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Scholars and lay persons alike routinely express concern about the capacity of democratic publics to respond rationally to emotionally charged issues such as crime, particularly when race and class biases are invoked. This is especially true in the United States, which has the highest imprisonment rate in the developed world, the result, many argue, of too many opportunities for elected officials to be highly responsive to public opinion. Limiting the power of democratic publics, in this view, is an essential component of modern governance precisely because of the risk that broad democratic participation can encourage impulsive, irrational and even murderous demands. These claims about panic-prone mass publics--about the dangers of 'mob rule'--are widespread and are the central focus of Lisa L. Miller's The Myth of Mob Rule. Are democratic majorities easily drawn to crime as a political issue, even when risk of violence is low? Do they support 'rational alternatives' to wholly repressive practices, or are they essentially the bellua multorum capitum, the "many-headed beast," winnowing problems of crime and violence down to inexorably harsh retributive justice? Drawing on a comparative case study of three countries--the U.S., the U.K. and the Netherlands--The Myth of Mob Rule explores when and with what consequences crime becomes a politically salient issue. Using extensive data from multiple sources, the analyses reverses many of the accepted causal claims in the literature and finds that: serious violence is an important underlying condition for sustained public and political attention to crime; the United States has high levels of both crime and punishment in part because it has failed, in racially stratified ways, to produce fundamental collective goods that insulate modern democratic citizens from risk of violence, a consequence of a democratic deficit, not a democratic surplus; and finally, countries with multi-party parliamentary systems are more responsive to mass publics than the U.S. on crime and that such responsiveness promotes protection from a range of social risks, including from excessive violence and state repression.
How much sex should a person have? With whom? What do we make of people who choose not to have sex at all? As present as these questions are today, they were subjects of intense debate in the early American republic. In this richly textured history, Kara French investigates ideas about, and practices of, sexual restraint to better understand the sexual dimensions of American identity in the antebellum United States. French considers three groups of Americans—Shakers, Catholic priests and nuns, and followers of sexual reformer Sylvester Graham—whose sexual abstinence provoked almost as much social, moral, and political concern as the idea of sexual excess. Examining private diaries and letters, visual culture and material artifacts, and a range of published works, French reveals how people practicing sexual restraint became objects of fascination, ridicule, and even violence in nineteenth-century American culture. Against Sex makes clear that in assessing the history of sexuality, an expansive view of sexual practice that includes abstinence and restraint can shed important new light on histories of society, culture, and politics.
As a minister in the African Methodist Episcopal Church, an army chaplain, a college professor, and a prolific writer, Theophilus Gould Steward was one of America's leading black intellectuals during the half-century following Emancipation. He was not only a theologian deeply committed to challenging his church's outlook, he also epitomized postbellum efforts to create an African American civil society through religious, educational, and social institutions integral to citizenship. Steward actively constructed a theological discourse that challenged both black and white religious and secular institutions, yet his tenacious pursuit of high standards often led him into conflict with the very community he served. A. G. Miller takes a new look at this key figure in African American history to establish Steward's place among the most influential thinkers and activists of the late nineteenth century. Augmenting what is already known about Steward's life with a thoughtful combination of intellectual and social history, Miller presents Steward's ideas within the context of the social, political, economic, and religious trends of his day. Miller examines Steward's accomplishments and writings--including his unpublished manuscripts and his overlooked Victorian novel--to assess the ideas that he left to posterity and to consider how they shaped his times. The book devotes individual chapters to the key themes that dominated Steward's life: African American education, reconciling theology with modern science, the intersection of rational theology and moral virtues, the contradictions of race, the role of women in African American civil society, and Steward's views on the military and imperialism. With great insight and clarity, Miller discloses in a new and original way the rich life and thought of this extraordinary man. His study is both a groundbreaking analysis of Steward's legacy and an important contribution to the history of American religious thought. The Author: A. G. Miller is assistant professor of religion and Nord Faculty Fellow at Oberlin College and an ordained minister in the Pentecostal Church.
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What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.