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Mikhail Osipovich Gershenzon, philosopher, journalist, and scholar, was one of the most original and eccentric Pushkinists of Russia's Silver Age. His eclectic critical judgment was highly esteemed by his generation's best poets and critics, and many of his idiosyncratic interpretations of Pushkin have become canonical. Brian Horowitz's detailed study illuminates both Pushkin's position as a cultural icon of the Silver Age and Gershenzon's role in establishing and challenging that reputation. As Gershenzon's work mirrors both significant and hidden aspects of the Pushkin scholarship of his day, his articulation of Pushkin as the symbolic key to Russian culture reflects the Silver Age nostalgia for and identification with the Golden Age in which Pushkin wrote. This first book-length study of this important figure provides a vivid sense of the inner workings of Russian literary life in the early part of this century.
Jewishness in Russian Culture is devoted to new approaches and methods for the study of Jewish acculturation in Russian literature and its effects. It attempts to redefine criteria and borders of a discipline situated roughly between Judaica Rossica and Rossica Judaica. The monograph describes a series of important literary Russian-Jewish cultural events and figures belonging synchronically or diachronically to both disciplines. Thus it unites within a new conceptual framework the data accumulated by scholars and disciplines that exist separately in different research spaces that do not overlap, Jewish Studies and the history of Russian culture. The emerging picture shows the development of a historical plot along the axis of acculturation and anti-Semitism, accepting and/or trying to be accepted, being rejected and/or rejecting, and being within or without.
This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
It is commonly held that a strict divide between literature and history emerged in the 19th century, with the latter evolving into a more serious disciple of rigorous science. Yet, in turning to works of historical writing during late Imperial Russia, Frances Nethercott reveals how this was not so; rather, she argues, fiction, lyric poetry, and sometimes even the lives of artists, consistently and significantly shaped historical enquiry. Grounding its analysis in the works of historians Timofei Granovskii, Vasilii Klyuchevskii, and Ivan Grevs, Writing History in Late Imperial Russia explores how Russian thinkers--being sensitive to the social, cultural, and psychological resonances of creative writing--drew on the literary canon as a valuable resource for understanding the past. The result is a novel and nuanced discussion of the influences of literature on the development of Russian historiography, which shines new light on late Imperial attitudes to historical investigation and considers the legacy of such historical practice on Russia today.
Catherine Evtuhov resurrects the brilliant and contradictory currents of turn-of-the-century Kiev, Moscow, and St. Petersburg through an intellectual biography of Sergei Bulgakov (1871–1944), one of the central figures of the Silver Age. The son of a provincial priest, Bulgakov served first as one of Russia's most original and influential interpreters of Marx, and then went on to become the century's most important theologian of the Orthodox faith. As Evtuhov recounts the story of Bulgakov's spiritual evolution, she traces the impact of seemingly opposed philosophical and religious world views on one another and on the course of political events. In the first comprehensive analysis of Bulgakov's most important religious-philosophical work, Philosophy of Economy, Evtuhov identifies a "perceptual revolution" in Russian thinking about economy, a significant contribution to European modernist thought which both shaped and grew out of contemporary debates over land reforms. She reconstructs Bulgakov's vision of an Orthodox, constitutional Russia, shows how he tried to put it into practice in the wake of the February Revolution, and demonstrates its importance for a large and influential portion of Russian society.
Translated for the first time in English, Lev Levanda's brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government. Despite being Russia's best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration.
A collection of essays first published in Moscow in 1909. Writing from various points of view, the authors reflect the diverse experiences of Russia's failed 1905 revolution. Condemned by Lenin and rediscoverd by dissidents, this translation has relevance for discussions on contemporary Russia.
Abstracts of dissertations available on microfilm or as xerographic reproductions.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies