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Reprinting of Noah's address, which includes a historical sketch of Palestine in antiquity, a call for the restoration of the Jews to Palestine, and the rebuilding of a Jerusalem Temple, near but not on the site of the ancient Temple.
How can the tracks of dinosaurs best be interpreted and used to reconstruct them? In many Mesozoic sedimentary rock formations, fossilized footprints of bipedal, three-toed (tridactyl) dinosaurs are preserved in huge numbers, often with few or no skeletons. Such tracks sometimes provide the only clues to the former presence of dinosaurs, but their interpretation can be challenging: How different in size and shape can footprints be and yet have been made by the same kind of dinosaur? How similar can they be and yet have been made by different kinds of dinosaurs? To what extent can tridactyl dinosaur footprints serve as proxies for the biodiversity of their makers? Profusely illustrated and meticulously researched, Noah's Ravens quantitatively explores a variety of approaches to interpreting the tracks, carefully examining within-species and across-species variability in foot and footprint shape in nonavian dinosaurs and their close living relatives. The results help decipher one of the world's most important assemblages of fossil dinosaur tracks, found in sedimentary rocks deposited in ancient rift valleys of eastern North America. Those often beautifully preserved tracks were among the first studied by paleontologists, and they were initially interpreted as having been made by big birds—one of which was jokingly identified as Noah's legendary raven.
Part 1 of a three part series, City of promises : a history of the Jews of New York, Deborah Dash Moore, general editor.
While battling negative stereotypes, American Jews carved out new roles for themselves within the first theatrical entertainments in America. Jewish citizens were active as performers, playwrights, critics, managers, and theatrical shareholders, and often tied their involvement in these endeavors to the patriotic rhetoric of the young republic as they struggled to establish themselves in the new nation. Examining play texts, theatrical reviews, political discourse, and public performances of Jewish rights and rituals, Hideous Characters and Beautiful Pagans argues that Jewish stage types shed light on our understanding of the status of Jewish Americans during a critical historical period. Using an eclectic range of sources including theatrical reviews, diaries, letters, cartoons, portraiture, tax records, rumors flying around the tavern, and more, Heather S. Nathans has listened for the echoes of vanished audiences who witnessed and responded to these stereotypes onstage, from the earliest appearance of Shylock on an American stage in 1752 to Jewish theater artists on the eve of the Civil War. The book integrates social, political, and cultural histories, with an examination of those texts (both dramatic and literary) that shaped the stage Jew.