaphor for a production. Muffatti covers many design style options and creative approaches that don’t require extensive building expertise, large amounts of time, or great expense. He shows how a small stock of basic scenery can be used to creatively serve multiple set designs with minimal additions. Muffatti outlines the skills involved in the design process — from sketching and drafting, to set dressing and model building — and provides illustrations to offer further guidance. Creative and Successful High School Set Design instills in high school drama teachers the imaginative, practical, and safe set designing habits that will help lift their students’ dramatic performances to their highest levels of achievement.
Sound Design for the Stage is a practical guide to designing, creating and developing the sound for a live performance. Based on the author's extensive industry experience, it takes the reader through the process of creating a show, from first contact to press night, with numerous examples from high-profile productions. Written in a detailed but accessible approach, this comprehensive book offers key insights into a fast-moving industry. Topics covered include: how to analyze a script to develop ideas and concepts; how to discuss your work with a director; telling the emotional story; working with recorded and live music; how to record, create, process and abstract sound; designing for devised work; key aspects of acoustics and vocal intelligibility; the politics of radio mics and vocal foldback; how to design a sound system and, finally, what to do when things go wrong. It will be especially useful for emergent sound designers, directors and technical theatre students. Focusing on the creative and collaborative process between sound designer, director, performer and writer, it is fully illustrated with 114 colour photographs and 33 line artworks. Gareth Fry is an Olivier and Tony award-winning sound designer and an honorary fellow of the Royal Central School of Speech and Drama. It is another title in the new Crowood Theatre Companions series.