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All the design and development inspiration and direction an audio engineer needs in one blockbuster book! Douglas Self has selected the very best sound engineering design material from the Focal and Newnes portfolio and complied it into this volume. The result is a book covering the gamut of sound engineering. The material has been selected for its timelessness as well as for its relevance to contemporary sound engineering issues.
With this revised edition (2022) of Understanding the Audio Mixer, the reader can quickly and easily learn the basics of operating a sound reinforcement system. Great for beginning and upcoming sound engineers, this brief but thorough book is packed with easy-to-follow instructions and helpful illustrations. Both digital and analog mixing boards are addressed with an emphasis on how digital mixers emulate their analog counterparts. This understanding will help the budding church or band sound engineer get a jump start on sound system operation. This concise guide will help clarify digital mixing confusion and act as a complete primer for analog mixer users. This is a non-technical, to-the-point layperson’s guide to get the reader started as a sound engineer. Topics covered include: Understanding the mixer’s channels and master section Setting the Gain Control (digital and analog mixers) Using Aux Sends and Returns Equalization Controlling feedback Basics of using compressors Using Groups and DCAs (VCAs for analog) Phantom Power Adding effects Using monitor mixes Connectors found on mixers A sound system’s basic signal path Avoiding common operator errors
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
Provides an introduction to fundamental mixer types, as well as variations on the classical mixer designs.
This updated and expanded new edition equips students with a thorough understanding of the state-of-the-art in radio frequency (RF) design and the practical knowledge and skills needed in industry. Introductory and advanced topics are covered in-depth, with clear step-by-step explanations, including core topics such as RF components, signals and systems, two-ports, noise, distortion, low-noise amplifiers, power amplifiers, and transceiver architectures. New material has been added on wave propagation, skin effect, antennas, mixers and oscillators, and digital PAs and transmitters. Two new chapters detail the analysis and design of RF and IF filters (including SAW and FBAR duplexers and N-path filters), phase-locked loops, frequency synthesizers, digital PLLs, and frequency dividers. Theory is linked to practice through real-world applications, practical design examples, and exploration of the pros and cons of various topologies. Over 250 homework problems are included, with solutions and lecture slides for instructors available online. With its uniquely practical and intuitive approach, this is an essential text for graduate courses on RFICs and a useful reference for practicing engineers.
(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.
A classroom-tested book addressing key issues of electrical noise This book examines noise phenomena in linear and nonlinear high-frequency circuits from both qualitative and quantitative perspectives. The authors explore important noise mechanisms using equivalent sources and analytical and numerical methods. Readers learn how to manage electrical noise to improve the sensitivity and resolution of communication, navigation, measurement, and other electronic systems. Noise in High-Frequency Circuits and Oscillators has its origins in a university course taught by the authors. As a result, it is thoroughly classroom-tested and carefully structured to facilitate learning. Readers are given a solid foundation in the basics that allows them to proceed to more advanced and sophisticated themes such as computer-aided noise simulation of high-frequency circuits. Following a discussion of mathematical and system-oriented fundamentals, the book covers: * Noise of linear one- and two-ports * Measurement of noise parameters * Noise of diodes and transistors * Parametric circuits * Noise in nonlinear circuits * Noise in oscillators * Quantization noise Each chapter contains a set of numerical and analytical problems that enable readers to apply their newfound knowledge to real-world problems. Solutions are provided in the appendices. With their many years of classroom experience, the authors have designed a book that is ideal for graduate students in engineering and physics. It also addresses key issues and points to solutions for engineers working in the burgeoning satellite and wireless communications industries.
The homogenization of single phase gases or liquids with chemical reactive components by mixing belongs to one of the oldest basic operations applied in chemical engineering. The mixing process is used as an essential step in nearly all processes of the chemical industry as well as the pharmaceutical and food ind- tries. Recent experimentally and theoretically based results from research work lead to a fairly good prediction of the velocity fields in differend kinds of mixers, where as predictions of simultaneously proceeding homogeneous chemical re- tions, are still not reliable in a similar way. Therefore the design of equipment for mixing processes is still derived from measurements of the so called “mixing time” which is related to the applied methods of measurement and the special - sign of the test equipment itself. The cooperation of 17 research groups was stimulated by improved modern methods for experimental research and visualization, for simulations and nume- cal calculations of mixing and chemical reactions in micro and macro scale of time and local coordinates. The research work was financed for a six years period within the recently finished Priority Program of the German Research Foundation (DFG) named “Analysis, modeling and numerical prediction of flow-mixig with and without chemical reactions (SPP 1141)”. The objective of the investigations was to improve the prediction of efficiencies and selectivities of chemical re- tions on macroscopic scale.