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Reno was the first US city to fully embrace its destiny as a gaming capital, and even before gaming was legalized in 1931 the city was the one place gangsters from Chicago and the Midwest wanted to go, for safety, sanctuary, and of course the booze, the broads, and the banking services to launder their kidnapping and hold-up loot. Bank robbers like Alvin Karpis, kidnappers like Ma Barker and her sons, and even “Baby Face" Nelson came to stay, play, and enjoy the show. Reno had it all, and they had their own Mob who controlled the vices, legal or otherwise. Eventually, Lucky Luciano, Tony Accardo, Sam Giancana and others took note and joined the easy profits and the skim in Reno. This is the true story. The story of four men who ran things with no remorse. Coercion, arson, murder.
Las Vegas was the Mob's greatest venture and most spectacular success, and through 40 years of frenzy, murder, deceit, scams, and skimming, the FBI listened on phone taps and did virtually nothing to stop the fun. This is the truth about the Mob's control of the casinos in Vegas like you've never heard it before, from start to finish. Two of the nation's most powerful crime family bosses went to prison in the 1930's: Al Capone and Lucky Luciano. Frank Nitti took over the Chicago Outfit, while Frank Costello ran things for the Luciano Family. Both men were influenced by their bosses from prison, and both sent enough gangsters into the streets to influence loan sharking, extortion, union control, and drug sales. Bugsy Siegel worked for both groups, handling a string of murders and opening up gaming on the west coast, and that included Las Vegas, an oasis of sin in the middle of the desert - and it was legal. Most of it. The FBI watched as the Mob took control of casino after casino, killed off the competition, and stole enough money to bribe their way to respectability back home. By the 1950's, nearly every major crime family had a stake in a Las Vegas casino. Some did better than others. Casino owners watched-over their profits while competing crime families eyed each other's success like jealous lovers. Murder often followed.
Reno was truly Hell on Wheels in the 1920's. The rest of the nation considered the town Sodom and Gomorra, but that's only half the truth. Reno offered everything in the way of adult entertainment, from speakeasy's and houses of ill-repute, to open gaming - legal or not. And it took plenty of sins by the founding fathers to make Reno "The biggest little city in the world." When the gold-veins of Tonopah and Goldfield ran out, the casino owners moved to Reno, where even greater riches awaited. Together, a group of four men (Nick Abelman, Bill Graham, Jim McKay, George Wingfield) took over Reno's casinos and held sway over the town for the next three decades. Together they administered policy, collected juice, ran politicians, and owned the red-light district and most of the town's casinos. When that wasn't enough they took over the banks and laundered money for crooks like "Pretty Boy" Floyd, Alvin Karpis, and Ma Barker's boys, and offered safety to "Baby Face" Nelson. It was a good gig. The Reno Four dictated policy all over Northern Nevada, taking special care of Reno and Lake Tahoe casinos up until the late 1950's. Their influence made Reno before Bill Harrah or "Pappy" Smith ever arrived, needing an introduction and permission to build their own casinos, Harold's Club and Harrah's. This is an expansion, an unabridged version of "Mob City - Reno" with much to tell about Nevada's gold mining towns.
A detailed listing of illegal gambling clubs in Toledo, Ohio and the people that operated. Also included are listings of gambling chips and dice used in the clubs.
WINNER OF 12 LITERARY AND DESIGN AWARDS! The unreal but TRUE story of the unknown casino that changed Las Vegas forever! After a horrific blaze destroyed Willie Martello's El Rey Club in 1962, fifty years would pass before anyone knew of how that casino and one-time brothel influenced LAS VEGAS casinos, upset the mob, and inadvertently launched the career of Francis Ford Coppola. Were it not for the chance discovery of a single photo in a Las Vegas museum, the El Rey Club would only be known as the seedy brothel where Senator Harry Reid learned to swim. Martello's accomplishments should place him among magnates like Howard Hughes or Steve Wynn, yet very few know his name. Featuring over 140 rare or unseen photos, these vibrant stories are now brought to light! ------------------------------------------------------------------- "Who else could tell the story of Willie Martello? The rare photos alone are worth the price of admission. My only regret is that I didn't write this book." -Robert Graysmith, New York Times Bestselling Author of Zodiac, Auto-Focus, and Black Fire "Quick, funny, and extremely intelligent!" -Mark L. Walberg,Host, Antiques Roadshow (PBS) "A literal time machine...a read that not only unleashes the imagination, but authenticates the splendor of Las Vegas' golden years." -Todd Newton,Emmy-winning game show host, author, and Las Vegas performer "Andy Martello has written a fascinating biography of Willie Martello. It is a long-awaited addition to my Nevada history shelf." -Mark Hall-Patton,Clark County Museum System Administrator,Pawn Stars, American Restoration (The History Channel) "LONG LIVE WILLIE MARTELLO!" -Richard B. Taylor,Author, historian, Las Vegas casino owner WINNER! 2014 International Book, 2014 USA Best Book Awards, Florida Book Festival, Great Southwest Book Festival WINNER! Silver Medals, 2014 Readers' Favorite International Book Awards, 2014 American Advertising Awards for book design (The ADDYs) FINALIST! Best New Non-Fiction, USA Best Book Awards, 2014 Red City Review Book Awards RUNNER-UP! 2014 Hollywood and Beach Book Festivals HONORABLE MENTION!, Great Midwest and Southern California Book Festivals
Set in 1885, The Ox-Bow Incident is a searing and realistic portrait of frontier life and mob violence in the American West. First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.
Set during the Great Depression and based in part on real characters and a series of historical events, Toughs follows the story of Loretto Jones as he finds his life intertwined with the fate of Vince Coll, a 23-year-old Irish gangster who for a brief moment rose to the level of a national celebrity during his war with Dutch Schultz, Owen Madden, and Lucky Luciano. Tagged “Mad Dog Coll” after killing five-year-old Michael Vengelli in a botched assassination attempt, Coll was the subject of a shoot-to-kill order issued by New York City Police Commissioner Edward P. Mulrooney, a $50,000 bounty offered by Dutch Shultz and Owen Madden, and $30,000 in reward money from by the Patrolmen’s Benevolent Association and the city’s newspapers. Loretto and Vince are bound to each other by years spent in an orphanage and on the streets, but in the summer of 1931, with Loretto in love with newly-divorced Gina Baronti, and Vince in thrall to the beautiful Lottie Kriesberger, their world of tough guys in tough times is hurtling toward disaster, and Loretto finds himself faced with impossible choices.
Few New Yorkers are aware that the tenements and storefronts of the East Village, famous for Beat poetry, avant-garde art, and alternative rock music, were a stronghold of mafia racketeering, treachery, and intrigue for almost seventy years. From the 1920s to 1990, mob icons lived in or frequented the East Village, known as part of the Lower East Side until the mid-1960s. In The East Village Mafia, author Thomas F. Comiskey shares the history of this little-known Manhattan mafia enclave that wielded influence on the direction and destiny of organized crime in New York City, telling how: Mafia royalty Lucky Luciano, Joe "the Boss" Masseria, and Joseph Bonanno lived in or frequented the East Village; East Village-bred Mafiosi plotted the assassinations of five Cosa Nostra bosses; Lucky Luciano ordained the East Village to be one of the mafia’s major heroin distribution centers after World War II; A mobster from Avenue A conspired to sell the Vatican millions worth of bogus stocks and bonds, some forged in the East Village; A sit down in Mafia don Joseph Bonanno's favorite Social Club on East Twelfth Street determined control over a New Jersey hotel; and A federal agent from Avenue A and Fifteenth Street became the nemesis of mafia narcotics dealers.
Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.
The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.