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Each page is actually three pages to flip and match to create peculiar dinosaur pictures and names.
A history of the rise and fall of Sloanist mass production, and a survey of the new economy emerging from the ruins: networked local manufacturing, garage industry, household microenterprises and resilient local economies.
Appearing between two historical touchstones--the alleged end of communism and the 100th anniversary of Nietzsche's death--this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his argument by bringing Marxist--especially Gramscian and Althusserian--theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche's published and unpublished texts, Nietzsche's Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche--in however distorted a form and in a way that compromises all of our best interests. Controversial in its "decelebration" of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche's corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.
Falling asleep in a rocket ship, Garfield wakes up on Mars, where he meets tiny green Martians.
There's a terrible storm brewing. It's coming soon. It could mean the end of everything! And only the cats and dogs sense its approach! How can they warn the humans about this impending doom? It's up to the ever-resourceful Garfield to discover a solution. He's racing against time and the deadly storm, but with the help of all the pets in town, and a little Garfield genius, he might find a way to avert disaster! There's no rest for the weary, Garfield. Judgment Day is right around the corner!
“In his novel of Texas, The Gay Place, Billy Lee Brammer famously wrote that ‘the country is most barbarously large and final.’ And indeed it is. Few artists and writers and photographers are big enough to embrace it. This book is proof that Kenny Braun is one who does, which is great news for the rest of us.” —S. C. Gwynne, from the foreword Texas continually awes and surprises with its natural beauty. Within the state’s quarter-million square miles are scenic landscapes as varied as the rugged desert mountains of the Big Bend country, cypress swamps and old-growth forests in the piney woods, ocean beaches and dunes along the Gulf Coast, and stretches of the Great Plains that spread as widely over the earth as the skies above. Kenny Braun has traveled the length and breadth of Texas photographing its vast lands. In As Far as You Can See, he presents a portfolio of stunning images that capture the natural splendor of the entire state. From sweeping landscape shots to detailed close-ups, Braun’s photographs offer fresh, lovely views of Texas. He has a keen eye for the unexpected scene, whether it be the refreshing depths of the Balmorhea pool in arid West Texas or the Tuscan-like look of a Fredericksburg vineyard. Even when he photographs iconic spots such as Enchanted Rock or Caddo Lake, Braun finds new perspectives that allow viewers to see these familiar places as if for the first time. Accompanying the images are a brief introduction by Braun and a foreword by the Pulitzer Prize finalist and New York Times best-selling author S. C. Gwynne. This winning combination of photographs and words makes As Far as You Can See a must-have book to own and to give.
Make lunch, not landfills! In this eco-friendly guide for the environmentally challenged, Garfield offers tips and quips for pampering the planet.
America's sassiest, grouchiest, funniest, and chubbiest cat is up to his old tricks—and up to some new tricks too! Garfield celebrates living by fighting fleas, falling in love, and composing a history of dogs. This fourth Garfield extravaganza also features A Morning with Garfield and Garfield's only biography of his creator, Jim Davis. The GARFIELD CLASSICS series collects the early years of the Garfield comic strip. Garfield may have gone through a few changes, but one thing has stayed the same: his enormous appetite for food and fun. So laugh along with the classic cat, because classics are always in style.